In the Ravine book cover

In the Ravine

"In the Ravine" is a short story by Anton Pavlovich Chekhov that explores themes of human relationships, societal norms, and moral dilemmas. The narrative revolves around the life of a man named Kuzma, who owns a small estate with a dilapidated house situated in a ravine. Through the interactions between Kuzma and his neighbors, Chekhov delves into the complexities of human behavior, highlighting issues such as poverty, ambition, and the often harsh realities of life. The story provides a poignant commentary on the contrasts between appearances and underlying truths, showcasing Chekhov's masterful use of subtle irony and psychological depth.

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Submitted by davidb on January 27, 2025


								
THE village of Ukleevo lay in a ravine so that only the belfry and the chimneys of the printed cottons factories could be seen from the high road and the railway-station. When visitors asked what village this was, they were told: "That's the village where the deacon ate all the caviare at the funeral." It had happened at the dinner at the funeral of Kostukov that the old deacon saw among the savouries some large-grained caviare and began eating it greedily; people nudged him, tugged at his arm, but he seemed petrified with enjoyment: felt nothing, and only went on eating. He ate up all the caviare, and there were four pounds in the jar. And years had passed since then, the deacon had long been dead, but the caviare was still remembered. Whether life was so poor here or people had not been clever enough to notice anything but that unimportant incident that had occurred ten years before, anyway the people had nothing else to tell about the village Ukleevo. The village was never free from fever, and there was boggy mud there even in the summer, especially under the fences over which hung old willow-trees that gave deep shade. Here there was always a smell from the factory refuse and the acetic acid which was used in the finishing of the cotton print. The three cotton factories and the tanyard were not in the village itself, but a little way off. They were small factories, and not more than four hundred workmen were employed in all of them. The tanyard often made the water in the little river stink; the refuse contaminated the meadows, the peasants' cattle suffered from Siberian plague, and orders were given that the factory should be closed. It was considered to be closed, but went on working in secret with the connivance of the local police officer and the district doctor, who was paid ten roubles a month by the owner. In the whole village there were only two decent houses built of brick with iron roofs; one of them was the local court, in the other, a two-storied house just opposite the church, there lived a shopkeeper from Epifan called Grigory Petrovitch Tsybukin. Grigory kept a grocer's shop, but that was only for appearance' sake: in reality he sold vodka, cattle, hides, grain, and pigs; he traded in anything that came to hand, and when, for instance, magpies were wanted abroad for ladies' hats, he made some thirty kopecks on every pair of birds; he bought timber for felling, lent money at interest, and altogether was a sharp old man, full of resources. He had two sons. The elder, Anisim, was in the police in the detective department and was rarely at home. The younger, Stepan, had gone in for trade and helped his father: but no great help was expected from him as he was weak in health and deaf; his wife Aksinya, a handsome woman with a good figure, who wore a hat and carried a parasol on holidays, got up early and went to bed late, and ran about all day long, picking up her skirts and jingling her keys, going from the granary to the cellar and from there to the shop, and old Tsybukin looked at her good-humouredly while his eyes glowed, and at such moments he regretted she had not been married to his elder son instead of to the younger one, who was deaf, and who evidently knew very little about female beauty. The old man had always an inclination for family life, and he loved his family more than anything on earth, especially his elder son, the detective, and his daughter-in-law. Aksinya had no sooner married the deaf son than she began to display an extraordinary gift for business, and knew who could be allowed to run up a bill and who could not: she kept the keys and would not trust them even to her husband; she kept the accounts by means of the reckoning beads, looked at the horses' teeth like a peasant, and was always laughing or shouting; and whatever she did or said the old man was simply delighted and muttered: "Well done, daughter-in-law! You are a smart wench!" He was a widower, but a year after his son's marriage he could not resist getting married himself. A girl was found for him, living twenty miles from Ukleevo, called Varvara Nikolaevna, no longer quite young, but good-looking, comely, and belonging to a decent family. As soon as she was installed into the upper-storey room everything in the house seemed to brighten up as though new glass had been put into all the windows. The lamps gleamed before the ikons, the tables were covered with snow-white cloths, flowers with red buds made their appearance in the windows and in the front garden, and at dinner, instead of eating from a single bowl, each person had a separate plate set for him. Varvara Nikolaevna had a pleasant, friendly smile, and it seemed as though the whole house were smiling, too. Beggars and pilgrims, male and female, began to come into the yard, a thing which had never happened in the past; the plaintive sing-song voices of the Ukleevo peasant women and the apologetic coughs of weak, seedy-looking men, who had been dismissed from the factory for drunkenness were heard under the windows. Varvara helped them with money, with bread, with old clothes, and afterwards, when she felt more at home, began taking things out of the shop. One day the deaf man saw her take four ounces of tea and that disturbed him. "Here, mother's taken four ounces of tea," he informed his father afterwards; "where is that to be entered?" The old man made no reply but stood still and thought a moment, moving his eyebrows, and then went upstairs to his wife. "Varvarushka, if you want anything out of the shop," he said affectionately, "take it, my dear. Take it and welcome; don't hesitate." And the next day the deaf man, running across the yard, called to her: "If there is anything you want, mother, take it." There was something new, something gay and light-hearted in her giving of alms, just as there was in the lamps before the ikons and in the red flowers. When at Carnival or at the church festival, which lasted for three days, they sold the peasants tainted salt meat, smelling so strong it was hard to stand near the tub of it, and took scythes, caps, and their wives' kerchiefs in pledge from the drunken men; when the factory hands stupefied with bad vodka lay rolling in the mud, and sin seemed to hover thick like a fog in the air, then it was a relief to think that up there in the house there was a gentle, neatly dressed woman who had nothing to do with salt meat or vodka; her charity had in those burdensome, murky days the effect of a safety valve in a machine. The days in Tsybukin's house were spent in business cares. Before the sun had risen in the morning Aksinya was panting and puffing as she washed in the outer room, and the samovar was boiling in the kitchen with a hum that boded no good. Old Grigory Petrovitch, dressed in a long black coat, cotton breeches and shiny top boots, looking a dapper little figure, walked about the rooms, tapping with his little heels like the
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Anton Pavlovich Chekhov

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer, widely regarded as one of the greatest masters of the contemporary short story and a pioneer of modern drama. His works often explore themes of human complexity, existential struggle, and the nuances of everyday life, characterized by their subtlety, humor, and profound perception of human nature. Chekhov's notable plays include "The Seagull," "Uncle Vanya," and "The Cherry Orchard," while his short stories, such as "The Lady with the Dog" and "The Bet," showcase his ability to capture fleeting moments of insight and emotional depth. His literary innovations have had a lasting influence on both literature and theater. more…

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