Bold Words at the Bridge book cover

Bold Words at the Bridge

"Bold Words at the Bridge" is a short story by Sarah Orne Jewett, exploring themes of communication, connection, and the power of words in shaping relationships. Set against the backdrop of a quaint New England landscape, it delves into the interactions between characters who navigate the complexities of their emotions and experiences. Through rich descriptions and evocative dialogue, Jewett captures the intricacies of human connection, reflecting on how language can both bridge and divide. The story invites readers to contemplate the significance of expression in their own lives.


1 View

Submitted by davidb on February 12, 2025


								
I. "'Well, now,' says I, 'Mrs. Con'ly,' says I, 'how ever you may tark, 'tis nobody's business and I wanting to plant a few pumpkins for me cow in among me cabbages. I 've got the right to plant whatever I may choose, if it's the divil of a crop of t'istles in the middle of me ground.' 'No ma'am, you ain't,' says Biddy Con'ly; 'you ain't got anny right to plant t'istles that's not for the public good,' says she; and I being so hasty wit' me timper, I shuk me fist in her face then, and herself shuk her fist at me. Just then Father Brady come by, as luck ardered, an' recomminded us would we keep the peace. He knew well I 'd had my provocation; 't was to herself he spoke first. You'd think she owned the whole corporation. I wished I 'd t'rown her over into the wather, so I did, before he come by at all. 'T was on the bridge the two of us were. I was stepping home by meself very quiet in the afthernoon to put me tay-kittle on for supper, and herself overtook me,--ain't she the bold thing! "'How are you the day, Mrs. Dunl'avy?' says she, so mincin' an' preenin', and I knew well she 'd put her mind on having words wit' me from that minute. I 'm one that likes to have peace in the neighborhood, if it wa'n't for the likes of her, that makes the top of me head lift and clat' wit' rage like a pot-lid!" "What was the matter with the two of you?" asked a listener, with simple interest. "Faix indeed, 't was herself had a thrifle of melons planted the other side of the fince," acknowledged Mrs. Dunleavy. "She said the pumpkins would be the ruin of them intirely. I says, and 'twas thrue for me, that I 'd me pumpkins planted the week before she'd dropped anny old melon seed into the ground, and the same bein' already dwining from so manny bugs. Oh, but she 's blackhearted to give me the lie about it, and say those poor things was all up, and she 'd thrown lime on 'em to keep away their inemies when she first see me come out betune me cabbage rows. How well she knew what I might be doing! Me cabbages grows far apart and I 'd plinty of room, and if a pumpkin vine gets attention you can entice it wherever you pl'ase and it'll grow fine and long, while the poor cabbages ates and grows fat and round, and no harm to annybody, but she must pick a quarrel with a quiet 'oman in the face of every one. "We were on the bridge, don't you see, and plinty was passing by with their grins, and loitering and stopping afther they were behind her back to hear what was going on betune us. Annybody does be liking to got the sound of loud talk an' they having nothing better to do. Biddy Con'ly, seeing she was well watched, got the airs of a pr'acher, and set down whatever she might happen to be carrying and tried would she get the better of me for the sake of their admiration. Oh, but wa'n't she all drabbled and wet from the roads, and the world knows meself for a very tidy walker! "'Clane the mud from your shoes if you 're going to dance;' 't was all I said to her, and she being that mad she did be stepping up and down like an old turkey-hin, and shaking her fist all the time at me. 'Coom now, Biddy,' says I, 'what put you out so?' says I. 'Sure, it creeps me skin when I looks at you! Is the pig dead,' says I, 'or anny little thing happened to you, ma'am? Sure this is far beyond the rights of a few pumpkin seeds that has just cleared the ground!' and all the folks laughed. I 'd no call to have tark with Biddy Con'ly before them idle b'ys and gerrls, nor to let the two of us become their laughing-stock. I tuk up me basket, being ashamed then, and I meant to go away, mad as I was. 