Enough book cover

Enough

"Enough" is a novel by Ivan Sergeevich Turgenev that explores themes of existential discontent and the search for meaning in life. The story revolves around the character of a young man, who grapples with feelings of dissatisfaction and frustration as he navigates his relationships and societal expectations. Turgenev delves into the complexities of human emotions, the struggles of the individual against societal norms, and the quest for personal fulfillment. The narrative combines lyrical prose with deep psychological insight, illustrating Turgenev's mastery in portraying the inner lives of his characters and their responses to the challenges they face.


Year:
1864
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Submitted by davidb on January 27, 2025
Modified by davidb on January 27, 2025


								
A FRAGMENT FROM THE NOTE-BOOK OF A DEAD ARTIST I II III 'Enough,' I said to myself as I moved with lagging steps over the steep mountainside down to the quiet little brook. 'Enough,' I said again, as I drank in the resinous fragrance of the pinewood, strong and pungent in the freshness of falling evening. 'Enough,' I said once more, as I sat on the mossy mound above the little brook and gazed into its dark, lingering waters, over which the sturdy reeds thrust up their pale green blades.... 'Enough.' No more struggle, no more strain, time to draw in, time to keep firm hold of the head and to bid the heart be silent. No more to brood over the voluptuous sweetness of vague, seductive ecstasy, no more to run after each fresh form of beauty, no more to hang over every tremour of her delicate, strong wings. All has been felt, all has been gone through... I am weary. What to me now that at this moment, larger, fiercer than ever, the sunset floods the heavens as though aflame with some triumphant passion? What to me that, amid the soft peace and glow of evening, suddenly, two paces hence, hidden in a thick bush's dewy stillness, a nightingale has sung his heart out in notes magical as though no nightingale had been on earth before him, and he first sang the first song of first love? All this was, has been, has been again, and is a thousand times repeated--and to think that it will last on so to all eternity--as though decreed, ordained--it stirs one's wrath! Yes... wrath! IV Ah, I am grown old! Such thoughts would never have come to me once--in those happy days of old, when I too was aflame like the sunset and my heart sang like the nightingale. There is no hiding it--everything has faded about me, all life has paled. The light that gives life's colours depth and meaning--the light that comes out of the heart of man--is dead within me.... No, not dead yet--it feebly smoulders on, giving no light, no warmth. Once, late in the night in Moscow, I remember I went up to the grating window of an old church, and leaned against the faulty pane. It was dark under the low arched roof--a forgotten lamp shed a dull red light upon the ancient picture; dimly could be discerned the lips only of the sacred face--stern and sorrowful. The sullen darkness gathered about it, ready it seemed to crush under its dead weight the feeble ray of impotent light.... Such now in my heart is the light; and such the darkness. V And this I write to thee, to thee, my one never forgotten friend, to thee, my dear companion, whom I have left for ever, but shall not cease to love till my life's end.... Alas! thou knowest what parted us. But that I have no wish to speak of now. I have left thee... but even here, in these wilds, in this far-off exile, I am all filled through and through with thee; as of old I am in thy power, as of old I feel the sweet burden of thy hand on my bent head! For the last time I drag myself from out the grave of silence in which I am lying now. I turn a brief and softened gaze on all my past... our past.... No hope and no return; but no bitterness is in my heart and no regret, and clearer than the blue of heaven, purer than the first snow on mountain tops, fair memories rise up before me like the forms of departed gods.... They come, not thronging in crowds, in slow procession they follow one another like those draped Athenian figures we admired so much--dost thou remember?--in the ancient bas-reliefs in the Vatican. VI I have spoken of the light that comes from the heart of man, and sheds brightness on all around him... I long to talk with thee of the time when in my heart too that light burned bright with blessing... Listen... and I will fancy thee sitting before me, gazing up at me with those eyes--so fond yet stern almost in their intentness. O eyes, never to be forgotten! On whom are they fastened now? Who folds in his heart thy glance--that glance that seems to flow from depths unknown even as mysterious springs--like ye, both clear and dark--that gush out into some narrow, deep ravine under the frowning cliffs.... Listen. VII It was at the end of March before Annunciation, soon after I had seen thee for the first time and--not yet dreaming of what thou wouldst be to me--already, silently, secretly, I bore thee in my heart. I chanced to cross one of the great rivers of Russia. The ice had not yet broken up, but looked swollen and dark; it was the fourth day of thaw. The snow was melting everywhere--steadily but slowly; there was the running of water on all sides; a noiseless wind strayed in the soft air. Earth and sky alike were steeped in one unvarying milky hue; there was not fog nor was there light; not one object stood out clear in the general whiteness, everything looked both close and indistinct. I left my cart far behind and walked swiftly over the ice of the river, and except the muffled thud of my own steps heard not a sound. I went on enfolded on all sides by the first breath, the first thrill, of early spring... and gradually gaining force with every step, with every movement forwards, a glad tremour sprang up and grew, all uncomprehended within me... it drew me on, it hastened me, and so strong was the flood of gladness within me, that I stood still at last and with questioning eyes looked round me, as I would seek some outer cause of my mood of rapture.... All was soft, white, slumbering, but I lifted my eyes; high in the heavens floated a flock of birds flying back to us.... 'Spring! welcome spring!' I shouted aloud: 'welcome, life and love and happiness!' And at that instance, with sweetly troubling shock, suddenly like a cactus flower thy image blossomed aflame within me, blossomed and grew, bewilderingly fair and radiant, and I knew that I love thee, thee only--that I am all filled full of thee.... VIII I think of thee... and many other memories, other pictures float before me with thee everywhere, at every turn of my life I meet thee. Now an old Russian garden rises up before me on the slope of a hillside, lighted up by the last rays of the summer sun. Behind the silver poplars peeps out the wooden roof of the manor-house with a thin curl of reddish smoke above the white chimney, and in the fence a little gate stands just ajar, as though some one had drawn it to with faltering hand; and I stand and wait and gaze at that gate and the sand of the garden path--wonder and rapture in my heart. All that I behold seems new and different; over all a breath of some glad, brooding mystery, and already I catch the swift rustle of steps, and I stand intent and alert as a bird with wings folded ready to take flight anew, and my heart burns and shudders in joyous dread before the approaching, the alighting rapture.... IX Then I see an ancient cathedral in a beautiful, far-off land. In rows kneel the close packed people; a breath of prayerful chill, of something
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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