An Artifice

"An Artifice" is a short story by Guy de Maupassant that explores themes of deception, love, and societal expectations. The narrative revolves around a complex romantic encounter that reveals the intricacies of human emotions and the masks people wear in relationships. Maupassant’s keen observations and rich characterizations illuminate the interplay between trust and manipulation, ultimately questioning the nature of authenticity in love. Through his signature style, Maupassant crafts a tale that is both poignant and thought-provoking, showcasing the author's mastery of psychological insight.

• Short story

								
The old doctor sat by the fireside, talking to his fair patient who was lying on the lounge. There was nothing much the matter with her, except that she had one of those little feminine ailments from which pretty women frequently suffer—slight anaemia, a nervous attack, etc.

“No, doctor,” she said; “I shall never be able to understand a woman deceiving her husband. Even allowing that she does not love him, that she pays no heed to her vows and promises, how can she give herself to another man? How can she conceal the intrigue from other people's eyes? How can it be possible to love amid lies and treason?”

The doctor smiled, and replied: “It is perfectly easy, and I can assure you that a woman does not think of all those little subtle details when she has made up her mind to go astray.

“As for dissimulation, all women have plenty of it on hand for such occasions, and the simplest of them are wonderful, and extricate themselves from the greatest dilemmas in a remarkable manner.”

The young woman, however, seemed incredulous.

“No, doctor,” she said; “one never thinks until after it has happened of what one ought to have done in a critical situation, and women are certainly more liable than men to lose their head on such occasions:”

The doctor raised his hands. “After it has happened, you say! Now I will tell you something that happened to one of my female patients, whom I always considered an immaculate woman.

“It happened in a provincial town, and one night when I was asleep, in that deep first sleep from which it is so difficult to rouse us, it seemed to me, in my dreams, as if the bells in the town were sounding a fire alarm, and I woke up with a start. It was my own bell, which was ringing wildly, and as my footman did not seem to be answering the door, I, in turn, pulled the bell at the head of my bed, and soon I heard a banging, and steps in the silent house, and Jean came into my room, and handed me a letter which said: 'Madame Lelievre begs Dr. Simeon to come to her immediately.'

“I thought for a few moments, and then I said to myself: 'A nervous attack, vapors; nonsense, I am too tired.' And so I replied: 'As Dr. Simeon is not at all well, he must beg Madame Lelievre to be kind enough to call in his colleague, Monsieur Bonnet.' I put the note into an envelope and went to sleep again, but about half an hour later the street bell rang again, and Jean came to me and said: 'There is somebody downstairs; I do not quite know whether it is a man or a woman, as the individual is so wrapped up, but they wish to speak to you immediately. They say it is a matter of life and death for two people.' Whereupon I sat up in bed and told him to show the person in.

“A kind of black phantom appeared and raised her veil as soon as Jean had left the room. It was Madame Berthe Lelievre, quite a young woman, who had been married for three years to a large merchant in the town, who was said to have married the prettiest girl in the neighborhood.

“She was terribly pale, her face was contracted as the faces of insane people are, occasionally, and her hands trembled violently. Twice she tried to speak without being able to utter a sound, but at last she stammered out: 'Come—quick—quick, doctor. Come—my—friend has just died in my bedroom.' She stopped, half suffocated with emotion, and then went on: 'My husband will be coming home from the club very soon.'

“I jumped out of bed without even considering that I was only in my nightshirt, and dressed myself in a few moments, and then I said: 'Did you come a short time ago?' 'No,' she said, standing like a statue petrified with horror. 'It was my servant—she knows.' And then, after a short silence, she went on: 'I was there—by his side.' And she uttered a sort of cry of horror, and after a fit of choking, which made her gasp, she wept violently, and shook with spasmodic sobs for a minute: or two. Then her tears suddenly ceased, as if by an internal fire, and with an air of tragic calmness, she said: 'Let us make haste.'

“I was ready, but exclaimed: 'I quite forgot to order my carriage.' 'I have one,' she said; 'it is his, which was waiting for him!' She wrapped herself up, so as to completely conceal her face, and we started.

“When she was by my side in the carriage she suddenly seized my hand, and crushing it in her delicate fingers, she said, with a shaking voice, that proceeded from a distracted heart: 'Oh! if you only knew, if you only knew what I am suffering! I loved him, I have loved him distractedly, like a madwoman, for the last six months.' 'Is anyone up in your house?' I asked. 'No, nobody except those, who knows everything.'

“We stopped at the door, and evidently everybody was asleep. We went in without making any noise, by means of her latch-key, and walked upstairs on tiptoe. The frightened servant was sitting on the top of the stairs with a lighted candle by her side, as she was afraid to remain with the dead man, and I went into the room, which was in great disorder. Wet towels, with which they had bathed the young man's temples, were lying on the floor, by the side of a washbasin and a glass, while a strong smell of vinegar pervaded the room.

“The dead man's body was lying at full length in the middle of the room, and I went up to it, looked at it, and touched it. I opened the eyes and felt the hands, and then, turning to the two women, who were shaking as if they were freezing, I said to them: 'Help me to lift him on to the bed.' When we had laid him gently on it, I listened to his heart and put a looking-glass to his lips, and then said: 'It is all over.' It was a terrible sight!

“I looked at the man, and said: 'You ought to arrange his hair a little.' The girl went and brought her mistress' comb and brush, but as she was trembling, and pulling out his long, matted hair in doing it, Madame Lelievre took the comb out of her hand, and arranged his hair as if she were caressing him. She parted it, brushed his beard, rolled his mustaches gently round her fingers, then, suddenly, letting go of his hair, she took the dead man's inert head in her hands and looked for a long time in despair at the dead face, which no longer could smile at her, and then, throwing herself on him, she clasped him in her arms and kissed him ardently. Her kisses fell like blows on his closed mouth and eyes, his forehead and temples; and then, putting her lips to his ear, as if he could still hear her, and as if she were about to whisper something to him, she said several times, in a heartrending voice:

“'Good-by, my darling!'

“Just then the clock struck twelve, and I started up. 'Twelve o'clock!' I exclaimed. 'That is the time when the club closes. Come, madame, we have not a moment to lose!' She started up, and I said:

“'We must carry him into the drawing-room.' And when we had done this, I placed him on a sofa, and lit the chandeliers, and just then the front door was opened and shut noisily. 'Rose, bring me the basin and the towels, and make the room look tidy. Make haste, for Heaven's sake! Monsieur Lelievre is coming in.'

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