Found on a Drowned Man

"Found on a Drowned Man" is a short story by French author Guy de Maupassant that explores themes of identity, mortality, and the human condition. In the tale, a group of fishermen discovers the body of a drowned man washed ashore. As they speculate about his life and circumstances, their imaginations run wild, leading them to project their own desires and fears onto the deceased. The story poignantly reflects on how individuals often grapple with their own existence while contemplating the lives of others, ultimately revealing deeper truths about society, love, and loss. Maupassant's incisive prose and rich character observations create a haunting atmosphere that lingers long after the story concludes.

								
Madame, you ask me whether I am laughing at you? You cannot believe that a man has never been in love. Well, then, no, no, I have never loved, never!

Why is this? I really cannot tell. I have never experienced that intoxication of the heart which we call love! Never have I lived in that dream, in that exaltation, in that state of madness into which the image of a woman casts us. I have never been pursued, haunted, roused to fever heat, lifted up to Paradise by the thought of meeting, or by the possession of, a being who had suddenly become for me more desirable than any good fortune, more beautiful than any other creature, of more consequence than the whole world! I have never wept, I have never suffered on account of any of you. I have not passed my nights sleepless, while thinking of her. I have no experience of waking thoughts bright with thought and memories of her. I have never known the wild rapture of hope before her arrival, or the divine sadness of regret when she went from me, leaving behind her a delicate odor of violet powder.

I have never been in love.

I have also often asked myself why this is. And truly I can scarcely tell. Nevertheless I have found some reasons for it; but they are of a metaphysical character, and perhaps you will not be able to appreciate them.

I suppose I am too critical of women to submit to their fascination. I ask you to forgive me for this remark. I will explain what I mean. In every creature there is a moral being and a physical being. In order to love, it would be necessary for me to find a harmony between these two beings which I have never found. One always predominates; sometimes the moral, sometimes the physical.

The intellect which we have a right to require in a woman, in order to love her, is not the same as the virile intellect. It is more, and it is less. A woman must be frank, delicate, sensitive, refined, impressionable. She has no need of either power or initiative in thought, but she must have kindness, elegance, tenderness, coquetry and that faculty of assimilation which, in a little while, raises her to an equality with him who shares her life. Her greatest quality must be tact, that subtle sense which is to the mind what touch is to the body. It reveals to her a thousand little things, contours, angles and forms on the plane of the intellectual.

Very frequently pretty women have not intellect to correspond with their personal charms. Now, the slightest lack of harmony strikes me and pains me at the first glance. In friendship this is not of importance. Friendship is a compact in which one fairly shares defects and merits. We may judge of friends, whether man or woman, giving them credit for what is good, and overlooking what is bad in them, appreciating them at their just value, while giving ourselves up to an intimate, intense and charming sympathy.

In order to love, one must be blind, surrender one's self absolutely, see nothing, question nothing, understand nothing. One must adore the weakness as well as the beauty of the beloved object, renounce all judgment, all reflection, all perspicacity.

I am incapable of such blindness and rebel at unreasoning subjugation. This is not all. I have such a high and subtle idea of harmony that nothing can ever fulfill my ideal. But you will call me a madman. Listen to me. A woman, in my opinion, may have an exquisite soul and charming body without that body and that soul being in perfect harmony with one another. I mean that persons who have noses made in a certain shape should not be expected to think in a certain fashion. The fat have no right to make use of the same words and phrases as the thin. You, who have blue eyes, madame, cannot look at life and judge of things and events as if you had black eyes. The shade of your eyes should correspond, by a sort of fatality, with the shade of your thought. In perceiving these things, I have the scent of a bloodhound. Laugh if you like, but it is so.

And yet, once I imagined that I was in love for an hour, for a day. I had foolishly yielded to the influence of surrounding circumstances. I allowed myself to be beguiled by a mirage of Dawn. Would you like me to tell you this short story?

I met, one evening, a pretty, enthusiastic little woman who took a poetic fancy to spend a night with me in a boat on a river. I would have preferred a room and a bed; however, I consented to the river and the boat.

It was in the month of June. My fair companion chose a moonlight night in order the better to stimulate her imagination.

We had dined at a riverside inn and set out in the boat about ten o'clock. I thought it a rather foolish kind of adventure, but as my companion pleased me I did not worry about it. I sat down on the seat facing her; I seized the oars, and off we starred.

I could not deny that the scene was picturesque. We glided past a wooded isle full of nightingales, and the current carried us rapidly over the river covered with silvery ripples. The tree toads uttered their shrill, monotonous cry; the frogs croaked in the grass by the river's bank, and the lapping of the water as it flowed on made around us a kind of confused murmur almost imperceptible, disquieting, and gave us a vague sensation of mysterious fear.

The sweet charm of warm nights and of streams glittering in the moonlight penetrated us. It was delightful to be alive and to float along thus, and to dream and to feel at one's side a sympathetic and beautiful young woman.

I was somewhat affected, somewhat agitated, somewhat intoxicated by the pale brightness of the night and the consciousness of my proximity to a lovely woman.

“Come and sit beside me,” she said.

I obeyed.

She went on:

“Recite some poetry for me.”

This appeared to be rather too much. I declined; she persisted. She certainly wanted to play the game, to have a whole orchestra of sentiment, from the moon to the rhymes of poets. In the end I had to yield, and, as if in mockery, I repeated to her a charming little poem by Louis Bouilhet, of which the following are the last verses:

   “I hate the poet who with tearful eye
   Murmurs some name while gazing tow'rds a star,
   Who sees no magic in the earth or sky,
   Unless Lizette or Ninon be not far.

   “The bard who in all Nature nothing sees
   Divine, unless a petticoat he ties
   Amorously to the branches of the trees
   Or nightcap to the grass, is scarcely wise.

   “He has not heard the Eternal's thunder tone,
   The voice of Nature in her various moods,
   Who cannot tread the dim ravines alone,
   And of no woman dream mid whispering woods.”
 
I expected some reproaches. Nothing of the sort. She murmured:

“How true it is!”

I was astonished. Had she understood?

Our boat had gradually approached the bank and become entangled in the branches of a willow which impeded its progress. I placed my arm round my companion's waist, and very gently approached my lips towards her neck. But she repulsed me with an abrupt, angry movement.

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