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"A Blue-Grass Penelope," written by Bret Harte, is a short story that explores themes of love, fidelity, and regional identity set against the backdrop of the American West. The narrative follows the character of Miss Penelope, a strong-willed and independent woman living in a mining town. Harte masterfully captures the blend of humor and poignancy as Penelope navigates the challenges of romance and societal expectations, ultimately revealing the complexities of human relationships in a frontier setting. The story is noted for its vivid characters and rich depiction of western life during the Gold Rush era.


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Submitted by davidb on February 06, 2025


								
could at first only say, "You don't mean it!" fully conscious of the utter inanity of the remark, and that it seemed scarcely less cold-blooded than his own. Poindexter, still smiling, nodded. She arose with an effort. She had recovered from the first shock, and pride lent her a determined calmness that more than equaled Poindexter's easy philosophy. "Where is he?" she asked. "At sea, and I hope by this time where he cannot be found or followed." Was her momentary glimpse of the outgoing ship a coincidence or only a vision? She was confused and giddy, but, mastering her weakness, she managed to continue in a lower voice: "You have no message for me from him? He told you nothing to tell me?" "Nothing, absolutely nothing," replied Poindexter. "It was as much as he could do, I reckon, to get fairly away before the crash came." "Then you did not see him go?" "Well, no," said Poindexter. "I'd hardly have managed things in this way." He checked himself and added, with a forgiving smile, "but he was the best judge of what he needed, of course." "I suppose I will hear from him," she said quietly, "as soon as he is safe. He must have had enough else to think about, poor fellow." She said this so naturally and quietly that Poindexter was deceived. He had no idea that the collected woman before him was thinking only of solitude and darkness, of her own room, and madly longing to be there. He said, "Yes, I dare say," in quite another voice, and glanced at the picture. But as she remained standing, he continued more earnestly, "I didn't come here to tell you what you might read in the newspapers to-morrow morning, and what everybody might tell you. Before that time I want you to do something to save a fragment of your property from the ruin; do you understand? I want you to make a rally, and bring off something in good order." "For him?" said Mrs. Tucker, with brightening eyes. "Well, yes, of course--if you like--but as if for yourself. Do you know the Rancho de los Cuervos?" "I do." "It's almost the only bit of real property your husband hasn't sold, mortgaged, or pledged. Why it was exempt, or whether only forgotten, I can't say." "I'll tell you why," said Mrs. Tucker, with a slight return of color. "It was the first land we ever bought, and Spencer always said it should be mine and he would build a new house on it." Captain Poindexter smiled and nodded at the picture. "Oh, he did say that, did he? Well, that's evidence. But you see he never gave you the deed, and by sunrise tomorrow his creditors will attach it--unless-- "Unless"--repeated Mrs. Tucker, with kindling eyes. "Unless," continued Captain Poindexter, "they happen to find you in possession." "I'll go," said Mrs. Tucker. "Of course you will," returned Poindexter, pleasantly. "Only, as it's a big contract to take, suppose we see how you can fill it. It's forty miles to Los Cuervos, and you can't trust yourself to steamboat or stage-coach. The steamboat left an hour ago." "If I had only known this then!" ejaculated Mrs. Tucker. "I knew it, but you had company then," said Poindexter, with ironical gallantry, "and I wouldn't disturb you." Without saying how he knew it, he continued, "In the stage-coach you might be recognized. You must go in a private conveyance and alone; even I cannot go with you, for I must go on before and meet you there. Can you drive forty miles?" Mrs. Tucker lifted up her abstracted pretty lids. "I once drove fifty--at home," she returned simply. "Good! And I dare say you did it then for fun. Do it now for something real and personal, as we lawyers say. You will have relays and a plan of the road. It's rough weather for a pasear, but all the better for that. You'll have less company on the road." "How soon can I go?" she asked. "The sooner the better. I've arranged everything for you already," he continued with a laugh. "Come now, that's a compliment to you, isn't it?" He smiled a moment in her steadfast, earnest face, and then said, more gravely, "You'll do. Now listen." He then carefully detailed his plan. There was so little of excitement or mystery in their manner that the servant, who returned to light the gas, never knew that the ruin and bankruptcy of the house was being told before her, or that its mistress was planning her secret flight. "Good afternoon. I will see you to-morrow then," said Poindexter, raising his eyes to hers as the servant opened the door for him. "Good afternoon," repeated Mrs. Tucker, quietly answering his look. "You need not light the gas in my room, Mary," she continued in the same tone of voice as the door closed upon him; "I shall lie down for a few moments, and then I may run over to the Robinsons for the evening." She regained her room composedly. The longing desire to bury her head in her pillow and "think out" her position had gone. She did not apostrophize her fate, she did not weep; few real women do in the access of calamity, or when there is anything else to be done. She felt that she knew it all; she believed she had sounded the profoundest depths of the disaster, and seemed already so old in her experience that she almost fancied she had been prepared for it. Perhaps she did not fully appreciate it. To a life like hers it was only an incident, the mere turning of a page of the illimitable book of youth; the breaking up of what she now felt had become a monotony. In fact, she was not quite sure she had ever been satisfied with their present success. Had it brought her all she expected? She wanted to say this to her husband, not only to comfort him, poor fellow, but that they might come to a better understanding of life in the future. She was not perhaps different from other loving women, who, believing in this unattainable goal of matrimony, have sought it in the various episodes of fortune or reverses, in the bearing of children, or the loss of friends. In her childless experience there was no other life that had taken root in her circumstances and might suffer transplantation; only she and her husband could lose or profit by the change. The "perfect" understanding would come under other conditions than these. She would have gone superstitiously to the window to gaze in the direction of the vanished ship, but another instinct restrained her. She would put aside all yearning for him until she had done something to help him, and earned the confidence he seemed to have withheld. Perhaps it was pride--perhaps she never really believed his exodus was
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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