Miriam's Lover

"Miriam's Lover" is a poignant novella by Lucy Maud Montgomery that tells the story of Miriam, a young woman grappling with the complexities of love, desire, and societal expectations. Set in a small community, the narrative explores Miriam's deep emotional connection with a man who is both charming and elusive. As she navigates the challenges presented by her feelings and the constraints of her environment, the novella delves into themes of passion, longing, and the quest for self-identity. Montgomery’s lyrical prose creates a vivid portrayal of love’s complexities, making "Miriam's Lover" a thought-provoking exploration of the heart.

• Short story

								
I had been reading a ghost story to Mrs. Sefton, and I laid it down at
the end with a little shrug of contempt.

"What utter nonsense!" I said.

Mrs. Sefton nodded abstractedly above her fancywork.

"That is. It is a very commonplace story indeed. I don't believe the
spirits of the departed trouble themselves to revisit the glimpses of
the moon for the purpose of frightening honest mortals--or even for
the sake of hanging around the favourite haunts of their existence in
the flesh. If they ever appear, it must be for a better reason than
that."

"You don't surely think that they ever do appear?" I said
incredulously.

"We have no proof that they do not, my dear."

"Surely, Mary," I exclaimed, "you don't mean to say that you believe
people ever do or can see spirits--ghosts, as the word goes?"

"I didn't say I believed it. I never saw anything of the sort. I
neither believe nor disbelieve. But you know queer things do happen at
times--things you can't account for. At least, people who you know
wouldn't lie say so. Of course, they may be mistaken. And I don't
think that everybody can see spirits either, provided they are to be
seen. It requires people of a certain organization--with a spiritual
eye, as it were. We haven't all got that--in fact, I think very few of
us have. I dare say you think I'm talking nonsense."

"Well, yes, I think you are. You really surprise me, Mary. I always
thought you the least likely person in the world to take up with such
ideas. Something must have come under your observation to develop such
theories in your practical head. Tell me what it was."

"To what purpose? You would remain as sceptical as ever."

"Possibly not. Try me; I may be convinced."

"No," returned Mrs. Sefton calmly. "Nobody ever is convinced by
hearsay. When a person has once seen a spirit--or thinks he has--he
thenceforth believes it. And when somebody else is intimately
associated with that person and knows all the circumstances--well, he
admits the possibility, at least. That is my position. But by the time
it gets to the third person--the outsider--it loses power. Besides, in
this particular instance the story isn't very exciting. But then--it's
true."

"You have excited my curiosity. You must tell me the story."

"Well, first tell me what you think of this. Suppose two people, both
sensitively organized individuals, loved each other with a love
stronger than life. If they were apart, do you think it might be
possible for their souls to communicate with each other in some
inexplicable way? And if anything happened to one, don't you think
that that one could and would let the spirit of the other know?"

"You're getting into too deep waters for me, Mary," I said, shaking my
head. "I'm not an authority on telepathy, or whatever you call it. But
I've no belief in such theories. In fact, I think they are all
nonsense. I'm sure you must think so too in your rational moments."

"I dare say it is all nonsense," said Mrs. Sefton slowly, "but if you
had lived a whole year in the same house with Miriam Gordon, you would
have been tainted too. Not that she had 'theories'--at least, she
never aired them if she had. But there was simply something about the
girl herself that gave a person strange impressions. When I first met
her I had the most uncanny feeling that she was all spirit--soul--what
you will! no flesh, anyhow. That feeling wore off after a while, but
she never seemed like other people to me.

"She was Mr. Sefton's niece. Her father had died when she was a child.
When Miriam was twenty her mother had married a second time and went
to Europe with her husband. Miriam came to live with us while they
were away. Upon their return she was herself to be married.

"I had never seen Miriam before. Her arrival was unexpected, and I was
absent from home when she came. I returned in the evening, and when I
saw her first she was standing under the chandelier in the drawing
room. Talk about spirits! For five seconds I thought I had seen one.

"Miriam was a beauty. I had known that before, though I think I
hardly expected to see such wonderful loveliness. She was tall and
extremely graceful, dark--at least her hair was dark, but her skin was
wonderfully fair and clear. Her hair was gathered away from her face,
and she had a high, pure, white forehead, and the straightest, finest,
blackest brows. Her face was oval, with very large and dark eyes.

"I soon realized that Miriam was in some mysterious fashion different
from other people. I think everyone who met her felt the same way. Yet
it was a feeling hard to define. For my own part I simply felt as if
she belonged to another world, and that part of the time she--her
soul, you know--was back there again.

"You must not suppose that Miriam was a disagreeable person to have in
the house. On the contrary, it was the very reverse. Everybody liked
her. She was one of the sweetest, most winsome girls I ever knew, and
I soon grew to love her dearly. As for what Dick called her 'little
queernesses'--well, we got used to them in time.

"Miriam was engaged, as I have told you, to a young Harvard man named
Sidney Claxton. I knew she loved him very deeply. When she showed me
his photograph, I liked his appearance and said so. Then I made some
teasing remark about her love-letters--just for a joke, you know.
Miriam looked at me with an odd little smile and said quickly:

"'Sidney and I never write to each other.'

"'Why, Miriam!' I exclaimed in astonishment. 'Do you mean to tell me
you never hear from him at all?'

"'No, I did not say that. I hear from him every day--every hour. We
do not need to write letters. There are better means of communication
between two souls that are in perfect accord with each other.'

"'Miriam, you uncanny creature, what do you mean?' I asked.

"But Miriam only gave another queer smile and made no answer at all.
Whatever her beliefs or theories were, she would never discuss them.

"She had a habit of dropping into abstracted reveries at any time or
place. No matter where she was, this, whatever it was, would come over
her. She would sit there, perhaps in the centre of a gay crowd, and
gaze right out into space, not hearing or seeing a single thing that
went on around her.

"I remember one day in particular; we were sewing in my room. I looked
up and saw that Miriam's work had dropped on her knee and she was
leaning forward, her lips apart, her eyes gazing upward with an
unearthly expression.

"'Don't look like that, Miriam!' I said, with a little shiver. 'You
seem to be looking at something a thousand miles away!'

"Miriam came out of her trance or reverie and said, with a little
laugh:

"'How do you know but that I was?'

"She bent her head for a minute or two. Then she lifted it again and

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