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The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend. Wives and Daughters was first published serially in the Cornhill Magazine from August, 1864, to January, 1866. Elizabeth Gaskell died suddenly in November, 1865. She had completed all but the last chapter, and in that sense the book, which many consider her masterpiece, is unfinished. The editor of the Cornhill Magazine Frederick Greenwood, appended his comments about Gaskell's intentions for the story's ending.


Year:
1864
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a miserable sinner, for having slept on, when she ought to have been awake. If Molly had been in the habit of putting two and two together, she might have found an excuse for herself, by remembering that Mrs. Kirkpatrick had promised faithfully to awaken her in time; but all the girl thought of was, how little they wanted her in this grand house; how she must seem like a careless intruder who had no business there. Once or twice she wondered where her father was, and whether he was missing her; but the thought of the familiar happiness of home brought such a choking in her throat, that she felt she must not give way to it, for fear of bursting out crying; and she had instinct enough to feel that, as she was left at the Towers, the less trouble she gave, the more she kept herself out of observation, the better. She followed the ladies out of the dining-room, almost hoping that no one would see her. But that was impossible, and she immediately became the subject of conversation between the awful Lady Cumnor and her kind neighbour at dinner. "Do you know, I thought this young lady was French when I first saw her? she has got the black hair and eyelashes, and grey eyes, and colourless complexion which one meets with in some parts of France, and I know Lady Cuxhaven was trying to find a well-educated girl who would be a pleasant companion to her children." "No!" said Lady Cumnor, looking very stern, as Molly thought. "She is the daughter of our medical man at Hollingford; she came with the school visitors this morning, and she was overcome by the heat and fell asleep in Clare's room, and somehow managed to over-sleep herself, and did not waken up till all the carriages were gone. We will send her home to-morrow morning, but for to-night she must stay here, and Clare is kind enough to say she may sleep with her." There was an implied blame running through this speech, that Molly felt like needle-points all over her. Lady Cuxhaven came up at this moment. Her tone was as deep, her manner of speaking as abrupt and authoritative, as her mother's, but Molly felt the kinder nature underneath. "How are you now, my dear? You look better than you did under the cedar-tree. So you're to stop here to-night? Clare, don't you think we could find some of those books of engravings that would interest Miss Gibson." Mrs. Kirkpatrick came gliding up to the place where Molly stood; and began petting her with pretty words and actions, while Lady Cuxhaven turned over heavy volumes in search of one that might interest the girl. "Poor darling! I saw you come into the dining-room, looking so shy; and I wanted you to come near me, but I could not make a sign to you, because Lord Cuxhaven was speaking to me at the time, telling me about his travels. Ah, here is a nice book--Lodge's Portraits; now I'll sit by you and tell you who they all are, and all about them. Don't trouble yourself any more, dear Lady Cuxhaven; I'll take charge of her; pray leave her to me!" Molly grew hotter and hotter as these last words met her ear. If they would only leave her alone, and not labour at being kind to her; would "not trouble themselves" about her! These words of Mrs. Kirkpatrick's seemed to quench the gratitude she was feeling to Lady Cuxhaven for looking for something to amuse her. But, of course, it was a trouble, and she ought never to have been there. By-and-by, Mrs. Kirkpatrick was called away to accompany Lady Agnes' song; and then Molly really had a few minutes' enjoyment. She could look round the room, unobserved, and, sure, never was any place out of a king's house so grand and magnificent. Large mirrors, velvet curtains, pictures in their gilded frames, a multitude of dazzling lights decorated the vast saloon, and the floor was studded with groups of ladies and gentlemen, all dressed in gorgeous attire. Suddenly Molly bethought her of the children whom she had accompanied into the dining-room, and to whose ranks she had appeared to belong,--where were they? Gone to bed an hour before, at some quiet signal from their mother. Molly wondered if she might go, too--if she could ever find her way back to the haven of Mrs. Kirkpatrick's bedroom. But she was at some distance from the door; a long way from Mrs. Kirkpatrick, to whom she felt herself to belong more than to any one else. Far, too, from Lady Cuxhaven, and the terrible Lady Cumnor, and her jocose and good-natured lord. So Molly sate on, turning over pictures which she did not see; her heart growing heavier and heavier in the desolation of all this grandeur. Presently a footman entered the room, and after a moment's looking about him, he went up to Mrs. Kirkpatrick, where she sate at the piano, the centre of the musical portion of the company, ready to accompany any singer, and smiling pleasantly as she willingly acceded to all requests. She came now towards Molly, in her corner, and said to her,-- "Do you know, darling, your papa has come for you, and brought your pony for you to ride home; so I shall lose my little bedfellow, for I suppose you must go?" Go! was there a question of it in Molly's mind, as she stood up quivering, sparkling, almost crying out loud. She was brought to her senses, though, by Mrs. Kirkpatrick's next words. "You must go and wish Lady Cumnor good-night, you know, my dear, and thank her ladyship for her kindness to you. She is there, near that statue, talking to Mr. Courtenay." Yes! she was there--forty feet away--a hundred miles away! All that blank space had to be crossed; and then a speech to be made! "Must I go?" asked Molly, in the most pitiful and pleading voice possible. "Yes; make haste about it; there is nothing so formidable in it, is there?" replied Mrs. Kirkpatrick, in a sharper voice than before, aware that they were wanting her at the piano, and anxious to get the business in hand done as soon as possible. Molly stood still for a minute, then, looking up, she said, softly,-- "Would you mind coming with me, please?" "No! not I!" said Mrs. Kirkpatrick, seeing that her compliance was likely to be the most speedy way of getting through the affair; so she took Molly's hand, and, on the way, in passing the group at the piano, she said, smiling, in her pretty genteel manner,-- "Our little friend here is shy and modest, and wants me to accompany her to Lady Cumnor to wish good-night; her father has come for her, and she is going away." Molly did not know how it was afterwards, but she pulled her hand out of Mrs. Kirkpatrick's on hearing these words, and going a step or two in advance came up to Lady Cumnor, grand in purple velvet, and dropping a curtsey, almost after the fashion of the school-children, she said,-- "My lady, papa is come, and I am going away; and, my lady, I wish you good-night, and thank you for your kindness. Your ladyship's kindness, I mean," she said, correcting herself as she remembered Miss Browning's particular instructions as to the etiquette to be observed to earls and countesses, and their honourable progeny, as
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Elizabeth Gaskell

Elizabeth Cleghorn Gaskell, often referred to as Mrs Gaskell, was an English novelist, biographer and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor. Her work is of interest to social historians as well as readers of literature. more…

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