Miss Tempy’s Watchers book cover

Miss Tempy’s Watchers

"Miss Tempy’s Watchers" is a charming short story by Sarah Orne Jewett that revolves around the character of Miss Tempy, an elderly woman living in a quiet New England town. The narrative unfolds as she grapples with the passage of time and the changes in her community, particularly through the lens of her relationships with her neighbors and the younger generation. The story explores themes of aging, memory, and the importance of community connections, all rendered with Jewett's signature attention to the nuances of rural life. Through a blend of warmth and insight, Jewett captures the essence of human experiences and the bonds that tie individuals together.


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Submitted by davidb on February 12, 2025


								
The time of year was April; the place was a small farming town in New Hampshire, remote from any railroad. One by one the lights had been blown out in the scattered houses near Miss Tempy Dent’s; but as her neighbors took a last look out-of-doors, their eyes turned with instinctive curiosity toward the old house, where a lamp burned steadily. They gave a little sigh. “Poor Miss Tempy!” said more than one bereft acquaintance; for the good woman lay dead in her north chamber, and the light was a watcher’s light. The funeral was set for the next day, at one o’clock. The watchers were two of the oldest friends, Mrs. Crowe and Sarah Ann Binson. They were sitting in the kitchen, because it seemed less awesome than the unused best room, and they beguiled the long hours by steady conversation. One would think that neither topics nor opinions would hold out, at that rate, all through the long spring night; but there was a certain degree of excitement just then, and the two women had risen to an unusual level of expressiveness and confidence. Each had already told the other more than one fact that she had determined to keep secret; they were again and again tempted into statements that either would have found impossible by daylight. Mrs. Crowe was knitting a blue yarn stocking for her husband; the foot was already so long that it seemed as if she must have forgotten to narrow it at the proper time. Mrs. Crowe knew exactly what she was about, however; she was of a much cooler disposition than Sister Binson, who made futile attempts at some sewing, only to drop her work into her lap whenever the talk was most engaging. Their faces were interesting,—of the dry, shrewd, quick-witted New England type, with thin hair twisted neatly back out of the way. Mrs. Crowe could look vague and benignant, and Miss Binson was, to quote her neighbors, a little too sharp-set; but the world knew that she had need to be, with the load she must carry of supporting an inefficient widowed sister and six unpromising and unwilling nieces and nephews. The eldest boy was at last placed with a good man to learn the mason’s trade. Sarah Ann Binson, for all her sharp, anxious aspect, never defended herself, when her sister whined and fretted. She was told every week of her life that the poor children never would have had to lift a finger if their father had lived, and yet she had kept her steadfast way with the little farm, and patiently taught the young people many useful things, for which, as everybody said, they would live to thank her. However pleasureless her life appeared to outward view, it was brimful of pleasure to herself. Mrs. Crowe, on the contrary, was well to do, her husband being a rich farmer and an easy-going man. She was a stingy woman, but for all that she looked kindly; and when she gave away anything, or lifted a finger to help anybody, it was thought a great piece of beneficence, and a compliment, indeed, which the recipient accepted with twice as much gratitude as double the gift that came from a poorer and more generous acquaintance. Everybody liked to be on good terms with Mrs. Crowe. Socially she stood much higher than Sarah Ann Binson. They were both old schoolmates and friends of Temperance Dent, who had asked them, one day, not long before she died, if they would not come together and look after the house, and manage everything, when she was gone. She may have had some hope that they might become closer friends in this period of intimate partnership, and that the richer woman might better understand the burdens of the poorer. They had not kept the house the night before; they were too weary with the care of their old friend, whom they had not left until all was over. There was a brook which ran down the hillside very near the house, and the sound of it was much louder than usual. When there was silence in the kitchen, the busy stream had a strange insistence in its wild voice, as if it tried to make the watchers understand something that related to the past. “I declare, I can’t begin to sorrow for Tempy yet. I am so glad to have her at rest,” whispered Mrs. Crowe. “It is strange to set here without her, but I can’t make it clear that she has gone. I feel as if she had got easy and dropped off to sleep, and I’m more scared about waking her up than knowing any other feeling.” “Yes,” said Sarah Ann, “It’s just like that, ain’t it? But I tell you we are goin’ to miss her worse than we expect. She’s helped me through with many a trial, has Temperance. I ain’t the only one who says the same, neither.” These words were spoken as if there were a third person listening; somebody beside Mrs. Crowe. The watchers could not rid their minds of the feeling that they were being watched themselves. The spring wind whistled in the window crack, now and then, and buffeted the little house in a gusty way that had a sort of companionable effect. Yet, on the whole, it was a very still night, and the watchers spoke in a half-whisper. “She was the freest-handed woman that ever I knew,” said Mrs. Crowe, decidedly. “According to her means, she gave away more than anybody. I used to tell her ’t wa’n’t right. I used really to be afraid that she went without too much, for we have a duty to ourselves.” Sister Binson looked up in a half-amused, unconscious way, and then recollected herself. Mrs. Crowe met her look with a serious face. “It ain’t so easy for me to give as it is for some,” she said simply, but with an effort which was made possible only by the occasion. “I should like to say, while Tempy is laying here yet in her own house, that she has been a constant lesson to me. Folks are too kind, and shame me with thanks for what I do. I ain’t such a generous woman as poor Tempy was, for all she had nothin’ to do with, as one may say.” Sarah Binson was much moved at this confession, and was even pained and touched by the unexpected humility. “You have a good many calls on you”—she began, and then left her kind little compliment half finished. “Yes, yes, but I’ve got means enough. My disposition’s more of a cross to me as I grow older, and I made up my mind this morning that Tempy’s example should be my pattern henceforth.” She began to knit faster than ever. “’Tain’t no use to get morbid: that’s what Tempy used to say herself,” said Sarah Ann, after a minute’s silence. “Ain’t it strange to say ‘used to say’?” and her own voice choked a little. “She never did like to hear folks git goin’ about themselves.” “’Twas only because they’re apt to do it so as other folks will say’t wasn’t so, an’ praise ’em up,” humbly replied Mrs. Crowe, “and that ain’t my object. There wa’n’t a child but what Tempy set herself to work to see what she could do to please it. One time my brother’s folks had been stopping here in the summer, from Massachusetts. The children was all little, and they broke up a sight of toys, and left ’em when they were going away. Tempy come right up after they rode by, to see if she couldn’t help me set the house to rights, and she caught me just as I
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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