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"Andrei Kolosov" is a short story by Ivan Sergeevich Turgenev that explores themes of love, longing, and the complexities of human relationships. The narrative follows the titular character, Andrei Kolosov, who grapples with his feelings for a woman he cannot have, revealing the depths of his emotional turmoil and the societal constraints that shape his experiences. Turgenev's lyrical prose captures the nuances of Kolosov's internal struggles, ultimately reflecting on the nature of desire and the bittersweet aspects of life. Through this poignant tale, Turgenev offers a rich exploration of the human condition.


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Submitted by davidb on January 27, 2025


								
silence, and jealously and shyly concealed it. I myself enjoyed this agonising ferment of silent passion. My sufferings did not rob me of my sleep, nor of my appetite; but for whole days together I was conscious of that peculiar physical sensation in my breast which is a symptom of the presence of love. I am incapable of depicting the conflict of various sensations which took place within me when, for example, Kolosov came in from the garden with Varia, and her whole face was aglow with ecstatic devotion, exhaustion from excess of bliss.... She so completely lived in his life, was so completely taken up with him, that unconsciously she adopted his ways, looked as he looked, laughed as he laughed.... I can imagine the moments she passed with Andrei, the raptures she owed to him.... While he ... Kolosov did not lose his freedom; in her absence he did not, I suppose, even think of her; he was still the same unconcerned, gay, and happy fellow we had always known him. And, as I have already told you, we used, Kolosov and I, to go pretty often to Ivan Semyonitch's. Sometimes, when he was out of humour, the retired lieutenant did not make me sit down to cards; on such occasions, he would shrink into a corner in silence, scowling and looking crossly at every one. The first time I was delighted at his letting me off so easily; but afterwards I would sometimes begin myself begging him to sit down to whist, the part of third person was so insupportable! I was so unpleasantly in Kolosov's and Varia's way, though they did assure each other that there was no need to mind me!... Meanwhile time went on.... They were happy.... I have no great fondness for describing other people's happiness. But then I began to notice that Varia's childish ecstasy had gradually given way to a more womanly, more restless feeling. I began to surmise that the new song was being sung to the old tune--that is, that Kolosov was...little by little...cooling. This discovery, I must own, delighted me; I did not feel, I must confess, the slightest indignation against Andrei. The intervals between our visits became longer and longer.... Varia began to meet us with tear-stained eyes. Reproaches were heard ... Sometimes I asked Kolosov with affected indifference, 'Well, shall we go to Ivan Semyonitch's to-day?' ... He looked coldly at me, and answered quietly, 'No, we're not going.' I sometimes fancied that he smiled slily when he spoke to me of Varia.... I failed generally to fill Gavrilov's place with him.... Gavrilov was a thousand times more good-natured and foolish than I. Now allow me a slight digression.... When I spoke of my university comrades, I did not mention a certain Mr. Shtchitov. He was five-and-thirty; he had been a student for ten years already. I can see even now his rather long pale face, his little brown eyes, his long hawk nose crooked at the end, his thin sarcastic lips, his solemn upstanding shock of hair, and his chin that lost itself complacently in the wide striped cravat of the colour of a raven's wing, the shirt front with bronze buttons, the open blue frock-coat and striped waistcoat.... I can hear his unpleasantly jarring laugh.... He went everywhere, was conspicuous at all possible kinds of 'dancing classes.' ... I remember I could not listen to his cynical stories without a peculiar shudder.... Kolosov once compared him to an unswept Russian refreshment bar ... a horrible comparison! And with all that, there was a lot of intelligence, common sense, observation, and wit in the man.... He sometimes impressed us by some saying so apt, so true and cutting, that we were all involuntarily reduced to silence and looked at him with amazement. But, to be sure, it is just the same to a Russian whether he has uttered an absurdity or a clever thing. Shtchitov was especially dreaded by those self-conscious, dreamy, and not particularly gifted youths who spend whole days in painfully hatching a dozen trashy lines of verse and reading them in sing-song to their 'friends,' and who despise every sort of positive science. One such he simply drove out of Moscow, by continually repeating to him two of his own lines. Yet all the while Shtchitov himself did nothing and learnt nothing.... But that's all in the natural order of things. Well, Shtchitov, God only knows why, began jeering at my romantic attachment to Kolosov. The first time, with noble indignation, I told him to go to the devil; the second time, with chilly contempt, I informed him that he was not capable of judging of our friendship--but I did not send him away; and when, on taking leave of me, he observed that without Kolosov's permission I didn't even dare to praise him, I felt annoyed; Shtchitov's last words sank into my heart.--For more than a fortnight I had not seen Varia.... Pride, love, a vague anticipation, a number of different feelings were astir within me ... with a wave of the hand and a fearful sinking at my heart, I set off alone to Ivan Semyonitch's. I don't know how I made my way to the familiar little house; I remember I sat down several times by the road to rest, not from fatigue, but from emotion. I went into the passage, and had not yet had time to utter a single word when the door of the drawing-room flew open and Varia ran to meet me. 'At last,' she said, in a quavering voice; 'where's Andrei Nikolaevitch?' 'Kolosov has not come,' I muttered with an effort. 'Not come!' she repeated. 'Yes ... he told me to tell you that ... he was detained....' I positively did not know what I was saying, and I did not dare to raise my eyes. Varia stood silent and motionless before me. I glanced at her: she turned away her head; two big tears rolled slowly down her cheeks. In the expression of her face there was such sudden, bitter suffering; the conflict between bashfulness, sorrow, and confidence in me was so simply, so touchingly apparent in the unconscious movement of her poor little head that it sent a pang to my heart. I bent a little forward ... she gave a hurried start and ran away. In the parlour I was met by Ivan Semyonitch. 'How's this, my good sir, are you alone?' he asked me, with a queer twitch of his left eyelid. 'Yes, I've come alone,' I stammered. Sidorenko went off into a sudden guffaw and departed into the next room. I had never been in such a foolish position; it was too devilishly disgusting! But there was nothing to be done. I began walking up and down the room. 'What was the fat pig laughing at?' I wondered. Matrona Semyonovna came into the room with a stocking in her hands and sat down in the window. I began talking to her. Meanwhile tea was brought in. Varia came downstairs, pale and sorrowful. The retired lieutenant made jokes about Kolosov. 'I know,' said he, 'what sort of customer he is; you couldn't tempt him here with lollipops now, I expect!' Varia hurriedly got up and went away. Ivan Semyonitch looked after her and gave a sly whistle. I glanced at him in perplexity. 'Can it be,' I wondered, 'that he knows all about it?' And the lieutenant, as though
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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