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Ethan Frome is a 1911 book by American author Edith Wharton. It is set in the fictitious town of Starkfield, Massachusetts. The novel was adapted into a film, Ethan Frome, in 1993.


Year:
1911
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Submitted by acronimous on January 27, 2020


								
“If there's going to be any trouble I want to be there,” was his vague reflection, as he threw to Jotham the unexpected order to unhitch the team and lead them back to the barn. It was a slow trudge home through the heavy fields, and when the two men entered the kitchen Mattie was lifting the coffee from the stove and Zeena was already at the table. Her husband stopped short at sight of her. Instead of her usual calico wrapper and knitted shawl she wore her best dress of brown merino, and above her thin strands of hair, which still preserved the tight undulations of the crimping-pins, rose a hard perpendicular bonnet, as to which Ethan's clearest notion was that he had to pay five dollars for it at the Bettsbridge Emporium. On the floor beside her stood his old valise and a bandbox wrapped in newspapers. “Why, where are you going, Zeena?” he exclaimed. “I've got my shooting pains so bad that I'm going over to Bettsbridge to spend the night with Aunt Martha Pierce and see that new doctor,” she answered in a matter-of-fact tone, as if she had said she was going into the store-room to take a look at the preserves, or up to the attic to go over the blankets. In spite of her sedentary habits such abrupt decisions were not without precedent in Zeena's history. Twice or thrice before she had suddenly packed Ethan's valise and started off to Bettsbridge, or even Springfield, to seek the advice of some new doctor, and her husband had grown to dread these expeditions because of their cost. Zeena always came back laden with expensive remedies, and her last visit to Springfield had been commemorated by her paying twenty dollars for an electric battery of which she had never been able to learn the use. But for the moment his sense of relief was so great as to preclude all other feelings. He had now no doubt that Zeena had spoken the truth in saying, the night before, that she had sat up because she felt “too mean” to sleep: her abrupt resolve to seek medical advice showed that, as usual, she was wholly absorbed in her health. As if expecting a protest, she continued plaintively; “If you're too busy with the hauling I presume you can let Jotham Powell drive me over with the sorrel in time to ketch the train at the Flats.” Her husband hardly heard what she was saying. During the winter months there was no stage between Starkfield and Bettsbridge, and the trains which stopped at Corbury Flats were slow and infrequent. A rapid calculation showed Ethan that Zeena could not be back at the farm before the following evening.... “If I'd supposed you'd 'a' made any objection to Jotham Powell's driving me over--” she began again, as though his silence had implied refusal. On the brink of departure she was always seized with a flux of words. “All I know is,” she continued, “I can't go on the way I am much longer. The pains are clear away down to my ankles now, or I'd 'a' walked in to Starkfield on my own feet, sooner'n put you out, and asked Michael Eady to let me ride over on his wagon to the Flats, when he sends to meet the train that brings his groceries. I'd 'a' had two hours to wait in the station, but I'd sooner 'a' done it, even with this cold, than to have you say--” “Of course Jotham'll drive you over,” Ethan roused himself to answer. He became suddenly conscious that he was looking at Mattie while Zeena talked to him, and with an effort he turned his eyes to his wife. She sat opposite the window, and the pale light reflected from the banks of snow made her face look more than usually drawn and bloodless, sharpened the three parallel creases between ear and cheek, and drew querulous lines from her thin nose to the corners of her mouth. Though she was but seven years her husband's senior, and he was only twenty-eight, she was already an old woman. Ethan tried to say something befitting the occasion, but there was only one thought in his mind: the fact that, for the first time since Mattie had come to live with them, Zeena was to be away for a night. He wondered if the girl were thinking of it too.... He knew that Zeena must be wondering why he did not offer to drive her to the Flats and let Jotham Powell take the lumber to Starkfield, and at first he could not think of a pretext for not doing so; then he said: “I'd take you over myself, only I've got to collect the cash for the lumber.” As soon as the words were spoken he regretted them, not only because they were untrue--there being no prospect of his receiving cash payment from Hale--but also because he knew from experience the imprudence of letting Zeena think he was in funds on the eve of one of her therapeutic excursions. At the moment, however, his one desire was to avoid the long drive with her behind the ancient sorrel who never went out of a walk. Zeena made no reply: she did not seem to hear what he had said. She had already pushed her plate aside, and was measuring out a draught from a large bottle at her elbow. “It ain't done me a speck of good, but I guess I might as well use it up,” she remarked; adding, as she pushed the empty bottle toward Mattie: “If you can get the taste out it'll do for pickles.” IV As soon as his wife had driven off Ethan took his coat and cap from the peg. Mattie was washing up the dishes, humming one of the dance tunes of the night before. He said “So long, Matt,” and she answered gaily “So long, Ethan”; and that was all. It was warm and bright in the kitchen. The sun slanted through the south window on the girl's moving figure, on the cat dozing in a chair, and on the geraniums brought in from the door-way, where Ethan had planted them in the summer to “make a garden” for Mattie. He would have liked to linger on, watching her tidy up and then settle down to her sewing; but he wanted still more to get the hauling done and be back at the farm before night. All the way down to the village he continued to think of his return to Mattie. The kitchen was a poor place, not “spruce” and shining as his mother had kept it in his boyhood; but it was surprising what a homelike look the mere fact of Zeena's absence gave it. And he pictured what it would be like that evening, when he and Mattie were there after supper. For the first time they would be alone together indoors, and they would sit there, one on each side of the stove, like a married couple, he in his stocking feet and smoking his pipe, she laughing and talking in that funny way she had, which was always as new to him as if he had never heard her before.
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Edith Wharton

Edith Wharton was an American novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. She was the first woman to win the Pulitzer Prize for Literature in 1921. more…

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