A Wedding Gift book cover

A Wedding Gift

"A Wedding Gift" by Guy de Maupassant is a poignant short story that explores themes of love, desire, and the complexities of human relationships. The narrative revolves around a newlywed couple who receive a rather unusual gift that prompts reflection on their marital bond and individual aspirations. Through Maupassant's characteristic wit and keen psychological insight, the tale delves into the contrasts between romantic ideals and the realities of everyday life, ultimately revealing the bittersweet nature of human connections. The story captures the essence of Maupassant's literary style, marked by its irony and deep understanding of human emotions.


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Submitted by davidb on February 03, 2025


								
For a long time Jacques Bourdillere had sworn that he would never marry, but he suddenly changed his mind. It happened suddenly, one summer, at the seashore. One morning as he lay stretched out on the sand, watching the women coming out of the water, a little foot had struck him by its neatness and daintiness. He raised his eyes and was delighted with the whole person, although in fact he could see nothing but the ankles and the head emerging from a flannel bathrobe carefully held closed. He was supposed to be sensual and a fast liver. It was therefore by the mere grace of the form that he was at first captured. Then he was held by the charm of the young girl's sweet mind, so simple and good, as fresh as her cheeks and lips. He was presented to the family and pleased them. He immediately fell madly in love. When he saw Berthe Lannis in the distance, on the long yellow stretch of sand, he would tingle to the roots of his hair. When he was near her he would become silent, unable to speak or even to think, with a kind of throbbing at his heart, and a buzzing in his ears, and a bewilderment in his mind. Was that love? He did not know or understand, but he had fully decided to have this child for his wife. Her parents hesitated for a long time, restrained by the young man's bad reputation. It was said that he had an old sweetheart, one of these binding attachments which one always believes to be broken off and yet which always hold. Besides, for a shorter or longer period, he loved every woman who came within reach of his lips. Then he settled down and refused, even once, to see the one with whom he had lived for so long. A friend took care of this woman's pension and assured her an income. Jacques paid, but he did not even wish to hear of her, pretending even to ignore her name. She wrote him letters which he never opened. Every week he would recognize the clumsy writing of the abandoned woman, and every week a greater anger surged within him against her, and he would quickly tear the envelope and the paper, without opening it, without reading one single line, knowing in advance the reproaches and complaints which it contained. As no one had much faith in his constancy, the test was prolonged through the winter, and Berthe's hand was not granted him until the spring. The wedding took place in Paris at the beginning of May. The young couple had decided not to take the conventional wedding trip, but after a little dance for the younger cousins, which would not be prolonged after eleven o'clock, in order that this day of lengthy ceremonies might not be too tiresome, the young pair were to spend the first night in the parental home and then, on the following morning, to leave for the beach so dear to their hearts, where they had first known and loved each other. Night had come, and the dance was going on in the large parlor. 'The two had retired into a little Japanese boudoir hung with bright silks and dimly lighted by the soft rays of a large colored lantern hanging from the ceiling like a gigantic egg. Through the open window the fresh air from outside passed over their faces like a caress, for the night was warm and calm, full of the odor of spring. They were silent, holding each other's hands and from time to time squeezing them with all their might. She sat there with a dreamy look, feeling a little lost at this great change in her life, but smiling, moved, ready to cry, often also almost ready to faint from joy, believing the whole world to be changed by what had just happened to her, uneasy, she knew not why, and feeling her whole body and soul filled with an indefinable and delicious lassitude. He was looking at her persistently with a fixed smile. He wished to speak, but found nothing to say, and so sat there, expressing all his ardor by pressures of the hand. From time to time he would murmur: “Berthe!” And each time she would raise her eyes to him with a look of tenderness; they would look at each other for a second and then her look, pierced and fascinated by his, would fall. They found no thoughts to exchange. They had been left alone, but occasionally some of the dancers would cast a rapid glance at them, as though they were the discreet and trusty witnesses of a mystery. A door opened and a servant entered, holding on a tray a letter which a messenger had just brought. Jacques, trembling, took this paper, overwhelmed by a vague and sudden fear, the mysterious terror of swift misfortune. He looked for a longtime at the envelope, the writing on which he did not know, not daring to open it, not wishing to read it, with a wild desire to put it in his pocket and say to himself: “I'll leave that till to-morrow, when I'm far away!” But on one corner two big words, underlined, “Very urgent,” filled him with terror. Saying, “Please excuse me, my dear,” he tore open the envelope. He read the paper, grew frightfully pale, looked over it again, and, slowly, he seemed to spell it out word for word. When he raised his head his whole expression showed how upset he was. He stammered: “My dear, it's—it's from my best friend, who has had a very great misfortune. He has need of me immediately—for a matter of life or death. Will you excuse me if I leave you for half an hour? I'll be right back.” Trembling and dazed, she stammered: “Go, my dear!” not having been his wife long enough to dare to question him, to demand to know. He disappeared. She remained alone, listening to the dancing in the neighboring parlor. He had seized the first hat and coat he came to and rushed downstairs three steps at a time. As he was emerging into the street he stopped under the gas-jet of the vestibule and reread the letter. This is what it said: SIR: A girl by the name of Ravet, an old sweetheart of yours, it seems, has just given birth to a child that she says is yours. The mother is about to die and is begging for you. I take the liberty to write and ask you if you can grant this last request to a woman who seems to be very unhappy and worthy of pity. Yours truly, DR. BONNARD. When he reached the sick-room the woman was already on the point of death. He did not recognize her at first. The doctor and two nurses were taking care of her. And everywhere on the floor were pails full of ice and rags covered with blood. Water flooded the carpet; two candles were burning on a bureau; behind the bed, in a little wicker crib, the child was crying, and each time it would moan the mother, in torture, would try to move, shivering under her ice bandages. She was mortally wounded, killed by this birth. Her life was flowing from her, and, notwithstanding the ice and the care, the merciless hemorrhage continued, hastening her last hour. She recognized Jacques and wished to raise her arms. They were so weak that she could not do so, but tears coursed down her pallid cheeks. He dropped to his knees beside the bed, seized one of her hands and kissed it frantically. Then, little by little, he drew close to the thin face, which started at the contact. One of the nurses was lighting them with a candle, and the doctor was watching them from the back of the room.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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