Ulysses Page #5

Ulysses chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature.

• Fiction
• Novel

								

we’ll simply have to dress the character. I want puce gloves and green
boots. Contradiction. Do I contradict myself? Very well then, I
contradict myself. Mercurial Malachi. A limp black missile flew out of
his talking hands.

—And there’s your Latin quarter hat, he said.

Stephen picked it up and put it on. Haines called to them from the
doorway:

—Are you coming, you fellows?

—I’m ready, Buck Mulligan answered, going towards the door. Come out,
Kinch. You have eaten all we left, I suppose. Resigned he passed out
with grave words and gait, saying, wellnigh with sorrow:

—And going forth he met Butterly.

Stephen, taking his ashplant from its leaningplace, followed them out
and, as they went down the ladder, pulled to the slow iron door and
locked it. He put the huge key in his inner pocket.

At the foot of the ladder Buck Mulligan asked:

—Did you bring the key?

—I have it, Stephen said, preceding them.

He walked on. Behind him he heard Buck Mulligan club with his heavy
bathtowel the leader shoots of ferns or grasses.

—Down, sir! How dare you, sir!

Haines asked:

—Do you pay rent for this tower?

—Twelve quid, Buck Mulligan said.

—To the secretary of state for war, Stephen added over his shoulder.

They halted while Haines surveyed the tower and said at last:

—Rather bleak in wintertime, I should say. Martello you call it?

—Billy Pitt had them built, Buck Mulligan said, when the French were on
the sea. But ours is the omphalos.

—What is your idea of Hamlet? Haines asked Stephen.

—No, no, Buck Mulligan shouted in pain. I’m not equal to Thomas Aquinas
and the fiftyfive reasons he has made out to prop it up. Wait till I
have a few pints in me first.

He turned to Stephen, saying, as he pulled down neatly the peaks of his
primrose waistcoat:

—You couldn’t manage it under three pints, Kinch, could you?

—It has waited so long, Stephen said listlessly, it can wait longer.

—You pique my curiosity, Haines said amiably. Is it some paradox?

—Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes.
It’s quite simple. He proves by algebra that Hamlet’s grandson is
Shakespeare’s grandfather and that he himself is the ghost of his own
father.

—What? Haines said, beginning to point at Stephen. He himself?

Buck Mulligan slung his towel stolewise round his neck and, bending in
loose laughter, said to Stephen’s ear:

—O, shade of Kinch the elder! Japhet in search of a father!

—We’re always tired in the morning, Stephen said to Haines. And it is
rather long to tell.

Buck Mulligan, walking forward again, raised his hands.

—The sacred pint alone can unbind the tongue of Dedalus, he said.

—I mean to say, Haines explained to Stephen as they followed, this
tower and these cliffs here remind me somehow of Elsinore. That
beetles o’er his base into the sea, isn’t it?

Buck Mulligan turned suddenly for an instant towards Stephen but did
not speak. In the bright silent instant Stephen saw his own image in
cheap dusty mourning between their gay attires.

—It’s a wonderful tale, Haines said, bringing them to halt again.

Eyes, pale as the sea the wind had freshened, paler, firm and prudent.
The seas’ ruler, he gazed southward over the bay, empty save for the
smokeplume of the mailboat vague on the bright skyline and a sail
tacking by the Muglins.

—I read a theological interpretation of it somewhere, he said bemused.
The Father and the Son idea. The Son striving to be atoned with the
Father.

Buck Mulligan at once put on a blithe broadly smiling face. He looked
at them, his wellshaped mouth open happily, his eyes, from which he had
suddenly withdrawn all shrewd sense, blinking with mad gaiety. He moved
a doll’s head to and fro, the brims of his Panama hat quivering, and
began to chant in a quiet happy foolish voice:

—I’m the queerest young fellow that ever you heard.
My mother’s a jew, my father’s a bird.
With Joseph the joiner I cannot agree.
So here’s to disciples and Calvary.

He held up a forefinger of warning.

—If anyone thinks that I amn’t divine
He’ll get no free drinks when I’m making the wine
But have to drink water and wish it were plain
That I make when the wine becomes water again.

He tugged swiftly at Stephen’s ashplant in farewell and, running
forward to a brow of the cliff, fluttered his hands at his sides like
fins or wings of one about to rise in the air, and chanted:

—Goodbye, now, goodbye! Write down all I said
And tell Tom, Dick and Harry I rose from the dead.
What’s bred in the bone cannot fail me to fly
And Olivet’s breezy... Goodbye, now, goodbye!

He capered before them down towards the fortyfoot hole, fluttering his
winglike hands, leaping nimbly, Mercury’s hat quivering in the fresh
wind that bore back to them his brief birdsweet cries.

Haines, who had been laughing guardedly, walked on beside Stephen and
said:

—We oughtn’t to laugh, I suppose. He’s rather blasphemous. I’m not a
believer myself, that is to say. Still his gaiety takes the harm out of
it somehow, doesn’t it? What did he call it? Joseph the Joiner?

—The ballad of joking Jesus, Stephen answered.

—O, Haines said, you have heard it before?

—Three times a day, after meals, Stephen said drily.

—You’re not a believer, are you? Haines asked. I mean, a believer in
the narrow sense of the word. Creation from nothing and miracles and a
personal God.

—There’s only one sense of the word, it seems to me, Stephen said.

Haines stopped to take out a smooth silver case in which twinkled a
green stone. He sprang it open with his thumb and offered it.

—Thank you, Stephen said, taking a cigarette.

Haines helped himself and snapped the case to. He put it back in his
sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang
it open too, and, having lit his cigarette, held the flaming spunk
towards Stephen in the shell of his hands.

—Yes, of course, he said, as they went on again. Either you believe or
you don’t, isn’t it? Personally I couldn’t stomach that idea of a
personal God. You don’t stand for that, I suppose?

—You behold in me, Stephen said with grim displeasure, a horrible
example of free thought.

He walked on, waiting to be spoken to, trailing his ashplant by his
side. Its ferrule followed lightly on the path, squealing at his heels.
My familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line
along the path. They will walk on it tonight, coming here in the dark.
He wants that key. It is mine. I paid the rent. Now I eat his salt
bread. Give him the key too. All. He will ask for it. That was in his
eyes.

—After all, Haines began...

Stephen turned and saw that the cold gaze which had measured him was
not all unkind.

—After all, I should think you are able to free yourself. You are your
own master, it seems to me.

—I am a servant of two masters, Stephen said, an English and an
Italian.

—Italian? Haines said.

A crazy queen, old and jealous. Kneel down before me.

—And a third, Stephen said, there is who wants me for odd jobs.

—Italian? Haines said again. What do you mean?
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