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"A Blue-Grass Penelope," written by Bret Harte, is a short story that explores themes of love, fidelity, and regional identity set against the backdrop of the American West. The narrative follows the character of Miss Penelope, a strong-willed and independent woman living in a mining town. Harte masterfully captures the blend of humor and poignancy as Penelope navigates the challenges of romance and societal expectations, ultimately revealing the complexities of human relationships in a frontier setting. The story is noted for its vivid characters and rich depiction of western life during the Gold Rush era.


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Submitted by davidb on February 06, 2025


								
hand with effusion, said, "Now that's regular Blue Grass and no mistake!" and retreated under cover of his hilarity. In the hall he made a rallying stand to repeat confidentially to the servant who had overheard them, "Blue Grass all over, you bet your life," and, opening the door, was apparently swallowed up in the tempest. Mrs. Tucker's smile kept her lips until she had returned to her room, and even then languidly shone in her eyes for some minutes after, as she gazed abstractedly from her window on the storm-tossed bay in the distance. Perhaps some girlish vision of the peaceful Blue Grass plain momentarily usurped the prospect; but it is to be doubted if there was much romance in that retrospect, or that it was more interesting to her than the positive and sharply cut outlines of the practical life she now led. Howbeit she soon forgot this fancy in lazily watching a boat that, in the teeth of the gale, was beating round Alcatraz Island. Although at times a mere blank speck on the gray waste of foam, a closer scrutiny showed it to be one of those lateen-rigged Italian fishing-boats that so often flecked the distant bay. Lost in the sudden darkening of rain, or reappearing beneath the lifted curtain of the squall, she watched it weather the island, and then turn its laboring but persistent course toward the open channel. A rent in the Indian-inky sky, that showed the narrowing portals of the Golden Gate beyond, revealed, as unexpectedly, the destination of the little craft, a tall ship that hitherto lay hidden in the mist of the Saucelito shore. As the distance lessened between boat and ship, they were again lost in the downward swoop of another squall. When it lifted, the ship was creeping under the headland towards the open sea, but the boat was gone. Mrs. Tucker in vain rubbed the pane with her handkerchief, it had vanished. Meanwhile the ship, as she neared the Gate, drew out from the protecting headland, stood outlined for a moment with spars and canvas hearsed in black against the lurid rent in the horizon, and then seemed to sink slowly into the heaving obscurity beyond. A sudden onset of rain against the windows obliterated the remaining prospect; the entrance of a servant completed the diversion. "Captain Poindexter, ma'am!" Mrs. Tucker lifted her pretty eyebrows interrogatively. Captain Poindexter was a legal friend of her husband, and had dined there frequently; nevertheless she asked, "Did you tell him Mr. Tucker was not at home?" "Yes, 'm." "Did he ask for me?" "Yes, 'm." "Tell him I'll be down directly." Mrs. Tucker's quiet face did not betray the fact that this second visitor was even less interesting than the first. In her heart she did not like Captain Poindexter. With a clever woman's instinct, she had early detected the fact that he had a superior, stronger nature than her husband; as a loyal wife, she secretly resented the occasional unconscious exhibition of this fact on the part of his intimate friend in their familiar intercourse. Added to this slight jealousy there was a certain moral antagonism between herself and the captain which none but themselves knew. They were both philosophers, but Mrs. Tucker's serene and languid optimism would not tolerate the compassionate and kind-hearted pessimisms of the lawyer. "Knowing what Jack Poindexter does of human nature," her husband had once said, "it's mighty fine in him to be so kind and forgiving. You ought to like him better, Belle." "And qualify myself to be forgiven," said the lady pertly. "I don't see what you're driving at, Belle; I give it up," had responded the puzzled husband. Mrs. Tucker kissed his high but foolish forehead tenderly, and said, "I'm glad you don't, dear." Meanwhile her second visitor had, like the first, employed the interval in a critical survey of the glories of the new furniture, but with apparently more compassion than resentment in his manner. Once only had his expression changed. Over the fireplace hung a large photograph of Mr. Spencer Tucker. It was retouched, refined, and idealized in the highest style of that polite and diplomatic art. As Captain Poindexter looked upon the fringed hazel eyes, the drooping raven mustache, the clustering ringlets, and the Byronic full throat and turned-down collar of his friend, a smile of exhausted humorous tolerance and affectionate impatience curved his lips. "Well, you are a fool, aren't you?" he apostrophized it half audibly. He was standing before the picture as she entered. Even in the trying contiguity of that peerless work he would have been called a fine-looking man. As he advanced to greet her, it was evident that his military title was not one of the mere fanciful sobriquets of the locality. In his erect figure and the disciplined composure of limb and attitude there were still traces of the refined academic rigors of West Point. The pliant adaptability of Western civilization, which enabled him, three years before, to leave the army and transfer his executive ability to the more profitable profession of the law, had loosed sash and shoulder-strap, but had not entirely removed the restraint of the one, nor the bearing of the other. "Spencer is in Sacramento," began Mrs. Tucker in languid explanation, after the first greetings were over. "I knew he was not here," replied Captain Poindexter gently, as he drew the proffered chair towards her, "but this is business that concerns you both." He stopped and glanced upwards at the picture. "I suppose you know nothing of his business? Of course not," he added reassuringly, "nothing, absolutely nothing, certainly." He said this so kindly, and yet so positively, as if to promptly dispose of that question before going further, that she assented mechanically. "Well, then, he's taken some big risks in the way of business, and--well, things have gone bad with him, you know. Very bad! Really, they couldn't be worse! Of course it was dreadfully rash and all that," he went on, as if commenting upon the amusing waywardness of a child; "but the result is the usual smash-up of everything, money, credit, and all!" He laughed and added, "Yes, he's got cut off--mules and baggage regularly routed and dispersed! I'm in earnest." He raised his eyebrows and frowned slightly, as if to deprecate any corresponding hilarity on the part of Mrs. Tucker, or any attempt to make too light of the subject, and then rising, placed his hands behind his back, beamed half-humorously upon her from beneath her husband's picture, and repeated, "That's so." Mrs. Tucker instinctively knew that he spoke the truth, and that it was impossible for him to convey it in any other than his natural manner; but between the shock and the singular influence of that manner she
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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