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Ethan Frome is a 1911 book by American author Edith Wharton. It is set in the fictitious town of Starkfield, Massachusetts. The novel was adapted into a film, Ethan Frome, in 1993.


Year:
1911
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Submitted by acronimous on January 27, 2020


								
“No; there's nothing.” Zeena turned away from her. “You might 'a' shook off that snow outside,” she said to her husband. She walked out of the kitchen ahead of them and pausing in the hall raised the lamp at arm's-length, as if to light them up the stairs. Ethan paused also, affecting to fumble for the peg on which he hung his coat and cap. The doors of the two bedrooms faced each other across the narrow upper landing, and to-night it was peculiarly repugnant to him that Mattie should see him follow Zeena. “I guess I won't come up yet awhile,” he said, turning as if to go back to the kitchen. Zeena stopped short and looked at him. “For the land's sake--what you going to do down here?” “I've got the mill accounts to go over.” She continued to stare at him, the flame of the unshaded lamp bringing out with microscopic cruelty the fretful lines of her face. “At this time o' night? You'll ketch your death. The fire's out long ago.” Without answering he moved away toward the kitchen. As he did so his glance crossed Mattie's and he fancied that a fugitive warning gleamed through her lashes. The next moment they sank to her flushed cheeks and she began to mount the stairs ahead of Zeena. “That's so. It is powerful cold down here,” Ethan assented; and with lowered head he went up in his wife's wake, and followed her across the threshold of their room. III There was some hauling to be done at the lower end of the wood-lot, and Ethan was out early the next day. The winter morning was as clear as crystal. The sunrise burned red in a pure sky, the shadows on the rim of the wood-lot were darkly blue, and beyond the white and scintillating fields patches of far-off forest hung like smoke. It was in the early morning stillness, when his muscles were swinging to their familiar task and his lungs expanding with long draughts of mountain air, that Ethan did his clearest thinking. He and Zeena had not exchanged a word after the door of their room had closed on them. She had measured out some drops from a medicine-bottle on a chair by the bed and, after swallowing them, and wrapping her head in a piece of yellow flannel, had lain down with her face turned away. Ethan undressed hurriedly and blew out the light so that he should not see her when he took his place at her side. As he lay there he could hear Mattie moving about in her room, and her candle, sending its small ray across the landing, drew a scarcely perceptible line of light under his door. He kept his eyes fixed on the light till it vanished. Then the room grew perfectly black, and not a sound was audible but Zeena's asthmatic breathing. Ethan felt confusedly that there were many things he ought to think about, but through his tingling veins and tired brain only one sensation throbbed: the warmth of Mattie's shoulder against his. Why had he not kissed her when he held her there? A few hours earlier he would not have asked himself the question. Even a few minutes earlier, when they had stood alone outside the house, he would not have dared to think of kissing her. But since he had seen her lips in the lamplight he felt that they were his. Now, in the bright morning air, her face was still before him. It was part of the sun's red and of the pure glitter on the snow. How the girl had changed since she had come to Starkfield! He remembered what a colourless slip of a thing she had looked the day he had met her at the station. And all the first winter, how she had shivered with cold when the northerly gales shook the thin clapboards and the snow beat like hail against the loose-hung windows! He had been afraid that she would hate the hard life, the cold and loneliness; but not a sign of discontent escaped her. Zeena took the view that Mattie was bound to make the best of Starkfield since she hadn't any other place to go to; but this did not strike Ethan as conclusive. Zeena, at any rate, did not apply the principle in her own case. He felt all the more sorry for the girl because misfortune had, in a sense, indentured her to them. Mattie Silver was the daughter of a cousin of Zenobia Frome's, who had inflamed his clan with mingled sentiments of envy and admiration by descending from the hills to Connecticut, where he had married a Stamford girl and succeeded to her father's thriving “drug” business. Unhappily Orin Silver, a man of far-reaching aims, had died too soon to prove that the end justifies the means. His accounts revealed merely what the means had been; and these were such that it was fortunate for his wife and daughter that his books were examined only after his impressive funeral. His wife died of the disclosure, and Mattie, at twenty, was left alone to make her way on the fifty dollars obtained from the sale of her piano. For this purpose her equipment, though varied, was inadequate. She could trim a hat, make molasses candy, recite “Curfew shall not ring to-night,” and play “The Lost Chord” and a pot-pourri from “Carmen.” When she tried to extend the field of her activities in the direction of stenography and book-keeping her health broke down, and six months on her feet behind the counter of a department store did not tend to restore it. Her nearest relations had been induced to place their savings in her father's hands, and though, after his death, they ungrudgingly acquitted themselves of the Christian duty of returning good for evil by giving his daughter all the advice at their disposal, they could hardly be expected to supplement it by material aid. But when Zenobia's doctor recommended her looking about for some one to help her with the house-work the clan instantly saw the chance of exacting a compensation from Mattie. Zenobia, though doubtful of the girl's efficiency, was tempted by the freedom to find fault without much risk of losing her; and so Mattie came to Starkfield. Zenobia's fault-finding was of the silent kind, but not the less penetrating for that. During the first months Ethan alternately burned with the desire to see Mattie defy her and trembled with fear of the result. Then the situation grew less strained. The pure air, and the long summer hours in the open, gave back life and elasticity to Mattie, and Zeena, with more leisure to devote to her complex ailments, grew less watchful of the girl's omissions; so that Ethan, struggling on under the burden of his barren farm and failing saw-mill, could at least imagine that peace reigned in his house. There was really, even now, no tangible evidence to the contrary; but since the previous night a vague dread had hung on his sky-line. It was formed of Zeena's obstinate silence, of Mattie's sudden look of warning, of the memory of just such fleeting imperceptible signs as those which told him, on certain stainless mornings, that before night there would be rain. His dread was so strong that, man-like, he sought to postpone certainty. The hauling was not over till mid-day, and as the lumber was to be delivered to Andrew Hale, the Starkfield builder, it was really easier for Ethan to send Jotham Powell, the hired man, back to the farm on foot, and drive the load down to the village himself. He had scrambled up on the logs, and was sitting astride of them, close over his shaggy grays, when, coming between him and their streaming necks, he had a vision of the warning look that Mattie had given him the night before.
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Edith Wharton

Edith Wharton was an American novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. She was the first woman to win the Pulitzer Prize for Literature in 1921. more…

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