Life and Death book cover

Life and Death

"Life and Death" by Sarah Orne Jewett is a poignant short story that explores themes of mortality, love, and the human experience. Set in a rural New England community, the narrative captures the intimate moments between characters as they confront the realities of life and the inevitability of death. Jewett's lyrical prose and keen observations highlight the connections between people and the profound impact of loss, intertwining personal reflections with the wider tapestry of life. This work exemplifies her ability to evoke deep emotions and insights within the simplicity of everyday experiences.


1 View

Submitted by davidb on February 12, 2025


								
The sick woman had refused to stay in the bedroom after she had come to her senses. She had insisted that she could not breathe, and that she was cold and must go back to the kitchen. Her mother and Mrs. Jake had wrapped her in blankets and drawn the high-backed wooden rocking chair close to the stove, and here she was just established when Mrs. Martin opened the outer door. Any one of less reliable nerves would have betrayed the shock which the sight of such desperate illness must have given. The pallor, the suffering, the desperate agony of the eyes, were far worse than the calmness of death, but Mrs. Martin spoke cheerfully, and even when her sister whispered that their patient had been attacked by a hæmorrhage, she manifested no concern. "How long has this be'n a-goin' on, Ad'line? Why didn't you come home before and get doctored up? You're all run down." Mrs. Thacher looked frightened when this questioning began, but turned her face toward her daughter, eager to hear the answer. "I've been sick off and on all summer," said the young woman, as if it were almost impossible to make the effort of speaking. "See if the baby's covered up warm, will you, Aunt 'Liza?" "Yes, dear," said the kind-hearted woman, the tears starting to her eyes at the sound of the familiar affectionate fashion of speech which Adeline had used in her childhood. "Don't you worry one mite; we're going to take care of you and the little gal too;" and then nobody spoke, while the only sound was the difficult breathing of the poor creature by the fire. She seemed like one dying, there was so little life left in her after her piteous homeward journey. The mother watched her eagerly with a mingled feeling of despair and comfort; it was terrible to have a child return in such sad plight, but it was a blessing to have her safe at home, and to be able to minister to her wants while life lasted. They all listened eagerly for the sound of wheels, but it seemed a long time before Martin Dyer returned with the doctor. He had been met just as he was coming in from the other direction, and the two men had only paused while the tired horse was made comfortable, and a sleepy boy dispatched with the medicine for which he had long been waiting. The doctor's housekeeper had besought him to wait long enough to eat the supper which she had kept waiting, but he laughed at her and shook his head gravely, as if he already understood that there should be no delay. When he was fairly inside the Thacher kitchen, the benefaction of his presence was felt by every one. It was most touching to see the patient's face lose its worried look, and grow quiet and comfortable as if here were some one on whom she could entirely depend. The doctor's greeting was an every-day cheerful response to the women's welcome, and he stood for a minute warming his hands at the fire as if he had come upon a commonplace errand. There was something singularly self-reliant and composed about him; one felt that he was the wielder of great powers over the enemies, disease and pain, and that his brave hazel eyes showed a rare thoughtfulness and foresight. The rough driving coat which he had thrown off revealed a slender figure with the bowed shoulders of an untiring scholar. His head was finely set and scholarly, and there was that about him which gave certainty, not only of his sagacity and skill, but of his true manhood, his mastery of himself. Not only in this farm-house kitchen, but wherever one might place him, he instinctively took command, while from his great knowledge of human nature he could understand and help many of his patients whose ailments were not wholly physical. He seemed to read at a glance the shame and sorrow of the young woman who had fled to the home of her childhood, dying and worse than defeated, from the battle-field of life. And in this first moment he recognized with dismay the effects of that passion for strong drink which had been the curse of more than one of her ancestors. Even the pallor and the purifying influence of her mortal illness could not disguise these unmistakable signs. "You can't do me any good, doctor," she whispered. "I shouldn't have let you come if it had been only that. I don't care how soon I am out of this world. But I want you should look after my little girl," and the poor soul watched the physician's face with keen anxiety as if she feared to see a shadow of unwillingness, but none came. "I will do the best I can," and he still held her wrist, apparently thinking more of the fluttering pulse than of what poor Adeline was saying. "That was what made me willing to come back," she continued, "you don't know how close I came to not doing it either. John will be good to her, but she will need somebody that knows the world better by and by. I wonder if you couldn't show me how to make out a paper giving you the right over her till she is of age? She must stay here with mother, long as she wants her. 'Tis what I wish I had kept sense enough to do; life hasn't been all play to me;" and the tears began to roll quickly down the poor creature's thin cheeks. "The only thing I care about is leaving the baby well placed, and I want her to have a good chance to grow up a useful woman. And most of all to keep her out of their hands, I mean her father's folks. I hate 'em, and he cared more for 'em than he did for me, long at the last of it.... I could tell you stories!"-- "But not to-night, Addy," said the doctor gravely, as if he were speaking to a child. "We must put you to bed and to sleep, and you can talk about all these troublesome things in the morning. You shall see about the papers too, if you think best. Be a good girl now, and let your mother help you to bed." For the resolute spirit had summoned the few poor fragments of vitality that were left, and the sick woman was growing more and more excited. "You may have all the pillows you wish for, and sit up in bed if you like, but you mustn't stay here any longer," and he gathered her in his arms and quickly carried her to the next room. She made no resistance, and took the medicine which Mrs. Martin brought, without a word. There was a blazing fire now in the bedroom fire-place, and, as she lay still, her face took on a satisfied, rested look. Her mother sat beside her, tearful, and yet contented and glad to have her near, and the others whispered together in the kitchen. It might have been the last night of a long illness instead of the sudden, startling entrance of sorrow in human shape. "No," said the doctor, "she cannot last much longer with such a cough as that, Mrs. Dyer. She has almost reached the end of it. I only hope that she will go quickly." And sure enough; whether the fatal illness had run its natural course, or whether the excitement and the forced strength of the evening
Rate:0.0 / 0 votes

Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

All Sarah Orne Jewett books

0 fans

Discuss this Life and Death book with the community:

0 Comments

    Translation

    Translate and read this book in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this book to your bibliography:

    Style:MLAChicagoAPA

    "Life and Death Books." Literature.com. STANDS4 LLC, 2025. Web. 22 Feb. 2025. <https://www.literature.com/book/life_and_death_5014>.

    We need you!

    Help us build the largest authors community and books collection on the web!

    Winter 2025

    Writing Contest

    Join our short stories contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    0
    months
    6
    days
    16
    hours

    Our favorite collection of

    Famous Authors

    »

    Quiz

    Are you a literary expert?

    »
    Which author wrote "Ulysses"?
    A James Joyce
    B T.S. Eliot
    C Virginia Woolf
    D Ezra Pound