Along Shore book cover

Along Shore

"Along Shore" by Sarah Orne Jewett is a collection of interconnected stories that capture the rhythms of life in a coastal New England town. Through vivid descriptions and rich characterizations, Jewett explores themes of community, nature, and the intricacies of human relationships. The narrative weaves together the daily experiences of locals, revealing their struggles and joys as they navigate the challenges of their environment. With its lyrical prose and keen observations, the book celebrates the simplicity and beauty of rural life, offering a poignant reflection on the bond between people and the sea.


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Submitted by davidb on February 12, 2025


								
One day as I went along the shore beyond the old wharves and the newer, high-stepped fabric of the steamer landing, I saw that all the boats were beached, and the slack water period of the early afternoon prevailed. Nothing was going on, not even the most leisurely of occupations, like baiting trawls or mending nets, or repairing lobster pots; the very boats seemed to be taking an afternoon nap in the sun. I could hardly discover a distant sail as I looked seaward, except a weather-beaten lobster smack, which seemed to have been taken for a plaything by the light airs that blew about the bay. It drifted and turned about so aimlessly in the wide reach off Burnt Island, that I suspected there was nobody at the wheel, or that she might have parted her rusty anchor chain while all the crew were asleep. I watched her for a minute or two; she was the old Miranda, owned by some of the Caplins, and I knew her by an odd shaped patch of newish duck that was set into the peak of her dingy mainsail. Her vagaries offered such an exciting subject for conversation that my heart rejoiced at the sound of a hoarse voice behind me. At that moment, before I had time to answer, I saw something large and shapeless flung from the Miranda’s deck that splashed the water high against her black side, and my companion gave a satisfied chuckle. The old lobster smack’s sail caught the breeze again at this moment, and she moved off down the bay. Turning, I found old Elijah Tilley, who had come softly out of his dark fish house, as if it were a burrow. “Boy got kind o’ drowsy steerin’ of her; Monroe he hove him right overboard; ’wake now fast enough,” explained Mr. Tilley, and we laughed together. I was delighted, for my part, that the vicissitudes and dangers of the Miranda, in a rocky channel, should have given me this opportunity to make acquaintance with an old fisherman to whom I had never spoken. At first he had seemed to be one of those evasive and uncomfortable persons who are so suspicious of you that they make you almost suspicious of yourself. Mr. Elijah Tilley appeared to regard a stranger with scornful indifference. You might see him standing on the pebble beach or in a fish-house doorway, but when you came nearer he was gone. He was one of the small company of elderly, gaunt-shaped great fishermen whom I used to like to see leading up a deep-laden boat by the head, as if it were a horse, from the water’s edge to the steep slope of the pebble beach. There were four of these large old men at the Landing, who were the survivors of an earlier and more vigorous generation. There was an alliance and understanding between them, so close that it was apparently speechless. They gave much time to watching one another’s boats go out or come in; they lent a ready hand at tending one another’s lobster traps in rough weather; they helped to clean the fish, or to sliver porgies for the trawls, as if they were in close partnership; and when a boat came in from deep-sea fishing they were never far out of the way, and hastened to help carry it ashore, two by two, splashing alongside, or holding its steady head, as if it were a willful sea colt. As a matter of fact no boat could help being steady and way-wise under their instant direction and companionship. Abel’s boat and Jonathan Bowden’s boat were as distinct and experienced personalities as the men themselves, and as inexpressive. Arguments and opinions were unknown to the conversation of these ancient friends; you would as soon have expected to hear small talk in a company of elephants as to hear old Mr. Bowden or Elijah Tilley and their two mates waste breath upon any form of trivial gossip. They made brief statements to one another from time to time. As you came to know them you wondered more and more that they should talk at all. Speech seemed to be a light and elegant accomplishment, and their unexpected acquaintance with its arts made them of new value to the listener. You felt almost as if a landmark pine should suddenly address you in regard to the weather, or a lofty-minded old camel make a remark as you stood respectfully near him under the circus tent. I often wondered a great deal about the inner life and thought of these self-contained old fishermen; their minds seemed to be fixed upon nature and the elements rather than upon any contrivances of man, like politics or theology. My friend, Captain Bowden, who was the nephew of the eldest of this group, regarded them with deference; but he did not belong to their secret companionship, though he was neither young nor talkative. “They’ve gone together ever since they were boys, they know most everything about the sea amon’st them,” he told me once. “They was always just as you see ’em now since the memory of man.” These ancient seafarers had houses and lands not outwardly different from other Dunnet Landing dwellings, and two of them were fathers of families, but their true dwelling places were the sea, and the stony beach that edged its familiar shore, and the fishhouses, where much salt brine from the mackerel kits had soaked the very timbers into a state of brown permanence and petrifaction. It had also affected the old fishermen’s hard complexions, until one fancied that when Death claimed them it could only be with the aid, not of any slender modern dart, but the good serviceable harpoon of a seventeenth century woodcut. Elijah Tilley was such an evasive, discouraged-looking person, heavy-headed, and stooping so that one could never look him in the face, that even after his friendly exclamation about Monroe Pennell, the lobster smack’s skipper, and the sleepy boy, I did not venture at once to speak again. Mr. Tilley was carrying a small haddock in one hand, and presently shifted it to the other hand lest it might touch my skirt. I knew that my company was accepted, and we walked together a little way. “You mean to have a good supper,” I ventured to say, by way of friendliness. “Goin’ to have this ’ere haddock an’ some o’ my good baked potatoes; must eat to live,” responded my companion with great pleasantness and open approval. I found that I had suddenly left the forbidding coast and come into a smooth little harbor of friendship. “You ain’t never been up to my place,” said the old man. “Folks don’t come now as they used to; no, ’tain’t no use to ask folks now. My poor dear she was a great hand to draw young company.” I remembered that Mrs. Todd had once said that this old fisherman had been sore stricken and unconsoled at the death of his wife. “I should like very much to come,” said I. “Perhaps you are going to be at home later on?” Mr. Tilley agreed, by a sober nod, and went his way bent-shouldered and with a rolling gait. There was a new patch high on the shoulder of his old waistcoat, which corresponded to the renewing of the Miranda’s mainsail down the bay, and I wondered if his own fingers, clumsy with much deep-sea fishing, had set it in. “Was there a good catch to-day?” I asked, stopping a moment. “I didn’t
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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    "Along Shore Books." Literature.com. STANDS4 LLC, 2025. Web. 22 Feb. 2025. <https://www.literature.com/book/along_shore_4993>.

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