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A Recollection

"A Recollection" by Guy de Maupassant is a poignant short story that reflects on memory, longing, and the passage of time. The narrative follows the protagonist as he revisits a cherished place from his youth, stirring emotional reflections about love, loss, and the ephemeral nature of happiness. Maupassant's rich, evocative prose captures the bittersweet essence of nostalgia, inviting readers to explore the interplay between past and present. The story highlights the profound impact of recollections on our identity and sense of self.

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Submitted by davidb on February 02, 2025


								
How many recollections of youth come to me in the soft sunlight of early spring! It was an age when all was pleasant, cheerful, charming, intoxicating. How exquisite are the remembrances of those old springtimes! Do you recall, old friends and brothers, those happy years when life was nothing but a triumph and an occasion for mirth? Do you recall the days of wanderings around Paris, our jolly poverty, our walks in the fresh, green woods, our drinks in the wine-shops on the banks of the Seine and our commonplace and delightful little flirtations? I will tell you about one of these. It was twelve years ago and already appears to me so old, so old that it seems now as if it belonged to the other end of life, before middle age, this dreadful middle age from which I suddenly perceived the end of the journey. I was then twenty-five. I had just come to Paris. I was in a government office, and Sundays were to me like unusual festivals, full of exuberant happiness, although nothing remarkable occurred. Now it is Sunday every day, but I regret the time when I had only one Sunday in the week. How enjoyable it was! I had six francs to spend! On this particular morning I awoke with that sense of freedom that all clerks know so well—the sense of emancipation, of rest, of quiet and of independence. I opened my window. The weather was charming. A blue sky full of sunlight and swallows spread above the town. I dressed quickly and set out, intending to spend the day in the woods breathing the air of the green trees, for I am originally a rustic, having been brought up amid the grass and the trees. Paris was astir and happy in the warmth and the light. The front of the houses was bathed in sunlight, the janitress' canaries were singing in their cages and there was an air of gaiety in the streets, in the faces of the inhabitants, lighting them up with a smile as if all beings and all things experienced a secret satisfaction at the rising of the brilliant sun. I walked towards the Seine to take the Swallow, which would land me at Saint-Cloud. How I loved waiting for the boat on the wharf: It seemed to me that I was about to set out for the ends of the world, for new and wonderful lands. I saw the boat approaching yonder, yonder under the second bridge, looking quite small with its plume of smoke, then growing larger and ever larger, as it drew near, until it looked to me like a mail steamer. It came up to the wharf and I went on board. People were there already in their Sunday clothes, startling toilettes, gaudy ribbons and bright scarlet designs. I took up a position in the bows, standing up and looking at the quays, the trees, the houses and the bridges disappearing behind us. And suddenly I perceived the great viaduct of Point du Jour which blocked the river. It was the end of Paris, the beginning of the country, and behind the double row of arches the Seine, suddenly spreading out as though it had regained space and liberty, became all at once the peaceful river which flows through the plains, alongside the wooded hills, amid the meadows, along the edge of the forests. After passing between two islands the Swallow went round a curved verdant slope dotted with white houses. A voice called out: “Bas Meudon” and a little further on, “Sevres,” and still further, “Saint-Cloud.” I went on shore and walked hurriedly through the little town to the road leading to the wood. I had brought with me a map of the environs of Paris, so that I might not lose my way amid the paths which cross in every direction these little forests where Parisians take their outings. As soon as I was unperceived I began to study my guide, which seemed to be perfectly clear. I was to turn to the right, then to the left, then again to the left and I should reach Versailles by evening in time for dinner. I walked slowly beneath the young leaves, drinking in the air, fragrant with the odor of young buds and sap. I sauntered along, forgetful of musty papers, of the offices, of my chief, my colleagues, my documents, and thinking of the good things that were sure to come to me, of all the veiled unknown contained in the future. A thousand recollections of childhood came over me, awakened by these country odors, and I walked along, permeated with the fragrant, living enchantment, the emotional enchantment of the woods warmed by the sun of June. At times I sat down to look at all sorts of little flowers growing on a bank, with the names of which I was familiar. I recognized them all just as if they were the ones I had seen long ago in the country. They were yellow, red, violet, delicate, dainty, perched on long stems or close to the ground. Insects of all colors and shapes, short, long, of peculiar form, frightful, and microscopic monsters, climbed quietly up the stalks of grass which bent beneath their weight. Then I went to sleep for some hours in a hollow and started off again, refreshed by my doze. In front of me lay an enchanting pathway and through its somewhat scanty foliage the sun poured down drops of light on the marguerites which grew there. It stretched out interminably, quiet and deserted, save for an occasional big wasp, who would stop buzzing now and then to sip from a flower, and then continue his way. All at once I perceived at the end of the path two persons, a man and a woman, coming towards me. Annoyed at being disturbed in my quiet walk, I was about to dive into the thicket, when I thought I heard someone calling me. The woman was, in fact, shaking her parasol, and the man, in his shirt sleeves, his coat over one arm, was waving the other as a signal of distress. I went towards them. They were walking hurriedly, their faces very red, she with short, quick steps and he with long strides. They both looked annoyed and fatigued. The woman asked: “Can you tell me, monsieur, where we are? My fool of a husband made us lose our way, although he pretended he knew the country perfectly.” I replied confidently: “Madame, you are going towards Saint-Cloud and turning your back on Versailles.” With a look of annoyed pity for her husband, she exclaimed: “What, we are turning our back on Versailles? Why, that is just where we want to dine!” “I am going there also, madame.” “Mon Dieu, mon Dieu, mon Dieu!” she repeated, shrugging her shoulders, and in that tone of sovereign contempt assumed by women to express their exasperation. She was quite young, pretty, a brunette with a slight shadow on her upper lip. As for him, he was perspiring and wiping his forehead. It was assuredly a little Parisian bourgeois couple. The man seemed cast down, exhausted and distressed. “But, my dear friend, it was you—” he murmured. She did not allow him to finish his sentence. “It was I! Ah, it is my fault now! Was it I who wanted to go out without getting any information, pretending that I knew how to find my way? Was it I who wanted to take the road to the right on top of the hill, insisting that I recognized the road? Was it I who undertook to take charge of Cachou—”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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