Ulysses Page #13

Ulysses chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature.

• Fiction
• Novel

								

master of others or their slave. I have my stick. Sit tight. From
farther away, walking shoreward across from the crested tide, figures,
two. The two maries. They have tucked it safe mong the bulrushes.
Peekaboo. I see you. No, the dog. He is running back to them. Who?

Galleys of the Lochlanns ran here to beach, in quest of prey, their
bloodbeaked prows riding low on a molten pewter surf. Dane vikings,
torcs of tomahawks aglitter on their breasts when Malachi wore the
collar of gold. A school of turlehide whales stranded in hot noon,
spouting, hobbling in the shallows. Then from the starving cagework
city a horde of jerkined dwarfs, my people, with flayers’ knives,
running, scaling, hacking in green blubbery whalemeat. Famine, plague
and slaughters. Their blood is in me, their lusts my waves. I moved
among them on the frozen Liffey, that I, a changeling, among the
spluttering resin fires. I spoke to no-one: none to me.

The dog’s bark ran towards him, stopped, ran back. Dog of my enemy. I
just simply stood pale, silent, bayed about. