At the Chestnuts’ Dinner book cover

At the Chestnuts’ Dinner

"At the Chestnuts' Dinner" by Charles Battell Loomis is a whimsical and engaging piece of literature that captures a delightful dinner party held at the Chestnut family's home. Through a blend of humor and keen observations, Loomis paints a vivid picture of the guests, their interactions, and the social dynamics at play. The story showcases the charm of domestic gatherings while exploring themes of friendship, hospitality, and the quirks of human behavior, all infused with the author’s characteristic wit and lightheartedness.


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Submitted by davidb on February 19, 2025
Modified by davidb on February 20, 2025


								
The Hoary Chestnuts were assembling for their annual Christmas dinner. Sweet music was discoursed by the chestnut bell, and, despite their age and many infirmities, the members wore a look of gaiety suitable to so festive an occasion. There was not a young joke among them, excepting a very few special jokes like the Trolley variety and the Cuban War joke, and these, from overwork, were as superannuated-looking as the oldest there. Not a well-known joke but would come. Of course they would all live until the next dinner, for an old joke is immortal; but this yearly gathering was their only chance to meet and shake hands generally, as during the rest of the year they would be scattered through the columns of the dailies and the comic weeklies, and their meetings would be chance ones. The hearty old Mother-in-law joke chatted gaily with that venerable old lady, I-will-be-a-sister-to-you. The adorable twins, Ballet-girl’s-age and Ballet-girl’s-scant-raiment, were the center of a group made up of the haughty Rich-plumber, the Rejected-manuscript, the Slow-messenger-boy, the Sleeping-watchman, and a good score of Boarding-house jokes. The one called Boarding-house-coffee felt a little stirred up at the false report that he was losing ground, and he had an unsettled look upon his swarthy and senile features. The idea was absurd on the face of it, for undoubtedly he would be printed in every section of the country before the month was out, as he had been any month for decades past. The Summer jokes, including, of course, the star jest, the Summer-girl, looked comparatively fresh, as they were not in use the year round, like Her-father’s-foot, for instance, or that other member of the same family, the Chicago-girl’s-foot, that year in and year out is used as a laugh-producer. The Boston jokes, icy and reserved, sat apart from the rest, and glared at each other in a near-sighted way. The Freak jokes, on the contrary, were hail-fellow-well-met with every one, and their vulgar laughter could be heard everywhere. A good deal of sympathy was expressed for Actor-walking-home, for he was so feeble that he had to be helped across the room by Weary Wraggles. The Tramps were out in force. Tickets to the dinner were five dollars, and it was rumored that Dusty Rhodes had worked his way in, but upon reflection the idea will be seen to be preposterous. There was a strong smell of cloves in the air when the door opened for the entrance of old Between-the-acts. He came arm in arm with that other favorite, Detained-at-the-lodge. The Farmer jokes came in a little late. Their chores had detained them. But their entrance was hailed with delight by a body of paragraphers who sat in the gallery as representatives of the press, and who had paid many a bill, thanks to the Farmers. A joke, rather square-cut and with wheels in his head, came in with a “Where is she?” look on his dial, and as soon as he said, “I expected to meter here,” he was recognized as Big-gas-bill. The Wheel jokes were conspicuous by their absence. This was explained on the ground that they were not yet old enough to become Hoary Chestnuts, and, as a relentless paragrapher remarked, “They were tired, anyhow.” The last ones to arrive were the Cannibal and Tough-missionary; and the chairman of the reception committee having assigned them seats at opposite ends of the table, all sat down, and the annual balloting to determine what had been the most popular joke of the year was begun. Many voted for themselves, notably the Boston-bean joke and the Rich-plumber; but when the votes were counted, the successful person proved to be neither of these, but a hideously homely woman with a perpetual smirk upon her face. “Who’s she?” asked one paragrapher of another. “You don’t know her? Why, that’s My-face-is-my-fortune-then-you-must-be-dead-broke.” And they crowned her with laurel as unquestionably the most perennially popular joke.
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Charles Battell Loomis

Charles Battell Loomis (1861-1939) was an American author and humorist known for his wit and engaging writing style. He gained prominence in the late 19th and early 20th centuries, contributing to various magazines and newspapers. Loomis is best recognized for his humorous essays and lighthearted stories that often reflected on everyday life, societal norms, and human behavior. His works captured the spirit of his time, blending humor with keen observations, which made him a beloved figure in the literary community of his era. more…

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