'Coom, Mrs. Con'ly!' says I, 'let bygones be bygones; what's all this whillalu we 're afther having about nothing?' says I very pleasant. "'May the divil fly away with you, Mary Dunl'avy!' says she then, 'spoiling me garden ground, as every one can see, and full of your bold talk. I 'll let me hens out into it this afternoon, so I will,' says she, and a good deal more. 'Hold off,' says I, 'and remember what fell to your aunt one day when she sint her hins in to pick a neighbor's piece, and while her own back was turned they all come home and had every sprouted bean and potatie heeled out in the hot sun, and all her fine lettuces picked into Irish lace. We 've lived neighbors,' says I, 'thirteen years,' says I; 'and we 've often had words together above the fince,' says I, 'but we 're neighbors yet, and we 've no call to stand here in such spectacles and disgracing ourselves and each other. Coom, Biddy,' says I, again, going away with me basket and remimbering Father Brady's caution whin it was too late. Some o' the b'ys went off, too, thinkin' 't was all done. "'I don't want anny o' your Coom Biddy's,' says she, stepping at me, with a black stripe across her face, she was that destroyed with rage, and I stepped back and held up me basket between us, she being bigger than I, and I getting no chance, and herself slipped and fell, and her nose got a clout with the hard edge of the basket, it would trouble the saints to say how, and then I picked her up and wint home with her to thry and quinch the blood. Sure I was sorry for the crathur an' she having such a timper boiling in her heart. "'Look at you now, Mrs. Con'ly,' says I, kind of soft, 'you 'ont be fit for mass these two Sundays with a black eye like this, and your face arl scratched, and every bliguard has gone the lingth of the town to tell tales of us. I 'm a quiet 'oman,' says I, 'and I don't thank you,' says I, whin the blood was stopped,--'no, I don't thank you for disgracin' an old neighbor like me. 'T is of our prayers and the grave we should be thinkin', and not be having bold words on the bridge.' Wisha! but I fought I was after spaking very quiet, and up she got and caught up the basket, and I dodged it by good luck, but after that I walked off and left her to satisfy her foolishness with b'ating the wall if it pl'ased her. I 'd no call for her company anny more, and I took a vow I 'd never spake a word to her again while the world stood. So all is over since then betune Biddy Con'ly and me. No, I don't look at her at all!" II. Some time afterward, in late summer, Mrs. Dunleavy stood, large and noisy, but generous-hearted, addressing some remarks from her front doorway to a goat on the sidewalk. He was pulling some of her cherished foxgloves through the picket fence, and eagerly devouring their flowery stalks. "How well you rache through an honest fince, you black pirate!" she shouted; but finding that harsh words had no effect, she took a convenient broom, and advanced to strike a gallant blow upon the creature's back. This had the simple effect of making him step a little to one side and modestly begin to nibble at a tuft of grass. "Well, if I ain't plagued!" said Mrs. Dunleavy sorrowfully; "if I ain't throubled with every wild baste, and me cow that was some use gone dry
Rate:0.0 / 0 votes

Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

All Sarah Orne Jewett books

0 fans

Discuss this Bold Words at the Bridge book with the community:

0 Comments

    Translation

    Translate and read this book in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this book to your bibliography:

    Style:MLAChicagoAPA

    "Bold Words at the Bridge Books." Literature.com. STANDS4 LLC, 2025. Web. 22 Feb. 2025. <https://www.literature.com/book/bold_words_at_the_bridge_5055>.

    We need you!

    Help us build the largest authors community and books collection on the web!

    Winter 2025

    Writing Contest

    Join our short stories contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    0
    months
    6
    days
    15
    hours

    Our favorite collection of

    Famous Authors

    »

    Quiz

    Are you a literary expert?

    »
    Who is the tragic hero of "Oedipus Rex"?
    A Creon
    B Oedipus
    C Antigone
    D Tiresias