Friend Joseph book cover

Friend Joseph

"Friend Joseph" is a short story by French author Guy de Maupassant that explores themes of friendship, betrayal, and the complexities of human relationships. The narrative revolves around the character of Joseph, a seemingly loyal friend who harbors deep-seated grievances. As the story unfolds, Maupassant delves into the psychology behind Joseph's actions, revealing the darker aspects of loyalty and the consequences of unresolved conflicts. With his hallmark wit and keen observations of social dynamics, Maupassant crafts a poignant tale that reflects both the intricacies of personal connections and the fragility of trust.

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Submitted by davidb on February 02, 2025


								
They had been great friends all winter in Paris. As is always the case, they had lost sight of each other after leaving school, and had met again when they were old and gray-haired. One of them had married, but the other had remained in single blessedness. M. de Meroul lived for six months in Paris and for six months in his little chateau at Tourbeville. Having married the daughter of a neighboring squire, he had lived a good and peaceful life in the indolence of a man who has nothing to do. Of a calm and quiet disposition, and not over-intelligent he used to spend his time quietly regretting the past, grieving over the customs and institutions of the day and continually repeating to his wife, who would lift her eyes, and sometimes her hands, to heaven, as a sign of energetic assent: “Good gracious! What a government!” Madame de Meroul resembled her husband intellectually as though she had been his sister. She knew, by tradition, that one should above all respect the Pope and the King! And she loved and respected them from the bottom of her heart, without knowing them, with a poetic fervor, with an hereditary devotion, with the tenderness of a wellborn woman. She was good to, the marrow of her bones. She had had no children, and never ceased mourning the fact. On meeting his old friend, Joseph Mouradour, at a ball, M. de Meroul was filled with a deep and simple joy, for in their youth they had been intimate friends. After the first exclamations of surprise at the changes which time had wrought in their bodies and countenances, they told each other about their lives since they had last met. Joseph Mouradour, who was from the south of France, had become a government official. His manner was frank; he spoke rapidly and without restraint, giving his opinions without any tact. He was a Republican, one of those good fellows who do not believe in standing on ceremony, and who exercise an almost brutal freedom of speech. He came to his friend's house and was immediately liked for his easy cordiality, in spite of his radical ideas. Madame de Meroul would exclaim: “What a shame! Such a charming man!” Monsieur de Meroul would say to his friend in a serious and confidential tone of voice; “You have no idea the harm that you are doing your country.” He loved him all the same, for nothing is stronger than the ties of childhood taken up again at a riper age. Joseph Mouradour bantered the wife and the husband, calling them “my amiable snails,” and sometimes he would solemnly declaim against people who were behind the times, against old prejudices and traditions. When he was once started on his democratic eloquence, the couple, somewhat ill at ease, would keep silent from politeness and good-breeding; then the husband would try to turn the conversation into some other channel in order to avoid a clash. Joseph Mouradour was only seen in the intimacy of the family. Summer came. The Merouls had no greater pleasure than to receive their friends at their country home at Tourbeville. It was a good, healthy pleasure, the enjoyments of good people and of country proprietors. They would meet their friends at the neighboring railroad station and would bring them back in their carriage, always on the lookout for compliments on the country, on its natural features, on the condition of the roads, on the cleanliness of the farm-houses, on the size of the cattle grazing in the fields, on everything within sight. They would call attention to the remarkable speed with which their horse trotted, surprising for an animal that did heavy work part of the year behind a plow; and they would anxiously await the opinion of the newcomer on their family domain, sensitive to the least word, and thankful for the slightest good intention. Joseph Mouradour was invited, and he accepted the invitation. Husband and wife had come to the train, delighted to welcome him to their home. As soon as he saw them, Joseph Mouradour jumped from the train with a briskness which increased their satisfaction. He shook their hands, congratulated them, overwhelmed them with compliments. All the way home he was charming, remarking on the height of the trees, the goodness of the crops and the speed of the horse. When he stepped on the porch of the house, Monsieur de Meroul said, with a certain friendly solemnity: “Consider yourself at home now.” Joseph Mouradour answered: “Thanks, my friend; I expected as much. Anyhow, I never stand on ceremony with my friends. That's how I understand hospitality.” Then he went upstairs to dress as a farmer, he said, and he came back all togged out in blue linen, with a little straw hat and yellow shoes, a regular Parisian dressed for an outing. He also seemed to become more vulgar, more jovial, more familiar; having put on with his country clothes a free and easy manner which he judged suitable to the surroundings. His new manners shocked Monsieur and Madame de Meroul a little, for they always remained serious and dignified, even in the country, as though compelled by the two letters preceding their name to keep up a certain formality even in the closest intimacy. After lunch they all went out to visit the farms, and the Parisian astounded the respectful peasants by his tone of comradeship. In the evening the priest came to dinner, an old, fat priest, accustomed to dining there on Sundays, but who had been especially invited this day in honor of the new guest. Joseph, on seeing him, made a wry face. Then he observed him with surprise, as though he were a creature of some peculiar race, which he had never been able to observe at close quarters. During the meal he told some rather free stories, allowable in the intimacy of the family, but which seemed to the Merouls a little out of place in the presence of a minister of the Church. He did not say, “Monsieur l'abbe,” but simply, “Monsieur.” He embarrassed the priest greatly by philosophical discussions about diverse superstitions current all over the world. He said: “Your God, monsieur, is of those who should be respected, but also one of those who should be discussed. Mine is called Reason; he has always been the enemy of yours.” The Merouls, distressed, tried to turn the trend of the conversation. The priest left very early. Then the husband said, very quietly: “Perhaps you went a little bit too far with the priest.” But Joseph immediately exclaimed: “Well, that's pretty good! As if I would be on my guard with a shaveling! And say, do me the pleasure of not imposing him on me any more at meals. You can both make use of him as much as you wish, but don't serve him up to your friends, hang it!” “But, my friends, think of his holy—” Joseph Mouradour interrupted him: “Yes, I know; they have to be treated like 'rosieres.' But let them respect my convictions, and I will respect theirs!” That was all for that day. As soon as Madame de Meroul entered the parlor, the next morning, she noticed in the middle of the table three newspapers which made her start the Voltaire, the Republique-Francaise and the Justice. Immediately Joseph Mouradour, still in blue, appeared on the threshold, attentively reading the Intransigeant. He cried:
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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