Robert Turner's Revenge book cover

Robert Turner's Revenge

"Robert Turner's Revenge" is a lesser-known work by Lucy Maud Montgomery, best known for her classic novel "Anne of Green Gables." This story delves into themes of love, revenge, and redemption, following the character of Robert Turner as he navigates the complexities of his relationships and seeks to overcome past grievances. With Montgomery's signature blend of rich character development and evocative prose, the narrative explores the consequences of choices made in the heat of emotion and the possibility of forgiveness. It captures the essence of human experiences and the enduring struggle between hurt and healing.


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Submitted by davidb on February 10, 2025


								
When Robert Turner came to the green, ferny triangle where the station road forked to the right and left under the birches, he hesitated as to which direction he would take. The left led out to the old Turner homestead, where he had spent his boyhood and where his cousin still lived; the right led down to the Cove shore where the Jameson property was situated. Since he had stopped off at Chiswick for the purpose of looking this property over before foreclosing the mortgage on it he concluded that he might as well take the Cove road; he could go around by the shore afterward--he had not forgotten the way even in forty years--and so on up through the old spruce wood in Alec Martin's field--if the spruces were there still and the field still Alec Martin's--to his cousin's place. He would just about have time to make the round before the early country supper hour. Then a brief visit with Tom--Tom had always been a good sort of a fellow although woefully dull and slow-going--and the evening express for Montreal. He swung with a businesslike stride into the Cove road. As he went on, however, the stride insensibly slackened into an unaccustomed saunter. How well he remembered that old road, although it was forty years since he had last traversed it, a set-lipped boy of fifteen, cast on the world by the indifference of an uncle. The years had made surprisingly little difference in it or in the surrounding scenery. True, the hills and fields and lanes seemed lower and smaller and narrower than he remembered them; there were some new houses along the road, and the belt of woods along the back of the farms had become thinner in most places. But that was all. He had no difficulty in picking out the old familiar spots. There was the big cherry orchard on the Milligan place which had been so famous in his boyhood. It was snow-white with blossoms, as if the trees were possessed of eternal youth; they had been in blossom the last time he had seen them. Well, time had not stood still with him as it had with Luke Milligan's cherry orchard, he reflected grimly. His springtime had long gone by. The few people he met on the road looked at him curiously, for strangers were not commonplace in Chiswick. He recognized some of the older among them but none of them knew him. He had been an awkward, long-limbed lad with fresh boyish colour and crisp black curls when he had left Chiswick. He returned to it a somewhat portly figure of a man, with close-cropped, grizzled hair, and a face that looked as if it might be carved out of granite, so immobile and unyielding it was--the face of a man who never faltered or wavered, who stuck at nothing that might advance his plans and purposes, a face known and dreaded in the business world where he reigned master. It was a cold, hard, selfish face, but the face of the boy of forty years ago had been neither cold nor hard nor selfish. Presently the homesteads and orchard lands grew fewer and then ceased altogether. The fields were long and low-lying, sloping down to the misty blue rim of sea. A turn of the road brought him in sudden sight of the Cove, and there below him was the old Jameson homestead, built almost within wave-lap of the pebbly shore and shut away into a lonely grey world of its own by the sea and sands and those long slopes of tenantless fields. He paused at the sagging gate that opened into the long, deep-rutted lane and, folding his arms on it, looked earnestly and scrutinizingly over the buildings. They were grey and faded, lacking the prosperous appearance that had characterized them once. There was an air of failure about the whole place as if the very land had become disheartened and discouraged. Long ago, Neil Jameson, senior, had been a well-to-do man. The big Cove farm had been one of the best in Chiswick then. As for Neil Jameson, Junior, Robert Turner's face always grew something grimmer when he recalled him--the one person, boy and man, whom he had really hated in the world. They had been enemies from childhood, and once in a bout of wrestling at the Chiswick school Neil had thrown him by an unfair trick and taunted him continually thereafter on his defeat. Robert had made a compact with himself that some day he would pay Neil Jameson back. He had not forgotten it--he never forgot such things--but he had never seen or heard of Neil Jameson after leaving Chiswick. He might have been dead for anything Robert Turner knew. Then, when John Kesley failed and his effects turned over to his creditors, of whom Robert Turner was the chief, a mortgage on the Cove farm at Chiswick, owned by Neil Jameson, had been found among his assets. Inquiry revealed the fact that Neil Jameson was dead and that the farm was run by his widow. Turner felt a pang of disappointment. What satisfaction was there in wreaking revenge on a dead man? But at least his wife and children should suffer. That debt of his to Jameson for an ill-won victory and many a sneer must be paid in full, if not to him, why, then to his heirs. His lawyers reported that Mrs. Jameson was two years behind with her interest. Turner instructed them to foreclose the mortgage promptly. Then he took it into his head to revisit Chiswick and have a good look at the Cove farm and other places he knew so well. He had a notion that it might be a decent place to spend a summer month or two in. His wife went to seaside and mountain resorts, but he liked something quieter. There was good fishing at the Cove and in Chiswick pond, as he remembered. If he liked the farm as well as his memory promised him he would do, he would bid it in himself. It would make Neil Jameson turn in his grave if the penniless lad he had jeered at came into the possession of his old ancestral property that had been owned by a Jameson for over one hundred years. There was a flavour in such a revenge that pleased Robert Turner. He smiled one of his occasional grim smiles over it. When Robert Turner smiled, weather prophets of the business sky foretold squalls. Presently he opened the gate and went through. Halfway down the lane forked, one branch going over to the house, the other slanting across the field to the cove. Turner took the latter and soon found himself on the grey shore where the waves were tumbling in creamy foam just as he remembered them long ago. Nothing about the old cove had changed; he walked around a knobby headland, weather-worn with the wind and spray of years, which cut him off from sight of the Jameson house, and sat down on a rock. He thought himself alone and was annoyed to find a boy sitting on the opposite ledge with a book on his knee. The lad lifted his eyes and looked Turner over with a clear, direct gaze. He was about twelve years old, tall for his age, slight, with a delicate, clear-cut face--a face that was oddly familiar to Turner, although he was sure he had never seen it before. The boy had oval cheeks, finely tinted with colour, big, shy blue eyes quilled about with long black lashes, and silvery-golden hair lying over his head in
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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