A Cremation book cover

A Cremation

"A Cremation" is a short story by Guy de Maupassant that explores themes of death, love, and the complexities of human emotion. The narrative centers on a man who reflects on the loss of a loved one and confronts the stark reality of grief. Through a poignant and often unsettling lens, Maupassant delves into the rituals surrounding death and the personal significance they hold. The story captures the interplay between remembrance and the desire for closure, revealing how loss impacts the human psyche. With his characteristic brevity and depth, Maupassant invites readers to contemplate the nature of love and mortality.


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Submitted by davidb on February 03, 2025


								
Last Monday an Indian prince died at Etretat, Bapu Sahib Khanderao Ghatay, a relation of His Highness, the Maharajah Gaikwar, prince of Baroda, in the province of Guzerat, Presidency of Bombay. For about three weeks there had been seen walking in the streets about ten young East Indians, small, lithe, with dark skins, dressed all in gray and wearing on their heads caps such as English grooms wear. They were men of high rank who had come to Europe to study the military institutions of the principal Western nations. The little band consisted of three princes, a nobleman, an interpreter and three servants. The head of the commission had just died, an old man of forty-two and father-in-law of Sampatro Kashivao Gaikwar, brother of His Highness, the Gaikwar of Baroda. The son-in-law accompanied his father-in-law. The other East Indians were called Ganpatrao Shravanrao Gaikwar, cousin of His Highness Khasherao Gadhav; Vasudev Madhav Samarth, interpreter and secretary; the slaves: Ramchandra Bajaji, Ganu bin Pukiram Kokate, Rhambhaji bin Fabji. On leaving his native land the one who died recently was overcome with terrible grief, and feeling convinced that he would never return he wished to give up the journey, but he had to obey the wishes of his noble relative, the Prince of Baroda, and he set out. They came to spend the latter part of the summer at Etretat, and people would go out of curiosity every morning to see them taking their bath at the Etablissment des Roches-Blanches. Five or six days ago Bapu Sahib Khanderao Ghatay was taken with pains in his gums; then the inflammation spread to the throat and became ulceration. Gangrene set in and, on Monday, the doctors told his young friends that their relative was dying. The final struggle was already beginning, and the breath had almost left the unfortunate man’s body when his friends seized him, snatched him from his bed and laid him on the stone floor of the room, so that, stretched out on the earth, our mother, he should yield up his soul, according to the command of Brahma. They then sent to ask the mayor, M. Boissaye, for a permit to burn the body that very day so as to fulfill the prescribed ceremonial of the Hindoo religion. The mayor hesitated, telegraphed to the prefecture to demand instructions, at the same time sending word that a failure to reply would be considered by him tantamount to a consent. As he had received no reply at 9 o’clock that evening, he decided, in view of the infectious character of the disease of which the East Indian had died, that the cremation of the body should take place that very night, beneath the cliff, on the beach, at ebb tide. The mayor is being criticized now for this decision, though he acted as an intelligent, liberal and determined man, and was upheld and advised by the three physicians who had watched the case and reported the death. They were dancing at the Casino that evening. It was an early autumn evening, rather chilly. A pretty strong wind was blowing from the ocean, although as yet there was no sea on, and swift, light, ragged clouds were driving across the sky. They came from the edge of the horizon, looking dark against the background of the sky, but as they approached the moon they grew whiter and passed hurriedly across her face, veiling it for a few seconds without completely hiding it. The tall straight cliffs that inclose the rounded beach of Etretat and terminate in two celebrated arches, called “the Gates,” lay in shadow, and made two great black patches in the softly lighted landscape. It had rained all day. The Casino orchestra was playing waltzes, polkas and quadrilles. A rumor was presently circulated among the groups of dancers. It was said that an East Indian prince had just died at the Hotel des Bains and that the ministry had been approached for permission to burn the body. No one believed it, or at least no one supposed that such a thing could occur so foreign was the custom as yet to our customs, and as the night was far advanced every one went home. At midnight, the lamplighter, running from street to street, extinguished, one after another, the yellow jets of flame that lighted up the sleeping houses, the mud and the puddles of water. We waited, watching for the hour when the little town should be quiet and deserted. Ever since noon a carpenter had been cutting up wood and asking himself with amazement what was going to be done with all these planks sawn up into little bits, and why one should destroy so much good merchandise. This wood was piled up in a cart which went along through side streets as far as the beach, without arousing the suspicion of belated persons who might meet it. It went along on the shingle at the foot of the cliff, and having dumped its contents on the beach the three Indian servants began to build a funeral pile, a little longer than it was wide. They worked alone, for no profane hand must aid in this solemn duty. It was one o’clock in the morning when the relations of the deceased were informed that they might accomplish their part of the work. The door of the little house they occupied was open, and we perceived, lying on a stretcher in the small, dimly lighted vestibule the corpse covered with white silk. We could see him plainly as he lay stretched out on his back, his outline clearly defined beneath this white veil. The East Indians, standing at his feet, remained motionless, while one of them performed the prescribed rites, murmuring unfamiliar words in a low, monotonous tone. He walked round and round the corpse; touching it occasionally, then, taking an urn suspended from three slender chains, he sprinkled it for some time with the sacred water of the Ganges, that East Indians must always carry with them wherever they go. Then the stretcher was lifted by four of them who started off at a slow march. The moon had gone down, leaving the muddy, deserted streets in darkness, but the body on the stretcher appeared to be luminous, so dazzlingly white was the silk, and it was a weird sight to see, passing along through the night, the semi-luminous form of this corpse, borne by those men, the dusky skin of whose faces and hands could scarcely be distinguished from their clothing in the darkness. Behind the corpse came three Indians, and then, a full head taller than themselves and wrapped in an ample traveling coat of a soft gray color, appeared the outline of an Englishman, a kind and superior man, a friend of theirs, who was their guide and counselor in their European travels. Beneath the cold, misty sky of this little northern beach I felt as if I were taking part in a sort of symbolical drama. It seemed to me that they were carrying there, before me, the conquered genius of India, followed, as in a funeral procession, by the victorious genius of England robed in a gray ulster. On the shingly beach the four bearers halted a few moments to take breath, and then proceeded on their way. They now walked quickly, bending beneath the weight of their burden. At length they reached the funeral pile. It was erected in an indentation, at the very foot of the cliff, which rose above it perpendicularly a hundred meters high, perfectly white but looking gray in the night.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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