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"Yakov Pasinkov" is a short story by Ivan Sergeevich Turgenev that explores the life and struggles of a rural Russian peasant. The narrative focuses on the titular character, Yakov, who grapples with the harsh realities of peasant life, including poverty, social injustice, and personal despair. Through a blend of poignant character study and social commentary, Turgenev sheds light on the emotional and psychological impacts of societal constraints on individuals. The story reflects Turgenev's deep empathy for the plight of the lower classes and his critique of the broader socio-economic conditions of 19th-century Russia.

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Submitted by davidb on January 27, 2025


								
I saw Pasinkov sitting on a bench under a high lilac-bush. He was reading. I glanced at the cover of the book as I passed, and read Schiller's Werke on the back. I stopped short. 'Do you mean to say you know German?' I questioned Pasinkov.... I feel ashamed to this day as I recall all the arrogance there was in the very sound of my voice.... Pasinkov softly raised his small but expressive eyes and looked at me. 'Yes,' he answered; 'do you?' 'I should hope so!' I retorted, feeling insulted at the question, and I was about to go on my way, but something held me back. 'What is it you are reading of Schiller?' I asked, with the same haughty insolence. 'At this moment I am reading "Resignation," a beautiful poem. Would you like me to read it to you? Come and sit here by me on the bench.' I hesitated a little, but I sat down. Pasinkov began reading. He knew German far better than I did. He had to explain the meaning of several lines for me. But already I felt no shame at my ignorance and his superiority to me. From that day, from the very hour of our reading together in the garden, in the shade of the lilac-bush, I loved Pasinkov with my whole soul, I attached myself to him and fell completely under his sway. I have a vivid recollection of his appearance in those days. He changed very little, however, later on. He was tall, thin, and rather awkwardly built, with a long back, narrow shoulders, and a hollow chest, which made him look rather frail and delicate, although as a fact he had nothing to complain of on the score of health. His large, dome-shaped head was carried a little on one side; his soft, flaxen hair straggled in lank locks about his slender neck. His face was not handsome, and might even have struck one as absurd, owing to the long, full, and reddish nose, which seemed almost to overhang his wide, straight mouth. But his open brow was splendid; and when he smiled, his little grey eyes gleamed with such mild and affectionate goodness, that every one felt warmed and cheered at heart at the very sight of him. I remember his voice too, soft and even, with a peculiar sort of sweet huskiness in it. He spoke, as a rule, little, and with noticeable difficulty. But when he warmed up, his words flowed freely, and--strange to say!--his voice grew still softer, his glance seemed turned inward and lost its fire, while his whole face faintly glowed. On his lips the words 'goodness,' 'truth,' 'life,' 'science,' 'love,' however enthusiastically they were uttered, never rang with a false note. Without strain, without effort, he stepped into the realm of the ideal; his pure soul was at any moment ready to stand before the 'holy shrine of beauty'; it awaited only the welcoming call, the contact of another soul.... Pasinkov was an idealist, one of the last idealists whom it has been my lot to come across. Idealists, as we all know, are all but extinct in these days; there are none of them, at any rate, among the young people of to day. So much the worse for the young people of to-day! About three years I spent with Pasinkov, 'soul in soul,' as the saying is. I was the confidant of his first love. With what grateful sympathy and intentness I listened to his avowal! The object of his passion was a niece of Winterkeller's, a fair-haired, pretty little German, with a chubby, almost childish little face, and confidingly soft blue eyes. She was very kind and sentimental: she loved Mattison, Uhland, and Schiller, and repeated their verses very sweetly in her timid, musical voice. Pasinkov's love was of the most platonic. He only saw his beloved on Sundays, when she used to come and play at forfeits with the Winterkeller children, and he had very little conversation with her. But once, when she said to him, 'mein lieber, lieber Herr Jacob!' he did not sleep all night from excess of bliss. It never even struck him at the time that she called all his schoolfellows 'mein lieber.' I remember, too, his grief and dejection when the news suddenly reached us that Fräulein Frederike--that was her name--was going to be married to Herr Kniftus, the owner of a prosperous butcher's shop, a very handsome man, and well educated too; and that she was marrying him, not simply in submission to parental authority, but positively from love. It was a bitter blow for Pasinkov, and his sufferings were particularly severe on the day of the young people's first visit. The former Fräulein, now Frau, Frederike presented him, once more addressing him as 'lieber Herr Jacob,' to her husband, who was all splendour from top to toe; his eyes, his black hair brushed up into a tuft, his forehead and his teeth, and his coat buttons, and the chain on his waistcoat, everything, down to the boots on his rather large, turned-out feet, shone brilliantly. Pasinkov pressed Herr Kniftus's hand, and wished him (and the wish was sincere, that I am certain) complete and enduring happiness. This took place in my presence. I remember with what admiration and sympathy I gazed at Yakov. I thought him a hero!.... And afterwards, what mournful conversations passed between us. 'Seek consolation in art,' I said to him. 'Yes,' he answered me; 'and in poetry.' 'And in friendship,' I added. 'And in friendship,' he repeated. Oh, happy days!... It was a grief to me to part from Pasinkov. Just before I left school, he had, after prolonged efforts and difficulties, after a correspondence often amusing, succeeded in obtaining his certificates of birth and baptism and his passport, and had entered the university. He still went on living at Winterkeller's expense; but instead of home-made jackets and breeches, he was provided now with ordinary attire, in return for lessons on various subjects, which he gave the younger pupils. Pasinkov was unchanged in his behaviour to me up to the end of my time at the school, though the difference in our ages began to be more noticeable, and I, I remember, grew jealous of some of his new student friends. His influence on me was most beneficial. It was a pity it did not last longer. To give a single instance: as a child I was in the habit of telling lies.... In Yakov's presence I could not bring my tongue to utter an untruth. What I particularly loved was walking alone with him, or pacing by his side up and down the room, listening while he, not looking at me, read poetry in his soft, intense voice. It positively seemed to me that we were slowly, gradually, getting away from the earth, and soaring away to some radiant, glorious land of mystery.... I remember one night. We were sitting together under the same lilac-bush; we were fond of that spot. All our companions were asleep; but we had softly got up, dressed, fumbling in the dark, and stealthily stepped out 'to dream.' It was fairly warm out of doors, but a fresh breeze blew now and then and made us huddle closer together. We talked, we talked a lot, and with much warmth--so much so, that we positively interrupted each other, though we did not
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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