Ulysses Page #7

Ulysses chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature.

• Fiction
• Novel

								

what is a pier.

—A pier, sir, Armstrong said. A thing out in the water. A kind of a
bridge. Kingstown pier, sir.

Some laughed again: mirthless but with meaning. Two in the back bench
whispered. Yes. They knew: had never learned nor ever been innocent.
All. With envy he watched their faces: Edith, Ethel, Gerty, Lily. Their
likes: their breaths, too, sweetened with tea and jam, their bracelets
tittering in the struggle.

—Kingstown pier, Stephen said. Yes, a disappointed bridge.

The words troubled their gaze.

—How, sir? Comyn asked. A bridge is across a river.

For Haines’s chapbook. No-one here to hear. Tonight deftly amid wild
drink and talk, to pierce the polished mail of his mind. What then? A
jester at the court of his master, indulged and disesteemed, winning a
clement master’s praise. Why had they chosen all that part? Not wholly
for the smooth caress. For them too history was a tale like any other
too often heard, their land a pawnshop.

Had Pyrrhus not fallen by a beldam’s hand in Argos or Julius Caesar not
been knifed to death. They are not to be thought away. Time has branded
them and fettered they are lodged in the room of the infinite
possibilities they have ousted. But can those have been possible seeing
that they never were? Or was that only possible which came to pass?
Weave, weaver of the wind.

—Tell us a story, sir.

—O, do, sir. A ghoststory.

—Where do you begin in this? Stephen asked, opening another book.

—Weep no more, Comyn said.

—Go on then, Talbot.

—And the story, sir?

—After, Stephen said. Go on, Talbot.

A swarthy boy opened a book and propped it nimbly under the breastwork
of his satchel. He recited jerks of verse with odd glances at the text:

—Weep no more, woful shepherds, weep no more
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor...

It must be a movement then, an actuality of the possible as possible.
Aristotle’s phrase formed itself within the gabbled verses and floated
out into the studious silence of the library of Saint Genevieve where
he had read, sheltered from the sin of Paris, night by night. By his
elbow a delicate Siamese conned a handbook of strategy. Fed and feeding
brains about me: under glowlamps, impaled, with faintly beating
feelers: and in my mind’s darkness a sloth of the underworld,
reluctant, shy of brightness, shifting her dragon scaly folds. Thought
is the thought of thought. Tranquil brightness. The soul is in a manner
all that is: the soul is the form of forms. Tranquility sudden, vast,
candescent: form of forms.

Talbot repeated:

—Through the dear might of Him that walked the waves,

Through the dear might...

—Turn over, Stephen said quietly. I don’t see anything.

—What, sir? Talbot asked simply, bending forward.

His hand turned the page over. He leaned back and went on again, having
just remembered. Of him that walked the waves. Here also over these
craven hearts his shadow lies and on the scoffer’s heart and lips and
on mine. It lies upon their eager faces who offered him a coin of the
tribute. To Caesar what is Caesar’s, to God what is God’s. A long look
from dark eyes, a riddling sentence to be woven and woven on the
church’s looms. Ay.

     Riddle me, riddle me, randy ro.
     My father gave me seeds to sow.

Talbot slid his closed book into his satchel.

—Have I heard all? Stephen asked.

—Yes, sir. Hockey at ten, sir.

—Half day, sir. Thursday.

—Who can answer a riddle? Stephen asked.

They bundled their books away, pencils clacking, pages rustling.
Crowding together they strapped and buckled their satchels, all
gabbling gaily:

—A riddle, sir? Ask me, sir.

—O, ask me, sir.

—A hard one, sir.

—This is the riddle, Stephen said:

     The cock crew,
     The sky was blue:
     The bells in heaven
     Were striking eleven.
     ’Tis time for this poor soul
     To go to heaven.

What is that?

—What, sir?

—Again, sir. We didn’t hear.

Their eyes grew bigger as the lines were repeated. After a silence
Cochrane said:

—What is it, sir? We give it up.

Stephen, his throat itching, answered:

—The fox burying his grandmother under a hollybush.

He stood up and gave a shout of nervous laughter to which their cries
echoed dismay.

A stick struck the door and a voice in the corridor called:

—Hockey!

They broke asunder, sidling out of their benches, leaping them. Quickly
they were gone and from the lumberroom came the rattle of sticks and
clamour of their boots and tongues.

Sargent who alone had lingered came forward slowly, showing an open
copybook. His tangled hair and scraggy neck gave witness of unreadiness
and through his misty glasses weak eyes looked up pleading. On his
cheek, dull and bloodless, a soft stain of ink lay, dateshaped, recent
and damp as a snail’s bed.

He held out his copybook. The word Sums was written on the headline.
Beneath were sloping figures and at the foot a crooked signature with
blind loops and a blot. Cyril Sargent: his name and seal.

—Mr Deasy told me to write them out all again, he said, and show them
to you, sir.

Stephen touched the edges of the book. Futility.

—Do you understand how to do them now? he asked.

—Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to
copy them off the board, sir.

—Can you do them yourself? Stephen asked.

—No, sir.

Ugly and futile: lean neck and tangled hair and a stain of ink, a
snail’s bed. Yet someone had loved him, borne him in her arms and in
her heart. But for her the race of the world would have trampled him
underfoot, a squashed boneless snail. She had loved his weak watery
blood drained from her own. Was that then real? The only true thing in
life? His mother’s prostrate body the fiery Columbanus in holy zeal
bestrode. She was no more: the trembling skeleton of a twig burnt in
the fire, an odour of rosewood and wetted ashes. She had saved him from
being trampled underfoot and had gone, scarcely having been. A poor
soul gone to heaven: and on a heath beneath winking stars a fox, red
reek of rapine in his fur, with merciless bright eyes scraped in the
earth, listened, scraped up the earth, listened, scraped and scraped.

Sitting at his side Stephen solved out the problem. He proves by
algebra that Shakespeare’s ghost is Hamlet’s grandfather. Sargent
peered askance through his slanted glasses. Hockeysticks rattled in the
lumberroom: the hollow knock of a ball and calls from the field.

Across the page the symbols moved in grave morrice, in the mummery of
their letters, wearing quaint caps of squares and cubes. Give hands,
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from
the world, Averroes and Moses Maimonides, dark men in mien and
movement, flashing in their mocking mirrors the obscure soul of the
world, a darkness shining in brightness which brightness could not
comprehend.

—Do you understand now? Can you work the second for yourself?

—Yes, sir.

In long shaky strokes Sargent copied the data. Waiting always for a
word of help his hand moved faithfully the unsteady symbols, a faint
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