A Mother of Monsters book cover

A Mother of Monsters

"A Mother of Monsters" is a short story by Guy de Maupassant that explores themes of maternal love, obsession, and the darker sides of human nature. The narrative revolves around a mother whose intense love for her child blurs the lines between affection and madness. As she grapples with her overwhelming emotions, the story delves into the psychological complexities of motherhood and the impact of societal expectations on women. Maupassant's poignant storytelling and vivid characterizations invite readers to reflect on the profound and sometimes chilling aspects of parental devotion.


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Submitted by davidb on February 03, 2025


								
I recalled this horrible story, the events of which occurred long ago, and this horrible woman, the other day at a fashionable seaside resort, where I saw on the beach a well-known young, elegant and charming Parisienne, adored and respected by everyone. I had been invited by a friend to pay him a visit in a little provincial town. He took me about in all directions to do the honors of the place, showed me noted scenes, chateaux, industries, ruins. He pointed out monuments, churches, old carved doorways, enormous or distorted trees, the oak of St. Andrew, and the yew tree of Roqueboise. When I had exhausted my admiration and enthusiasm over all the sights, my friend said with a distressed expression on his face, that there was nothing left to look at. I breathed freely. I would now be able to rest under the shade of the trees. But, all at once, he uttered an exclamation: “Oh, yes! We have the ‘Mother of Monsters’; I must take you to see her.” “Who is that, the ‘Mother of Monsters’?” I asked. “She is an abominable woman,” he replied, “a regular demon, a being who voluntarily brings into the world deformed, hideous, frightful children, monstrosities, in fact, and then sells them to showmen who exhibit such things. “These exploiters of freaks come from time to time to find out if she has any fresh monstrosity, and if it meets with their approval they carry it away with them, paying the mother a compensation. “She has eleven of this description. She is rich. “You think I am joking, romancing, exaggerating. No, my friend; I am telling you the truth, the exact truth. “Let us go and see this woman. Then I will tell you her history.” He took me into one of the suburbs. The woman lived in a pretty little house by the side of the road. It was attractive and well kept. The garden was filled with fragrant flowers. One might have supposed it to be the residence of a retired lawyer. A maid ushered us into a sort of little country parlor, and the wretch appeared. She was about forty. She was a tall, big woman with hard features, but well formed, vigorous and healthy, the true type of a robust peasant woman, half animal, and half woman. She was aware of her reputation and received everyone with a humility that smacked of hatred. “What do the gentlemen wish?” she asked. “They tell me that your last child is just like an ordinary child, that he does not resemble his brothers at all,” replied my friend. “I wanted to be sure of that. Is it true?” She cast on us a malicious and furious look as she said: “Oh, no, oh, no, my poor sir! He is perhaps even uglier than the rest. I have no luck, no luck! “They are all like that, it is heartbreaking! How can the good God be so hard on a poor woman who is all alone in the world, how can He?” She spoke hurriedly, her eyes cast down, with a deprecating air as of a wild beast who is afraid. Her harsh voice became soft, and it seemed strange to hear those tearful falsetto tones issuing from that big, bony frame, of unusual strength and with coarse outlines, which seemed fitted for violent action, and made to utter howls like a wolf. “We should like to see your little one,” said my friend. I fancied she colored up. I may have been deceived. After a few moments of silence, she said in a louder tone: “What good will that do you?” “Why do you not wish to show it to us?” replied my friend. “There are many people to whom you will show it; you know whom I mean.” She gave a start, and resuming her natural voice, and giving free play to her anger, she screamed: “Was that why you came here? To insult me? Because my children are like animals, tell me? You shall not see him, no, no, you shall not see him! Go away, go away! I do not know why you all try to torment me like that.” She walked over toward us, her hands on her hips. At the brutal tone of her voice, a sort of moaning, or rather a mewing, the lamentable cry of an idiot, came from the adjoining room. I shivered to the marrow of my bones. We retreated before her. “Take care, Devil,” (they called her the Devil), said my friend, “take care; some day you will get yourself into trouble through this.” She began to tremble, beside herself with fury, shaking her fist and roaring: “Be off with you! What will get me into trouble? Be off with you, miscreants!” She was about to attack us, but we fled, saddened at what we had seen. When we got outside, my friend said: “Well, you have seen her, what do you think of her?” “Tell me the story of this brute,” I replied. And this is what he told me as we walked along the white high road, with ripe crops on either side of it which rippled like the sea in the light breeze that passed over them. “This woman was once a servant on a farm. She was an honest girl, steady and economical. She was never known to have an admirer, and never suspected of any frailty. But she went astray, as so many do. “She soon found herself in trouble, and was tortured with fear and shame. Wishing to conceal her misfortune, she bound her body tightly with a corset of her own invention, made of boards and cord. The more she developed, the more she bound herself with this instrument of torture, suffering martyrdom, but brave in her sorrow, not allowing anyone to see, or suspect, anything. She maimed the little unborn being, cramping it with that frightful corset, and made a monster of it. Its head was squeezed and elongated to a point, and its large eyes seemed popping out of its head. Its limbs, exaggeratedly long, and twisted like the stalk of a vine, terminated in fingers like the claws of a spider. Its trunk was tiny, and round as a nut. “The child was born in an open field, and when the weeders saw it, they fled away, screaming, and the report spread that she had given birth to a demon. From that time on, she was called ‘the Devil.’ “She was driven from the farm, and lived on charity, under a cloud. She brought up the monster, whom she hated with a savage hatred, and would have strangled, perhaps, if the priest had not threatened her with arrest. “One day some travelling showmen heard about the frightful creature, and asked to see it, so that if it pleased them they might take it away. They were pleased, and counted out five hundred francs to the mother. At first, she had refused to let them see the little animal, as she was ashamed; but when she discovered it had a money value, and that these people were anxious to get it, she began to haggle with them, raising her price with all a peasant’s persistence. “She made them draw up a paper, in which they promised to pay her four hundred francs a year besides, as though they had taken this deformity into their employ. “Incited by the greed of gain, she continued to produce these phenomena, so as to have an assured income like a bourgeoise. “Some of them were long, some short, some like crabs-all bodies-others like lizards. Several died, and she was heartbroken. “The law tried to interfere, but as they had no proof they let her continue to produce her freaks.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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