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"Marroca" is a short story by French author Guy de Maupassant that captures the complex interplay of human emotions, desire, and the social implications of love. The narrative revolves around a young woman named Marroca, whose life and choices challenge societal norms. Maupassant's keen observational style and mastery of character development create a poignant exploration of intimacy, societal expectations, and the struggles of personal freedom. Through rich descriptions and nuanced interactions, the story delves into themes of passion and the constraints imposed by society, inviting readers to reflect on the nature of love and individuality.


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Submitted by davidb on February 03, 2025


								
to her strong build, had a guttural accent, and as I did not move, she added: "It is not right of you to stop there, monsieur." I did not move, however, and her head disappeared. Ten minutes passed, and then her hair, then her forehead, and then her eyes reappeared, but slowly and prudently, as if she were playing at hide-and-seek, and were looking to see who was near. This time she was furious, and called out: "You will make me get some illness, and I shall not come out as long as you are there." Thereupon, I got up and went away, but not without looking round several times. When she thought I was far enough off, she came out of the water; bending down and turning her back to me, she disappeared in a cavity in the rock, behind a petticoat that was hanging up in front of it. I went back the next day. She was bathing again, but she had a bathing costume, and she began to laugh, and showed her white teeth. A week later we were friends, and in another week we were eager lovers. Her name was Marroca, and she pronounced it as if there were a dozen r's in it. She was the daughter of Spanish colonists, and had married a Frenchman, whose name was Pontabeze. He was in government employ, though I never exactly knew what his functions were. I found out that he was always very busy, and I did not care for anything else. She then altered her time for having her bath, and came to my house every day, to have a siesta there. What a siesta! It could scarcely be called reposing! She was a splendid girl, of a somewhat animal, but superb type. Her eyes were always glowing with passion; her half-open mouth, her sharp teeth, and even her smiles, had something ferociously loving about them; and her curious, long and straight breasts, which were as pointed as if they had been pears of flesh, and as elastic as if they contained steel springs, gave her whole body something of the animal, made her a sort of inferior and magnificent being, a creature who was destined for unbridled love, and which roused in me the idea of those ancient deities, who gave expression to their tenderness on the grass and under the trees. And then, her mind was as simple as two and two are four, and a sonorous laugh served her instead of thought. Instinctively proud of her beauty, she hated the slightest covering, and ran and frisked about my house with daring and unconscious immodesty. When she was at last overcome and worn out by her cries and movements, she used to sleep soundly and peacefully while the overwhelming heat brought out minute spots of perspiration on her brown skin, and from under her arms. Sometimes she returned in the evening, when her husband was on duty somewhere, and we used to lie on the terrace, scarcely covered by some fine, gauzy, Oriental fabric. When the full moon lit up the town and the gulf, with its surrounding frame of hills, we saw on all the other terraces what looked like an army of silent phantoms lying, who would occasionally get up, change their places, and lie down again, in the languorous warmths of the starry sky. But in spite of the brightness of African nights, Marroca would insist on stripping herself almost naked in the clear rays of the moon; she did not trouble herself much about anybody who might see us, and often, in spite of my fears and entreaties, she uttered long, resounding cries, which made the dogs in the distance howl. One night, when I was sleeping under the starry sky, she came and knelt down on my carpet, and putting her lips, which curled slightly, close to my face, she said: "You must come and stay at my house." I did not understand her, and asked: "What do you mean?" "Yes, when my husband has gone away; you must come and be with me." I could not help laughing, and said: "Why, as you come here?" And she went on almost talking into my mouth, sending her hot breath into my throat, and moistening my moustache with her lips: "I want it as a remembrance." Still I did not grasp her meaning; she put her arms round my neck. "When you are no longer here, I shall think of it." I was touched and amused at the same time, and said: "You must be mad. I would much rather stop here." As a matter of fact, I have no liking for assignations under the conjugal roof; they are mouse-traps, in which the unwary are always caught. But she begged and prayed, and even cried, and at last said: "You shall see how I will love you there." Her wish seemed so strange that I could not explain it to myself; but on thinking it over, I thought I could discern a profound hatred for her husband, the secret vengeance of a woman who takes a pleasure in deceiving him, and who, moreover, wishes to deceive him in his own house. "Is your husband very unkind to you?" I asked her. She looked vexed, and said: "Oh! No, he is very kind." "But you are not fond of him?" She looked at me with astonishment in her large eyes. "Indeed, I am very fond of him, very; but not so fond as I am of you." I could not understand it all, and while I was trying to get at her meaning, she pressed one of those kisses, whose power she knew so well, onto my lips, and whispered: "But you will come, will you not?" I resisted, however, and so she got up immediately, and went away; nor did she come back for a week. On the eighth day she came back, stopped gravely at the door of my room, and said: "Are you coming to my house to-night? ... If you refuse, I shall go away." Eight days is a very long time, my friend, and in Africa those eight days are as good as a month. "Yes," I said, and opened my arms, and she threw herself into them. At night she waited for me in a neighboring street, and took me to their house, which was very small, and near the harbor. I first of all went through the kitchen, where they had their meals, and then into a very tidy, whitewashed room, with photographs on the walls, and paper flowers under a glass case. Marroca seemed beside herself with pleasure, and she jumped about, and said: "There, you are at home, now." And I certainly acted as though I had been, though I felt rather embarrassed and somewhat uneasy. Suddenly a loud knocking at the door made us start, and a man's voice called out: "Marroca, it is I." She started: "My husband! ... Here, hide under the bed, quickly." I was distractedly looking for my overcoat, but she gave me a push, and panted out: "Come along, come along." I lay down flat on my stomach, and crept under the bed without a word, while she went into the kitchen. I heard her open a cupboard, and then shut it again, and she came back into the room, carrying some object which I could not see, but which she quickly put down; and as her husband was getting impatient, she said, calmly: "I cannot find the matches." Then suddenly she added: "Oh! Here they are; I will come and
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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