Miss Debby's Neighbors book cover

Miss Debby's Neighbors

"Miss Debby's Neighbors," written by Sarah Orne Jewett, is a short story that captures the lives of residents in a small coastal town in New England. Through the lens of Miss Debby, a kind-hearted and observant woman, the narrative explores the dynamics of community, friendship, and the subtleties of everyday life. Jewett's rich, descriptive prose brings to life the interactions between neighbors, revealing the hidden depths of their relationships and the impact of social connections. This story reflects themes of observation, compassion, and the comfort found in familiar surroundings.


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Submitted by davidb on February 12, 2025


								
There is a class of elderly New England women which is fast dying out:--those good souls who have sprung from a soil full of the true New England instincts; who were used to the old-fashioned ways, and whose minds were stored with quaint country lore and tradition. The fashions of the newer generations do not reach them; they are quite unconscious of the western spirit and enterprise, and belong to the old days, and to a fast-disappearing order of things. But a shrewder person does not exist than the spokeswoman of the following reminiscences, whose simple history can be quickly told, since she spent her early life on a lonely farm, leaving it only once for any length of time,--one winter when she learned her trade of tailoress. She afterward sewed for her neighbors, and enjoyed a famous reputation for her skill; but year by year, as she grew older, there was less to do, and at last, to use her own expression, "Everybody got into the way of buying cheap, ready-made-up clothes, just to save 'em a little trouble," and she found herself out of business, or nearly so. After her mother's death, and that of her favorite younger brother Jonas, she left the farm and came to a little house in the village, where she lived most comfortably the rest of her life, having a small property which she used most sensibly. She was always ready to render any special service with her needle, and was a most welcome guest in any household, and a most efficient helper. To be in the same room with her for a while was sure to be profitable, and as she grew older she was delighted to recall the people and events of her earlier life, always filling her descriptions with wise reflections and much quaint humor. She always insisted, not without truth, that the railroads were making everybody look and act of a piece, and that the young folks were more alike than people of her own day. It is impossible to give the delightfulness of her talk in any written words, as well as many of its peculiarities, for her way of going round Robin Hood's barn between the beginning of her story and its end can hardly be followed at all, and certainly not in her own dear loitering footsteps. On an idle day her most devoted listener thought there was nothing better worth doing than to watch this good soul at work. A book was held open for the looks of the thing, but presently it was allowed to flutter its leaves and close, for Miss Debby began without any apparent provocation:-- "They may say whatever they have a mind to, but they can't persuade me that there's no such thing as special providences," and she twitched her strong linen thread so angrily through the carpet she was sewing, that it snapped and the big needle flew into the air. It had to be found before any further remarks could be made, and the listener also knelt down to search for it. After a while it was discovered clinging to Miss Debby's own dress, and after reharnessing it she went to work again at her long seam. It was always significant of a succession of Miss Debby's opinions when she quoted and berated certain imaginary persons whom she designated as "They," who stood for the opposite side of the question, and who merited usually her deepest scorn and fullest antagonism. Her remarks to these offending parties were always prefaced with "I tell 'em," and to the listener's mind "they" always stood rebuked, but not convinced, in spiritual form it may be, but most intense reality; a little group as solemn as Miss Debby herself. Once the listener ventured to ask who "they" were, in her early childhood, but she was only answered by a frown. Miss Debby knew as well as any one the difference between figurative language and a lie. Sometimes they said what was right and proper, and were treated accordingly; but very seldom, and on this occasion it seemed that they had ventured to trifle with sacred things. "I suppose you're too young to remember John Ashby's grandmother? A good woman she was, and she had a dreadful time with her family. They never could keep the peace, and there was always as many as two of them who didn't speak with each other. It seems to come down from generation to generation like a--curse!" And Miss Debby spoke the last word as if she had meant it partly for her thread, which had again knotted and caught, and she snatched the offered scissors without a word, but said peaceably, after a minute or two, that the thread wasn't what it used to be. The next needleful proved more successful, and the listener asked if the Ashbys were getting on comfortably at present. "They always behave as if they thought they needed nothing," was the response. "Not that I mean that they are any ways contented, but they never will give in that other folks holds a candle to 'em. There's one kind of pride that I do hate,--when folks is satisfied with their selves and don't see no need of improvement. I believe in self-respect, but I believe in respecting other folks's rights as much as your own; but it takes an Ashby to ride right over you. I tell 'em it's the spirit of the tyrants of old, and it's the kind of pride that goes before a fall. John Ashby's grandmother was a clever little woman as ever stepped. She came from over Hardwick way, and I think she kep' 'em kind of decent-behaved as long as she was round; but she got wore out a doin' of it, an' went down to her grave in a quick consumption. My mother set up with her the night she died. It was in May, towards the latter part, and an awful rainy night. It was the storm that always comes in apple-blossom time. I remember well that mother come crying home in the morning and told us Mis' Ashby was dead. She brought Marilly with her, that was about my own age, and was taken away within six months afterwards. She pined herself to death for her mother, and when she caught the scarlet fever she went as quick as cherry-bloom when it's just ready to fall and a wind strikes it. She wa'n't like the rest of 'em. She took after her mother's folks altogether. "You know our farm was right next to theirs,--the one Asa Hopper owns now, but he's let it all run out,--and so, as we lived some ways from the stores, we had to be neighborly, for we depended on each other for a good many things. Families in lonesome places get out of one supply and another, and have to borrow until they get a chance to send to the village; or sometimes in a busy season some of the folks would have to leave work and be gone half a day. Land, you don't know nothing about old times, and the life that used to go on about here. You can't step into a house anywheres now that there ain't the county map and they don't fetch out the photograph book; and in every district you'll find all the folks has got the same chromo picture hung up, and all sorts of luxuries and makeshifts o' splendor that would have made the folks I was fetched up by stare their eyes out o' their heads. It was all we
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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