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"Mrs. Skaggs's Husbands" is a humorous and insightful short story by Bret Harte, set in the American West during the late 19th century. The narrative follows Mrs. Skaggs, a resilient and resourceful woman who has had multiple husbands, each with their own unique quirks and characteristics. The story explores themes of gender roles, love, and the complexity of relationships, all while offering a satirical look at frontier life. Harte's deft storytelling and vibrant characters make this tale a delightful reflection on the challenges and triumphs of marriage in a rugged landscape.


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Submitted by davidb on February 06, 2025


								
But you allus liked him better nor me," said Bill, bitterly. "Forgive me, Bill," said the young man, seizing both his hands. "I know you did it for the best; but go on." "Thar ain't much more to tell, nor much use to tell it, as I can see," said Bill, moodily. "He never could be cured, the doctors said, for he had what they called monomania,--was always talking about his wife and darter that somebody had stole away years ago, and plannin' revenge on that somebody. And six months ago he was missed. I tracked him to Carson, to Salt Lake City, to Omaha, to Chicago, to New York,--and here!" "Here!" echoed Islington. "Here! And that's what brings me here to-day. Whethers he's crazy or well, whethers he's huntin' you or lookin' up that other man, you must get away from here. You mustn't see him. You and me, Tommy, will go away on a cruise. In three or four years he'll be dead or missing, and then we'll come back. Come." And he rose to his feet. "Bill," said Islington, rising also, and taking the hand of his friend, with the same quiet obstinacy that in the old days had endeared him to Bill, "wherever he is, here or elsewhere, sane or crazy, I shall seek and find him. Every dollar that I have shall be his, every dollar that I have spent shall be returned to him. I am young yet, thank God, and can work; and if there is a way out of this miserable business, I shall find it." "I knew," said Bill, with a surliness that ill concealed his evident admiration of the calm figure before him--"I knew the partikler style of d--n fool that you was, and expected no better. Good by, then--God Almighty! who's that?" He was on his way to the open French window, but had started back, his face quite white and bloodless, and his eyes staring. Islington ran to the window, and looked out. A white skirt vanished around the corner of the veranda. When he returned, Bill had dropped into a chair. "It must have been Miss Masterman, I think; but what's the matter?" "Nothing," said Bill, faintly; "have you got any whiskey handy?" Islington brought a decanter, and, pouring out some spirits, handed the glass to Bill. Bill drained it, and then said, "Who is Miss Masterman?" "Mr. Masterman's daughter; that is, an adopted daughter, I believe." "Wot name?" "I really don't know," said Islington, pettishly, more vexed than he cared to own at this questioning. Yuba Bill rose and walked to the window, closed it, walked back again to the door, glanced at Islington, hesitated, and then returned to his chair. "I didn't tell you I was married--did I?" he said suddenly, looking up in Islington's face with an unsuccessful attempt at a reckless laugh. "No," said Islington, more pained at the manner than the words. "Fact," said Yuba Bill. "Three years ago it was, Tommy,--three years ago!" He looked so hard at Islington, that, feeling he was expected to say something, he asked vaguely, "Who did you marry?" "Thet's it!" said Yuba Bill; "I can't ezactly say; partikly, though, a she devil! generally, the wife of half a dozen other men." Accustomed, apparently, to have his conjugal infelicities a theme of mirth among men, and seeing no trace of amusement on Islington's grave face, his dogged, reckless manner softened, and, drawing his chair closer to Islington, he went on: "It all began outer this: we was coming down Watson's grade one night pretty free, when the expressman turns to me and sez, 'There's a row inside, and you'd better pull up!' I pulls up, and out hops, first a woman, and then two or three chaps swearing and cursin', and tryin' to drag some one arter them. Then it 'pear'd, Tommy, thet it was this woman's drunken husband they was going to put out for abusin' her, and strikin' her in the coach; and if it hadn't been for me, my boy, they'd hev left that chap thar in the road. But I fixes matters up by putting her alongside o' me on the box, and we drove on. She was very white, Tommy,--for the matter o' that, she was always one o' these very white women, that never got red in the face,--but she never cried a whimper. Most wimin would have cried. It was queer, but she never cried. I thought so at the time. "She was very tall, with a lot o' light hair meandering down the back of her head, as long as a deer-skin whip-lash, and about the color. She hed eyes thet'd bore you through at fifty yards, and pooty hands and feet. And when she kinder got out o' that stiff, narvous state she was in, and warmed up a little, and got chipper, by G-d, sir, she was handsome,--she was that!" A little flushed and embarrassed at his own enthusiasm, he stopped, and then said, carelessly, "They got off at Murphy's." "Well," said Islington. "Well, I used to see her often arter thet, and when she was alone she allus took the box-seat. She kinder confided her troubles to me, how her husband got drunk and abused her; and I didn't see much o' him, for he was away in 'Frisco arter thet. But it was all square, Tommy,--all square 'twixt me and her. "I got a going there a good deal, and then one day I sez to myself, 'Bill, this won't do,' and I got changed to another route. Did you ever know Jackson Filltree, Tommy?" said Bill, breaking off suddenly. "No." "Might have heerd of him, p'r'aps?" "No," said Islington, impatiently. "Jackson Filltree ran the express from White's out to Summit, 'cross the North Fork of the Yuba. One day he sez to me, 'Bill, that's a mighty bad ford at the North Fork.' I sez, 'I believe you, Jackson.' 'It'll git me some day, Bill, sure,' sez he. I sez, 'Why don't you take the lower ford?' 'I don't know,' sez he, 'but I can't.' So ever after, when I met him, he sez, 'That North Fork ain't got me yet.' One day I was in Sacramento, and up comes Filltree. He sez, 'I've sold out the express business on account of the North Fork, but it's bound to get me yet, Bill, sure'; and he laughs. Two weeks after they finds his body below the ford, whar he tried to cross, comin' down from the Summit way. Folks said it was foolishness: Tommy, I sez it was Fate! The second day arter I was changed to the Placerville route, thet woman comes outer the hotel above the stage-office. Her husband, she said, was lying sick in Placerville; that's what she said; but it was Fate, Tommy, Fate. Three months afterward, her husband takes an overdose of morphine for delirium tremems, and dies. There's folks ez sez she gave it to him, but it's Fate. A year after that I married her,--Fate, Tommy, Fate! "I lived with her jest three months," he went on, after a long breath,--"three months! It ain't much time for a happy man. I've seen a good deal o' hard life in my day, but there was days in that three
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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