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"Mrs. Skaggs's Husbands" is a humorous and insightful short story by Bret Harte, set in the American West during the late 19th century. The narrative follows Mrs. Skaggs, a resilient and resourceful woman who has had multiple husbands, each with their own unique quirks and characteristics. The story explores themes of gender roles, love, and the complexity of relationships, all while offering a satirical look at frontier life. Harte's deft storytelling and vibrant characters make this tale a delightful reflection on the challenges and triumphs of marriage in a rugged landscape.


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Submitted by davidb on February 06, 2025


								
walked toward the lodge, asked, "Why isn't he a gent? "No gent--beggin' your pardin, sir--'ud guy a man in sarvis, sir. Takes me 'ands so, sir, as I sits in the rumble at the gate, and puts 'em downd so, sir, and sez, 'Put 'em in your pocket, young man,--or is it a road agint you expects to see, that you 'olds hup your 'ands, hand crosses 'em like to that,' sez he. ''Old 'ard,' sez he, 'on the short curves, or you'll bust your precious crust,' sez he. And hasks for you, sir. This way, sir." They entered the lodge. Islington hurried down the long Gothic hall, and opened the library door. In an arm-chair, in the centre of the room, a man sat apparently contemplating a large, stiff, yellow hat with an enormous brim, that was placed on the floor before him. His hands rested lightly between his knees, but one foot was drawn up at the side of his chair in a peculiar manner. In the first glance that Islington gave, the attitude in some odd, irreconcilable way suggested a brake. In another moment he dashed across the room, and, holding out both hands, cried, "Yuba Bill!" The man rose, caught Islington by the shoulders, wheeled him round, hugged him, felt of his ribs like a good-natured ogre, shook his hands violently, laughed, and then said, somewhat ruefully, "And how ever did you know me?" Seeing that Yuba Bill evidently regarded himself as in some elaborate disguise, Islington laughed, and suggested that it must have been instinct. "And you?" said Bill, holding him at arm's length, and surveying him critically,--"you!--toe think--toe think--a little cuss no higher nor a trace, a boy as I've flicked outer the road with a whip time in agin, a boy ez never hed much clothes to speak of, turned into a sport!" Islington remembered, with a thrill of ludicrous terror, that he still wore his evening dress. "Turned," continued Yuba Bill, severely,--"turned into a restyourant waiter,--a garsong! Eh, Alfonse, bring me a patty de foy grass and an omelette, demme!" "Dear old chap!" said Islington, laughing, and trying to put his hand over Bill's bearded mouth, "but you--YOU don't look exactly like yourself! You're not well, Bill." And indeed, as he turned toward the light, Bill's eyes appeared cavernous, and his hair and beard thickly streaked with gray. "Maybe it's this yer harness," said Bill, a little anxiously. "When I hitches on this yer curb" (he indicated a massive gold watch-chain with enormous links), "and mounts this 'morning star,'" (he pointed to a very large solitaire pin which had the appearance of blistering his whole shirt-front), "it kinder weighs heavy on me, Tommy. Otherwise I'm all right, my boy,--all right." But he evaded Islington's keen eye, and turned from the light. "You have something to tell me, Bill," said Islington, suddenly, and with almost brusque directness; "out with it." Bill did not speak, but moved uneasily toward his hat. "You didn't come three thousand miles, without a word of warning, to talk to me of old times," said Islington, more kindly, "glad as I would have been to see you. It isn't your way, Bill, and you know it. We shall not be disturbed here," he added, in reply to an inquiring glance that Bill directed to the door, "and I am ready to hear you." "Firstly, then," said Bill, drawing his chair nearer Islington, "answer me one question, Tommy, fair and square, and up and down." "Go on," said Islington, with a slight smile. "Ef I should say to you, Tommy,--say to you to-day, right here, you must come with me,--you must leave this place for a month, a year, two years maybe, perhaps forever,--is there anything that 'ud keep you,--anything, my boy, ez you couldn't leave?" "No," said Tommy, quietly; "I am only visiting here. I thought of leaving Greyport to-day." "But if I should say to you, Tommy, come with me on a pasear to Chiny, to Japan, to South Ameriky, p'r'aps, could you go?" "Yes," said Islington, after a slight pause. "Thar isn't ennything," said Bill, drawing a little closer, and lowering his voice confidentially,--"ennything in the way of a young woman--you understand, Tommy--ez would keep you? They're mighty sweet about here; and whether a man is young or old, Tommy, there's always some woman as is brake or whip to him!" In a certain excited bitterness that characterized the delivery of this abstract truth, Bill did not see that the young man's face flushed slightly as he answered "No." "Then listen. It's seven years ago, Tommy, thet I was working one o' the Pioneer coaches over from Gold Hill. Ez I stood in front o' the stage-office, the sheriff o' the county comes to me, and he sez, 'Bill,' sez he, 'I've got a looney chap, as I'm in charge of, taking 'im down to the 'sylum in Stockton. He'z quiet and peaceable, but the insides don't like to ride with him. Hev you enny objection to give him a lift on the box beside you?' I sez, 'No; put him up.' When I came to go and get up on that box beside him, that man, Tommy,--that man sittin' there, quiet and peaceable, was--Johnson! "He didn't know me, my boy," Yuba Bill continued, rising and putting his hands on Tommy's shoulders,--"he didn't know me. He didn't know nothing about you, nor Angel's, nor the quicksilver lode, nor even his own name. He said his name was Skaggs, but I knowd it was Johnson. Thar was times, Tommy, you might have knocked me off that box with a feather; thar was times when if the twenty-seven passengers o' that stage hed found theirselves swimming in the American River five hundred feet below the road, I never could have explained it satisfactorily to the company,--never. "The sheriff said," Bill continued hastily, as if to preclude any interruption from the young man,--"the sheriff said he had been brought into Murphy's Camp three years before, dripping with water, and sufferin' from perkussion of the brain, and had been cared for generally by the boys 'round. When I told the sheriff I knowed 'im, I got him to leave him in my care; and I took him to 'Frisco, Tommy, to 'Frisco, and I put him in charge o' the best doctors there, and paid his board myself. There was nothin' he didn't have ez he wanted. Don't look that way, my dear boy, for God's sake, don't!" "O Bill," said Islington, rising and staggering to the window, "why did you keep this from me?" "Why?" said Bill, turning on him savagely,--"why? because I warn't a fool. Thar was you, winnin' your way in college; thar was YOU, risin' in the world, and of some account to it; yer was an old bummer, ez good ez dead to it,--a man ez oughter been dead afore! a man ez never denied it!
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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