Fair Exchange and No Robbery book cover

Fair Exchange and No Robbery

"Fair Exchange and No Robbery" is a short story by Lucy Maud Montgomery that explores themes of love, sacrifice, and societal expectations. Set in the picturesque landscape of Prince Edward Island, it follows the life of a young woman who faces the challenge of navigating her feelings for two different suitors. Rich with Montgomery's signature blend of humor and poignancy, the narrative delves into the complexities of relationships, the value of true connection, and the consequences of choices made in the pursuit of happiness. Through vivid characterizations and a richly detailed setting, Montgomery invites readers to reflect on the nature of love and the balance of give-and-take in human relationships.


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Submitted by davidb on February 10, 2025


								
Katherine Rangely was packing up. Her chum and roommate, Edith Wilmer, was sitting on the bed watching her in that calm disinterested fashion peculiarly maddening to a bewildered packer. "It does seem too provoking," said Katherine, as she tugged at an obstinate shawl strap, "that Ned should be transferred here now, just when I'm going away. The powers that be might have waited until vacation was over. Ned won't know a soul here and he'll be horribly lonesome." "I'll do my best to befriend him, with your permission," said Edith consolingly. "Oh, I know. You're a special Providence, Ede. Ned will be up tonight first thing, of course, and I'll introduce him. Try to keep the poor fellow amused until I get back. Two months! Just fancy! And Aunt Elizabeth won't abate one jot or tittle of the time I promised to stay with her. Harbour Hill is so frightfully dull, too." Then the talk drifted around to Edith's affairs. She was engaged to a certain Sidney Keith, who was a professor in some college. "I don't expect to see much of Sidney this summer," said Edith. "He's writing another book. He is so terribly addicted to literature." "How lovely," sighed Katherine, who had aspirations in that line herself. "If only Ned were like him I should be perfectly happy. But Ned is so prosaic. He doesn't care a rap for poetry, and he laughs when I enthuse. It makes him quite furious when I talk of taking up writing seriously. He says women writers are an abomination on the face of the earth. Did you ever hear anything so ridiculous?" "He is very handsome, though," said Edith, with a glance at his photograph on Katherine's dressing table. "And that is what Sid is not. He is rather distinguished looking, but as plain as he can possibly be." Edith sighed. She had a weakness for handsome men and thought it rather hard that fate should have allotted her so plain a lover. "He has lovely eyes," said Katherine comfortingly, "and handsome men are always vain. Even Ned is. I have to snub him regularly. But I think you'll like him." Edith thought so too when Ned Ellison appeared that night. He was a handsome off-handed young fellow, who seemed to admire Katherine immensely, and be a little afraid of her into the bargain. "Edith will try to make Riverton pleasant for you while I am away," she told him in their good-bye chat. "She is a dear girl--you'll like her, I know. It's really too bad I have to go away now, but it can't be helped." "I shall be awfully lonesome," grumbled Ned. "Don't you forget to write regularly, Kitty." "Of course I'll write, but for pity's sake, Ned, don't call me Kitty. It sounds so childish. Well, bye-bye, dear boy. I'll be back in two months and then we'll have a lovely time." * * * * * When Katherine had been at Harbour Hill for a week she wondered how upon earth she was going to put in the remaining seven. Harbour Hill was noted for its beauty, but not every woman can live by scenery alone. "Aunt Elizabeth," said Katherine one day, "does anybody ever die in Harbour Hill? Because it doesn't seem to me it would be any change for them if they did." Aunt Elizabeth's only reply to this was a shocked look. To pass the time Katherine took to collecting seaweeds, and this involved long tramps along the shore. On one of these occasions she met with an adventure. The place was a remote spot far up the shore. Katherine had taken off her shoes and stockings, tucked up her skirt, rolled her sleeves high above her dimpled elbows, and was deep in the absorbing process of fishing up seaweeds off a craggy headland. She looked anything but dignified while so employed, but under the circumstances dignity did not matter. Presently she heard a shout from the shore and, turning around in dismay, she beheld a man on the rocks behind her. He was evidently shouting at her. What on earth could the creature want? "Come in," he called, gesticulating wildly. "You'll be in the bottomless pit in another moment if you don't look out." "He certainly must be a lunatic," said Katherine to herself, "or else he's drunk. What am I to do?" "Come in, I tell you," insisted the stranger. "What in the world do you mean by wading out to such a place? Why, it's madness." Katherine's indignation got the better of her fear. "I do not think I am trespassing," she called back as icily as possible. The stranger did not seem to be snubbed at all. He came down to the very edge of the rocks where Katherine could see him plainly. He was dressed in a somewhat well-worn grey suit and wore spectacles. He did not look like a lunatic, and he did not seem to be drunk. "I implore you to come in," he said earnestly. "You must be standing on the very brink of the bottomless pit." He is certainly off his balance, thought Katherine. He must be some revivalist who has gone insane on one point. I suppose I'd better go in. He looks quite capable of wading out here after me if I don't. She picked her steps carefully back with her precious specimens. The stranger eyed her severely as she stepped on the rocks. "I should think you would have more sense than to risk your life in that fashion for a handful of seaweeds," he said. "I haven't the faintest idea what you mean," said Miss Rangely. "You don't look crazy, but you talk as if you were." "Do you mean to say you don't know that what the people hereabouts call the Bottomless Pit is situated right off that point--the most dangerous spot along the whole coast?" "No, I didn't," said Katherine, horrified. She remembered now that Aunt Elizabeth had warned her to be careful of some bad hole along shore, but she had not been paying much attention and had supposed it to be in quite another direction. "I am a stranger here." "Well, I hardly thought you'd be foolish enough to be out there if you knew," said the other in mollified accents. "The place ought not to be left without warning, anyhow. It is the most careless thing I ever heard of. There is a big hole right off that point and nobody has ever been able to find the bottom of it. A person who got into it would never be heard of again. The rocks there form an eddy that sucks everything right down." "I am very grateful to you for calling me in," said Katherine humbly. "I had no idea I was in such danger." "You have a very fine bunch of seaweeds, I see," said the unknown. But Katherine was in no mood to converse on seaweeds. She suddenly realized what she must look like--bare feet, draggled skirts, dripping arms. And this creature whom she had taken for a lunatic was undoubtedly a gentleman. Oh, if he would only go and give her a chance
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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