“The Terror” book cover

“The Terror”

"The Terror" is a novella by the French author Guy de Maupassant, published in 1884. The story explores themes of fear, madness, and the psychological impacts of war and violence. It follows a man who becomes increasingly disturbed after witnessing the brutal realities of military conflict. As he grapples with his experiences, the narrative delves into the nature of terror itself, illustrating how it can consume one's mind and distort perceptions of reality. Maupassant's vivid prose captures the essence of existential dread, making "The Terror" a poignant reflection on the human psyche in the face of overwhelming horror.

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Submitted by davidb on February 02, 2025


								
You say you cannot possibly understand it, and I believe you. You think I am losing my mind? Perhaps I am, but for other reasons than those you imagine, my dear friend. Yes, I am going to be married, and will tell you what has led me to take that step. I may add that I know very little of the girl who is going to become my wife to-morrow; I have only seen her four or five times. I know that there is nothing unpleasing about her, and that is enough for my purpose. She is small, fair, and stout; so, of course, the day after to-morrow I shall ardently wish for a tall, dark, thin woman. She is not rich, and belongs to the middle classes. She is a girl such as you may find by the gross, well adapted for matrimony, without any apparent faults, and with no particularly striking qualities. People say of her: “Mlle. Lajolle is a very nice girl,” and tomorrow they will say: “What a very nice woman Madame Raymon is.” She belongs, in a word, to that immense number of girls whom one is glad to have for one's wife, till the moment comes when one discovers that one happens to prefer all other women to that particular woman whom one has married. “Well,” you will say to me, “what on earth did you get married for?” I hardly like to tell you the strange and seemingly improbable reason that urged me on to this senseless act; the fact, however, is that I am afraid of being alone. I don't know how to tell you or to make you understand me, but my state of mind is so wretched that you will pity me and despise me. I do not want to be alone any longer at night. I want to feel that there is some one close to me, touching me, a being who can speak and say something, no matter what it be. I wish to be able to awaken somebody by my side, so that I may be able to ask some sudden question, a stupid question even, if I feel inclined, so that I may hear a human voice, and feel that there is some waking soul close to me, some one whose reason is at work; so that when I hastily light the candle I may see some human face by my side—because—because—I am ashamed to confess it—because I am afraid of being alone. Oh, you don't understand me yet. I am not afraid of any danger; if a man were to come into the room, I should kill him without trembling. I am not afraid of ghosts, nor do I believe in the supernatural. I am not afraid of dead people, for I believe in the total annihilation of every being that disappears from the face of this earth. Well—yes, well, it must be told: I am afraid of myself, afraid of that horrible sensation of incomprehensible fear. You may laugh, if you like. It is terrible, and I cannot get over it. I am afraid of the walls, of the furniture, of the familiar objects; which are animated, as far as I am concerned, by a kind of animal life. Above all, I am afraid of my own dreadful thoughts, of my reason, which seems as if it were about to leave me, driven away by a mysterious and invisible agony. At first I feel a vague uneasiness in my mind, which causes a cold shiver to run all over me. I look round, and of course nothing is to be seen, and I wish that there were something there, no matter what, as long as it were something tangible. I am frightened merely because I cannot understand my own terror. If I speak, I am afraid of my own voice. If I walk, I am afraid of I know not what, behind the door, behind the curtains, in the cupboard, or under my bed, and yet all the time I know there is nothing anywhere, and I turn round suddenly because I am afraid of what is behind me, although there is nothing there, and I know it. I become agitated. I feel that my fear increases, and so I shut myself up in my own room, get into bed, and hide under the clothes; and there, cowering down, rolled into a ball, I close my eyes in despair, and remain thus for an indefinite time, remembering that my candle is alight on the table by my bedside, and that I ought to put it out, and yet—I dare not do it. It is very terrible, is it not, to be like that? Formerly I felt nothing of all that. I came home quite calm, and went up and down my apartment without anything disturbing my peace of mind. Had any one told me that I should be attacked by a malady—for I can call it nothing else—of most improbable fear, such a stupid and terrible malady as it is, I should have laughed outright. I was certainly never afraid of opening the door in the dark. I went to bed slowly, without locking it, and never got up in the middle of the night to make sure that everything was firmly closed. It began last year in a very strange manner on a damp autumn evening. When my servant had left the room, after I had dined, I asked myself what I was going to do. I walked up and down my room for some time, feeling tired without any reason for it, unable to work, and even without energy to read. A fine rain was falling, and I felt unhappy, a prey to one of those fits of despondency, without any apparent cause, which make us feel inclined to cry, or to talk, no matter to whom, so as to shake off our depressing thoughts. I felt that I was alone, and my rooms seemed to me to be more empty than they had ever been before. I was in the midst of infinite and overwhelming solitude. What was I to do? I sat down, but a kind of nervous impatience seemed to affect my legs, so I got up and began to walk about again. I was, perhaps, rather feverish, for my hands, which I had clasped behind me, as one often does when walking slowly, almost seemed to burn one another. Then suddenly a cold shiver ran down my back, and I thought the damp air might have penetrated into my rooms, so I lit the fire for the first time that year, and sat down again and looked at the flames. But soon I felt that I could not possibly remain quiet, and so I got up again and determined to go out, to pull myself together, and to find a friend to bear me company. I could not find anyone, so I walked to the boulevard to try and meet some acquaintance or other there. It was wretched everywhere, and the wet pavement glistened in the gaslight, while the oppressive warmth of the almost impalpable rain lay heavily over the streets and seemed to obscure the light of the lamps. I went on slowly, saying to myself: “I shall not find a soul to talk to.” I glanced into several cafes, from the Madeleine as far as the Faubourg Poissoniere, and saw many unhappy-looking individuals sitting at the tables who did not seem even to have enough energy left to finish the refreshments they had ordered. For a long time I wandered aimlessly up and down, and about midnight I started for home. I was very calm and very tired. My janitor opened the door at once, which was quite unusual for him, and I thought that another lodger had probably just come in. When I go out I always double-lock the door of my room, and I found it merely closed, which surprised me; but I supposed that some letters had been brought up for me in the course of the evening. I went in, and found my fire still burning so that it lighted up the room a little, and, while in the act of taking up a candle, I noticed somebody sitting in my armchair by the fire, warming his feet, with his back toward me.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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