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"Madame Husson's Rosier" is a short story by Guy de Maupassant that revolves around the themes of social status, rural life, and the nature of desire. The narrative follows Madame Husson, a proud and somewhat pompous widow who has a prized rose bush that she cherishes above all. Her obsession with the rose, which symbolizes her status and vanity, sets the stage for a series of comedic and ironic events. Through the interactions between Madame Husson and the local townsfolk, Maupassant explores the absurdities of human behavior and the complexities of social ambition, ultimately delivering a poignant commentary on the pursuit of superficial values.

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Submitted by davidb on February 02, 2025


								
They feared some accident had befallen him. What could it be? Commandant Desbarres notified the police, who made a circuit of the town, and on the high road to Pontoise they found the little bunch of orange blossoms. It was placed on a table around which the authorities were deliberating. The “Rosier” must have been the victim of some stratagem, some trick, some jealousy; but in what way? What means had been employed to kidnap this innocent creature, and with what object? Weary of looking for him without any result, Virginie, alone, remained watching and weeping. The following evening, when the coach passed by on its return from Paris, Gisors learned with astonishment that its “Rosier” had stopped the vehicle at a distance of about two hundred metres from the town, had climbed up on it and paid his fare, handing over a gold piece and receiving the change, and that he had quietly alighted in the centre of the great city. There was great excitement all through the countryside. Letters passed between the mayor and the chief of police in Paris, but brought no result. The days followed one another, a week passed. Now, one morning, Dr. Barbesol, who had gone out early, perceived, sitting on a doorstep, a man dressed in a grimy linen suit, who was sleeping with his head leaning against the wall. He approached him and recognized Isidore. He tried to rouse him, but did not succeed in doing so. The ex-“Rosier” was in that profound, invincible sleep that is alarming, and the doctor, in surprise, went to seek assistance to help him in carrying the young man to Boncheval's drugstore. When they lifted him up they found an empty bottle under him, and when the doctor sniffed at it, he declared that it had contained brandy. That gave a suggestion as to what treatment he would require. They succeeded in rousing him. Isidore was drunk, drunk and degraded by a week of guzzling, drunk and so disgusting that a ragman would not have touched him. His beautiful white duck suit was a gray rag, greasy, muddy, torn, and destroyed, and he smelt of the gutter and of vice. He was washed, sermonized, shut up, and did not leave the house for four days. He seemed ashamed and repentant. They could not find on him either his purse, containing the five hundred francs, or the bankbook, or even his silver watch, a sacred heirloom left by his father, the fruiterer. On the fifth day he ventured into the Rue Dauphine, Curious glances followed him and he walked along with a furtive expression in his eyes and his head bent down. As he got outside the town towards the valley they lost sight of him; but two hours later he returned laughing and rolling against the walls. He was drunk, absolutely drunk. Nothing could cure him. Driven from home by his mother, he became a wagon driver, and drove the charcoal wagons for the Pougrisel firm, which is still in existence. His reputation as a drunkard became so well known and spread so far that even at Evreux they talked of Mme. Husson's “Rosier,” and the sots of the countryside have been given that nickname. A good deed is never lost. Dr. Marambot rubbed his hands as he finished his story. I asked: “Did you know the 'Rosier'?” “Yes. I had the honor of closing his eyes.” “What did he die of?” “An attack of delirium tremens, of course.” We had arrived at the old citadel, a pile of ruined walls dominated by the enormous tower of St. Thomas of Canterbury and the one called the Prisoner's Tower. Marambot told me the story of this prisoner, who, with the aid of a nail, covered the walls of his dungeon with sculptures, tracing the reflections of the sun as it glanced through the narrow slit of a loophole. I also learned that Clothaire II had given the patrimony of Gisors to his cousin, Saint Romain, bishop of Rouen; that Gisors ceased to be the capital of the whole of Vexin after the treaty of Saint-Clair-sur-Epte; that the town is the chief strategic centre of all that portion of France, and that in consequence of this advantage she was taken and retaken over and over again. At the command of William the Red, the eminent engineer, Robert de Bellesme, constructed there a powerful fortress that was attacked later by Louis le Gros, then by the Norman barons, was defended by Robert de Candos, was finally ceded to Louis le Gros by Geoffry Plantagenet, was retaken by the English in consequence of the treachery of the Knights-Templars, was contested by Philippe-Augustus and Richard the Lionhearted, was set on fire by Edward III of England, who could not take the castle, was again taken by the English in 1419, restored later to Charles VIII by Richard de Marbury, was taken by the Duke of Calabria occupied by the League, inhabited by Henry IV, etc., etc. And Marambot, eager and almost eloquent, continued: “What beggars, those English! And what sots, my boy; they are all 'Rosiers,' those hypocrites!” Then, after a silence, stretching out his arm towards the tiny river that glistened in the meadows, he said: “Did you know that Henry Monnier was one of the most untiring fishermen on the banks of the Epte?” “No, I did not know it.” “And Bouffe, my boy, Bouffe was a painter on glass.” “You are joking!” “No, indeed. How is it you do not know these things?”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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