Billy Malowney's Taste of Love and Glory book cover

Billy Malowney's Taste of Love and Glory

"Billy Malowney's Taste of Love and Glory" is a novella by Joseph Thomas Sheridan Le Fanu that explores themes of ambition, passion, and the quest for personal fulfillment. The narrative revolves around Billy Malowney, a young man who grapples with his dreams of success and the challenges posed by love and societal expectations. Set against the backdrop of 19th-century Ireland, the story delves into the tensions between personal desires and external pressures, ultimately illuminating the complexities of the human experience. Le Fanu's vivid storytelling and rich character development make this work a compelling exploration of love and ambition.


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Submitted by davidb on February 09, 2025


								
Let the reader fancy a soft summer evening, the fresh dews falling on bush and flower. The sun has just gone down, and the thrilling vespers of thrushes and blackbirds ring with a wild joy through the saddened air; the west is piled with fantastic clouds, and clothed in tints of crimson and amber, melting away into a wan green, and so eastward into the deepest blue, through which soon the stars will begin to peep. Let him fancy himself seated upon the low mossy wall of an ancient churchyard, where hundreds of grey stones rise above the sward, under the fantastic branches of two or three half-withered ash-trees, spreading their arms in everlasting love and sorrow over the dead. The narrow road upon which I and my companion await the tax-cart that is to carry me and my basket, with its rich fruitage of speckled trout, away, lies at his feet, and far below spreads an undulating plain, rising westward again into soft hills, and traversed (every here and there visibly) by a winding stream which, even through the mists of evening, catches and returns the funereal glories of the skies. As the eye traces its wayward wanderings, it loses them for a moment in the heaving verdure of white-thorns and ash, from among which floats from some dozen rude chimneys, mostly unseen, the transparent blue film of turf smoke. There we know, although we cannot see it, the steep old bridge of Carrickadrum spans the river; and stretching away far to the right the valley of Lisnamoe: its steeps and hollows, its straggling hedges, its fair-green, its tall scattered trees, and old grey tower, are disappearing fast among the discoloured tints and haze of evening. Those landmarks, as we sit listlessly expecting the arrival of our modest conveyance, suggest to our companion--a bare-legged Celtic brother of the gentle craft, somewhat at the wrong side of forty, with a turf-coloured caubeen, patched frieze, a clear brown complexion, dark-grey eyes, and a right pleasant dash of roguery in his features--the tale, which, if the reader pleases, he is welcome to hear along with me just as it falls from the lips of our humble comrade. His words I can give, but your own fancy must supply the advantages of an intelligent, expressive countenance, and, what is perhaps harder still, the harmony of his glorious brogue, that, like the melodies of our own dear country, will leave a burden of mirth or of sorrow with nearly equal propriety, tickling the diaphragm as easily as it plays with the heart-strings, and is in itself a national music that, I trust, may never, never--scouted and despised though it be--never cease, like the lost tones of our harp, to be heard in the fields of my country, in welcome or endearment, in fun or in sorrow, stirring the hearts of Irish men and Irish women. My friend of the caubeen and naked shanks, then, commenced, and continued his relation, as nearly as possible, in the following words: Av coorse ye often heerd talk of Billy Malowney, that lived by the bridge of Carrickadrum. 'Leum-a-rinka' was the name they put on him, he was sich a beautiful dancer. An' faix, it's he was the rale sportin' boy, every way--killing the hares, and gaffing the salmons, an' fightin' the men, an' funnin' the women, and coortin' the girls; an' be the same token, there was not a colleen inside iv his jurisdiction but was breakin' her heart wid the fair love iv him. Well, this was all pleasant enough, to be sure, while it lasted; but inhuman beings is born to misfortune, an' Bill's divarshin was not to last always. A young boy can't be continially coortin' and kissin' the girls (an' more's the pity) without exposin' himself to the most eminent parril; an' so signs all' what should happen Billy Malowney himself, but to fall in love at last wid little Molly Donovan, in Coolnamoe. I never could ondherstand why in the world it was Bill fell in love wid HER, above all the girls in the country. She was not within four stone weight iv being as fat as Peg Brallaghan; and as for redness in the face, she could not hould a candle to Judy Flaherty. (Poor Judy! she was my sweetheart, the darlin', an' coorted me constant, ever antil she married a boy of the Butlers; an' it's twenty years now since she was buried under the ould white-thorn in Garbally. But that's no matther!) Well, at any rate, Molly Donovan tuck his fancy, an' that's everything! She had smooth brown hair--as smooth as silk-an' a pair iv soft coaxin' eyes--an' the whitest little teeth you ever seen; an', bedad, she was every taste as much in love wid himself as he was. Well, now, he was raly stupid wid love: there was not a bit of fun left in him. He was good for nothin' an airth bud sittin' under bushes, smokin' tobacky, and sighin' till you'd wonder how in the world he got wind for it all. An', bedad, he was an illigant scholar, moreover; an', so signs, it's many's the song he made about her; an' if you'd be walkin' in the evening, a mile away from Carrickadrum, begorra you'd hear him singing out like a bull, all across the country, in her praises. Well, ye may be sure, ould Tim Donovan and the wife was not a bit too well plased to see Bill Malowney coortin' their daughter Molly; for, do ye mind, she was the only child they had, and her fortune was thirty-five pounds, two cows, and five illigant pigs, three iron pots and a skillet, an' a trifle iv poultry in hand; and no one knew how much besides, whenever the Lord id be plased to call the ould people out of the way into glory! So, it was not likely ould Tim Donovan id be fallin' in love wid poor Bill Malowney as aisy as the girls did; for, barrin' his beauty, an' his gun, an' his dhudheen, an' his janius, the divil a taste of property iv any sort or description he had in the wide world! Well, as bad as that was, Billy would not give in that her father and mother had the smallest taste iv a right to intherfare, good or bad. 'An' you're welcome to rayfuse me,' says he, 'whin I ax your lave,' says he; 'an' I'll ax your lave,' says he, 'whenever I want to coort yourselves,' says he; 'but it's your daughter I'm coortin' at the present,' says he, 'an that's all I'll say,' says he; 'for I'd as soon take a doase of salts as be discoursin' ye,' says he. So it was a rale blazin' battle betune himself and the ould people; an', begorra, there was no soart iv blaguardin' that did not pass betune them; an' they put a solemn injection on Molly again seein' him or meetin' him for the future. But it was all iv no use. You might as well be pursuadin' the birds agin flying, or sthrivin' to coax the stars out iv the sky into your hat, as be talking common sinse to them that's fairly bothered and burstin' wid love. There's nothin' like it. The toothache an' cholic together id compose you betther for an argyment than itself. It leaves you fit for nothin' bud nansinse. It's stronger than whisky, for one good drop iv it will make you drunk for one year, and sick, begorra, for a dozen. It's stronger than the say, for it'll carry you round the world an'
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Joseph Thomas Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish author known for his contributions to the Gothic fiction genre and his mastery of supernatural tales. His works often explore themes of mystery, madness, and the occult, blending psychological depth with eerie atmospheres. Le Fanu is best remembered for his novels "Carmilla," a seminal vampire story that predates Bram Stoker's "Dracula," and "The House by the Churchyard." His storytelling style, rich in atmosphere and suspense, has influenced many later writers, earning him a significant place in the literary canon of horror and Gothic literature. more…

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