A Late Supper book cover

A Late Supper

"A Late Supper" by Sarah Orne Jewett is a poignant narrative that explores themes of friendship, nostalgia, and the passage of time. Set against the backdrop of a small New England community, the story centers around a gathering of friends who come together for an evening meal, reflecting on their shared experiences and the changes in their lives. Jewett’s evocative prose captures the warmth of human connection, the simplicity of everyday moments, and the bittersweet nature of memories, inviting readers to appreciate the beauty of companionship and the fleeting nature of time.


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Submitted by davidb on February 12, 2025


								
The story begins one afternoon in June just after dinner. Miss Catherine Spring was the heroine; and she lived alone in her house, which stood on the long village street in Brookton,--up in the country city people would say,--a town certainly not famous, but pleasant enough because it was on the outer edge of the mountain region, near some great hills. One never hears much about Brookton when one is away from it, but, for all that, life is as important and exciting there as it is anywhere; and it is like every other town, a miniature world, with its great people and small people, bad people and good people, its jealousy and rivalry, kindness and patient heroism. Miss Spring had finished her dinner that day, and had washed the few dishes, and put them away. She never could get used to there being so few, because she had been one of a large family. She had put on the gray alpaca dress which she wore afternoons at home, and had taken her sewing, and sat down at one of the front windows in the sitting-room, which was shaded by a green old lilac-bush. But she did not sew as if she were much interested in the work, or were in any hurry; and presently she laid it down altogether, and tapped on the window-sill with her thimble, looking as if she were lost in not very pleasant thought. She was a very good woman, and a very pleasant woman; a good neighbor all the people would tell you; and they would add also, very comfortably left. But of late she had been somewhat troubled; to tell the truth, her money affairs had gone wrong, and just now she did not exactly know what to do. She felt more solitary than she had for a long time before. Her father, the last of the family except herself, had been dead for many years; and she had been living alone, growing more and more contented in the comfortable, prim, white house, after the first sharp grief of her loneliness had worn away into a more resigned and familiar sorrow. It is, after all, a great satisfaction to do as one pleases. Now, as I have said, she had lost part of her already small income, and she did not know what to do. The first loss could be borne; but the second seemed to put housekeeping out of the question, and this was a dreadful thing to think of. She knew no other way of living, beside having her own house and her own fashion of doing things. If it had been possible, she would have liked to take some boarders; but summer boarders had not yet found out Brookton. Mr. Elden, the kind old lawyer who was her chief adviser, had told her to put an advertisement in one of the Boston papers, and she had done so; but it never had been answered, which was not only a disappointment but a mortification as well. Her money was not actually lost: it was the failure of a certain railway to pay its dividend, that was making her so much trouble. Miss Spring tapped her thimble still faster on the window-sill, and thought busily. "I'm going to think it out, and settle it this afternoon," said she to herself. "I must settle it somehow, I will not live on here any longer as if I could afford it." There was a niece of hers who lived in Lowell, who was married and not at all strong. There were three children, with nobody in particular to look after them. Miss Catherine was sure this niece would like nothing better than to have her come to stay with her. She thought with satisfaction how well she could manage there, and how well her housekeeping capabilities would come into play. It had grieved her in her last visit to see the house half cared for, and she remembered the wistful way Mary had said, "How I wish I could have you here all the time, Aunt Catherine!" and at once Aunt Catherine went on to build a little castle in the air, until she had a chilly consciousness that her own house was to be shut up. She compared the attractions of Lowell and Brookton most disdainfully: the dread came over her that most elderly people feel at leaving their familiar homes and the surroundings to which they have grown used. But she bravely faced all this, and resolved to write Mary that evening, so the letter could go by the morning's mail. If Mary liked the plan, which Miss Catherine never for an instant doubted, she would stay through the early fall at any rate, and then see what was best to be done. She took up her sewing again, and looked critically at it through her spectacles, and then went on with her stitching, feeling lighter-hearted now that the question was decided. The tall clock struck three slowly; and she said to herself how fast the last hour had gone. There was a little breeze outside which came rustling through the lilac-leaves. The wide street was left to itself, nobody had driven by since she had sat at the window. She heard some children laughing and calling to each other where they were at play in a yard not far away, and smiled in sympathy; for her heart had never grown old. The smell of the roses by the gate came blowing in sweet and fresh, and she could see the great red peonies in generous bloom on the borders each side the front walk. And, when she looked round the room, it seemed very pleasant to her, the clock ticked steadily; and the old-fashioned chairs, and the narrow high mirror with the gilt eagle at the top, the stiff faded portraits of her father and mother in their young days, the wide old brass-nailed sofa with its dim worsted-worked cushion at either end,--how comfortable it all was! and a great thrill of fondness for the room and the house came over our friend. "I didn't know I cared so much about the old place," said she. "'There's no place like home.'--I believe I never knew that meant so much before;" and she laid down her sewing again, and fell into a reverie. In a little while she heard the click of the gate-latch; and, with the start and curiosity a village woman instinctively feels at the knowledge of somebody's coming in at the front-door, she hurried to the other front-window to take a look at her visitor through the blinds. It was only a child, and Miss Catherine did not wait for her to rap with the high and heavy knocker, but was standing in the open doorway when the little girl reached the steps. "Come in, dear!" said Miss Catherine kindly, "did you come of an errand?" "I wanted to ask you something," said the child, following her into the sitting-room, and taking the chair next the door with a shy smile that had something appealing about it. "I came to ask you if you want a girl this summer." "Why, no, I never keep help," said Miss Spring. "There is a woman who comes Mondays and Tuesdays, and other days when I need her. Who is it that wants to come?" "It's only me," said the child. "I'm small of my age; but I'm past ten, and I can work real smart about house." A great cloud of disappointment came over her face. "Whose child are you?" "I'm Katy Dunning, and I live with my aunt down by Sandy-river Bridge.
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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