About Clocks book cover

About Clocks

"About Clocks" by Elizabeth Gordon is a charming and informative exploration of timekeeping devices throughout history. Aimed primarily at younger readers, the book combines engaging illustrations with captivating narratives that delve into the mechanics and significance of clocks. Gordon presents a variety of clocks, from ancient sundials to intricate mechanical timepieces, while also highlighting their cultural and scientific importance. With a blend of history, art, and storytelling, "About Clocks" invites readers to appreciate the marvels of timekeeping and its impact on society.


Year:
1924
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Submitted by davidb on February 16, 2025
Modified by davidb on February 16, 2025


								
“Look at my new wrist-watch! Mom gave it to me for my birthday--isn’t it a beauty?” said the boy named Billy. “Radium dial ’n all; I can see what time it is in the dark. Handy when I’m on hikes, no more stopping to scratch matches. Stem winder ’n everything.” “Goodness, Billy,” said Big Sister. “Anyone would think to hear you that there never was a watch like that of yours. We all have watches.” Billy grinned. “Well,” he said, “I’ve wanted it so long. A fellow needs something to tell time by. Who discovered how to tell time anyhow?” “The first Caveman, probably,” said Somebody. “He needed to let the ladies of the family know when he was coming home to dinner, so he very likely pointed to the sun, and drew a line in the sand, to tell them that when the sunshine reached that spot he would be home and that dinner better be forthcoming pronto! That was the sundial idea, which was the only way of time-telling for ages. Cleopatra’s needle is supposed to have been one of the big sun dials. But as it was certainly inconvenient not to be able to tell the time on dark days, it was only a matter of time when some more convenient method of recording the hours would be found. When it did appear it was in the shape of the clepsydra, or water thief, a brass bowl with a hole in the bottom, which was floated on top of another bowl full of water, the principle being that when the bowl had filled itself with water an hour had passed, then a slave would empty the bowl, and hit it with a rod to announce the hour.” “But someone must have sat up all night to watch the bowl and strike the hours,” said the boy named Billy. “Precisely,” said Somebody, “so they consulted the stars, and discovered that they could divide the night into ‘watches’ of so many hours duration, and then they had different watchmen to sit up with the clepsydra, and announce the hours. “The Priests of Babylon were very wise men indeed, and it was not long until they had figured out how to divide the years into months and weeks and days and hours and minutes and seconds. “But it was not until 1581 that a young Spaniard, standing in the Cathedral of Pisa discovered, by watching a swinging lamp, the principle of the pendulum. He noticed that when it moved a short distance, it moved slowly, and that the farther it moved, the faster became the motion, making the long swing in the same time as it did the shorter one. And in this way was the pendulum applied to the making of time-telling machines. “In the 12th Century there were clocks which struck the hours, but which had no dials or hands, but after the idea of time-telling machines started it traveled fast, and in the 14th Century real clocks began to appear. “We have not time to go through the whole fascinating story of how the idea progressed, but we know that in Shakespeare’s time there were watches that could be carried in the pocket.” “Why were they called ‘watches’ instead of clocks,” asked the boy named Billy. “The clock, or orloge, as they were then called, struck the hours, and the watch was very probably so named from the silent ‘watches of the night’,” said Somebody. “That last is just a guess, but it’s as good as anybody’s guess at that.” “Who made the first clock in America?” asked the boy named Billy. “Eli Terry did, in the year 1809,” said Somebody, “and after a time he got Seth Thomas to help him. As soon as people realized what a very great convenience it was to be able to keep accurate time, nobody wanted to be without a clock. And then people began to travel more and needed to have something portable with which to tell time, and so the convenient watches came to be made. “‘What time is it?’ you ask. Centuries of scientific progress, with vast labor and years of patient study, have been necessary to answer that question. You’ll find that men had to delve into mathematics, the mysteries of astronomy, the wonders of physics and chemistry, before they could force the hands on the dial to tell you when to start for school or to catch your train. As you look at a clock, remember that every time the minute-hand passes from one of its marks to the next, it shows that this huge globe on which we live has covered more than 1,000 miles of its headlong journey. “And then along came Madame Curie, the brilliant French scientist, and discovered radium, the merest shadow of which makes the dial of your watch luminous for as long as it lasts. “There is a very famous clock in Strasbourg which not only tells the time of day, but also the day of week, the month, and the position of the moon and the planets. At various times processions of tiny figures cross a stage, including a cock that crows. The day of week is indicated by a separate little figure which takes its place on a tiny platform. “A watch is perhaps the most wonderful little machine in the world. Packed in a case sometimes no bigger than a twenty-five cent piece and less than a quarter of an inch thick are from one hundred and fifty to eight hundred separate parts. And there you are, Billy Boy!” “Time for bed,” said Mother. “And don’t linger too long admiring your new watch or it will be time to get up.” “Goodnight everybody, and Somebody,” said the boy named Billy, “and thanks again, Mom, for the watch. I’ve never before had such a jimdandy birthday gift.”
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Elizabeth Gordon

Elizabeth Gordon was a notable author and journalist, primarily recognized for her works in the early to mid-20th century. She often focused on themes related to women's experiences and societal issues, and her writing combined elements of fiction and non-fiction. In addition to her literary contributions, Gordon was an advocate for women's rights and empowerment, using her platform to address the challenges faced by women in her time. Her works continue to be appreciated for their insightful perspectives and relevance to ongoing discussions about gender and society. more…

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