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"Andrei Kolosov" is a short story by Ivan Sergeevich Turgenev that explores themes of love, longing, and the complexities of human relationships. The narrative follows the titular character, Andrei Kolosov, who grapples with his feelings for a woman he cannot have, revealing the depths of his emotional turmoil and the societal constraints that shape his experiences. Turgenev's lyrical prose captures the nuances of Kolosov's internal struggles, ultimately reflecting on the nature of desire and the bittersweet aspects of life. Through this poignant tale, Turgenev offers a rich exploration of the human condition.


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Submitted by davidb on January 27, 2025


								
a little forward, a faint colour kept flitting across her whole face; from time to time she sighed deeply, suddenly dropped her eyes, and softly laughed to herself.... I rejoiced for Kolosov.... But at the same time, deuce take it, I was envious.... After supper, Kolosov and I promptly took up our caps, which did not, however, prevent the lieutenant from saying, with a yawn: 'You've paid us a long visit, gentlemen; it's time to say good-bye.' Varia accompanied Kolosov into the passage: 'When are you coming, Andrei Nikolaevitch?' she whispered to him. 'In a few days, for certain.' 'Bring him too,' she added, with a very sly smile. 'Of course, of course.' ... 'Your humble servant!' thought I.... On the way home, I heard the following story. Six months before, Kolosov had become acquainted with Mr. Sidorenko in a rather queer way. One rainy evening, Kolosov was returning home from shooting, and had reached the gate of the city, when suddenly, at no great distance from the highroad, he heard groans, interspersed with curses. He had a gun; without thinking long, he made straight for the sound, and found a man lying on the ground with a dislocated ankle. This man was Mr. Sidorenko. With great difficulty he got him home, handed him over to the care of his frightened sister and his daughter, and ran for the doctor.... Meantime it was nearly morning; Kolosov was almost dropping with fatigue. With the permission of Matrona Semyonovna, he lay down on the sofa in the parlour, and slept till eight o'clock. On waking up he would at once have gone home; but they kept him and gave him some tea. In the night he had twice succeeded in catching a glimpse of the pale face of Varvara Ivanovna; he had not particularly noticed her, but in the morning she made a decidedly agreeable impression on him. Matrona Semyonovna garrulously praised and thanked Kolosov; Varvara sat silent, pouring out the tea, glanced at him now and then, and with timid shame-faced attentiveness handed him first a cup of tea, then the cream, then the sugar-basin. Meanwhile the lieutenant waked up, loudly called for his pipe, and after a short pause bawled: 'Sister! hi, sister!' Matrona Semyonovna went to his bedroom. 'What about that...what the devil's his name? is he gone?' 'No, I'm still here,' answered Kolosov, going up to the door; 'are you better now?' 'Yes,' answered the lieutenant; 'come in here, my good sir.' Kolosov went in. Sidorenko looked at him, and reluctantly observed: 'Well, thanks; come sometimes and see me--what's your name? who the devil's to know?' 'Kolosov,' answered Andrei. 'Well, well, come and see us; but it's no use your sticking on here now, I daresay they're expecting you at home.' Kolosov retreated, said good-bye to Matrona Semyonovna, bowed to Varvara Ivanovna, and returned home. From that day he began to visit Ivan Semyonitch, at first at long intervals, then more and more frequently. The summer came on; he would sometimes take his gun, put on his knapsack, and set off as if he were going shooting. He would go to the retired lieutenant's, and stay on there till evening. Varvara Ivanovna's father had served twenty-five years in the army, had saved a small sum of money, and bought himself a few acres of land a mile and a half from Moscow. He could scarcely read and write; but in spite of his external clumsiness and coarseness, he was shrewd and cunning, and even, on occasion, capable of sharp practice, like many Little Russians. He was a fearful egoist, obstinate as an ox, and in general exceedingly impolite, especially with strangers; I even detected in him something like a contempt for the whole human race. He indulged himself in every caprice, like a spoilt child; would know no one, and lived for his own pleasure. We were once somehow or other talking about marriages with him; 'Marriage ... marriage,' said he; 'whom the devil would I let my daughter marry? Eh? what should I do it for? for her husband to knock her about as I used to my wife? Besides, whom should I be left with?' Such was the retired lieutenant, Ivan Semyonitch. Kolosov used to go and see him, not on his account, of course, but for the sake of his daughter. One fine evening, Andrei was sitting in the garden with her, chatting about something; Ivan Semyonitch went up to him, looked sullenly at Varia, and called Andrei away. 'Listen, my dear fellow,' he said to him; 'you find it good fun, I see, gossiping with my only child, but I'm dull in my old age; bring some one with you, or I've nobody to deal a card to; d'ye hear? I shan't give admittance to you by yourself.' The next day Kolosov turned up with Gavrilov, and poor Sevastian Sevastianovitch had for a whole autumn and winter been playing cards in the evenings with the retired lieutenant; that worthy treated him without ceremony, as it is called--in other words, fearfully rudely. You now probably realise why it was that, after Gavrilov's death, Kolosov took me with him to Ivan Semyonitch's. As he communicated all these details, Kolosov added, 'I love Varia, she is the dearest girl; she liked you.' I have forgotten, I fancy, to make known to you that up to that time I had been afraid of women and avoided them, though I would sometimes, in solitude, spend whole hours in dreaming of tender interviews, of love, of mutual love, and so on. Varvara Ivanovna was the first girl with whom I was forced to talk, by necessity--by necessity it really was. Varia was an ordinary girl, and yet there are very few such girls in holy Russia. You will ask me--why so? Because I never noticed in her anything strained, unnatural, affected; because she was a simple, candid, rather melancholy creature, because one could never call her 'a young lady.' I liked her soft smile; I liked her simple-hearted, ringing little voice, her light and mirthful laugh, her attentive though by no means 'profound' glances. The child promised nothing; but you could not help admiring her, as you admire the sudden, soft cry of the oriole at evening, in the lofty, dark birch-wood. I must confess that at the present time I should pass by such a creature with some indifference; I've no taste now for solitary evening strolls, and orioles; but in those days ... I've no doubt, gentlemen, that, like all well-educated persons, you have been in love at least once in the course of your life, and have learnt from your own experience how love springs up and develops in the human heart, and therefore I'm not going to enlarge too much on what took place with me at that time. Kolosov and I used to go pretty often to Ivan Semyonitch's; and though those damned cards often drove me to utter despair, still, in the mere proximity of the woman one loves (I had fallen in love with Varia) there is a sort of strange, sweet, tormenting joy. I made no effort to suppress this growing feeling; besides, by the time I had at last brought myself to call the emotion by its true name, it was already too strong.... I cherished my love in
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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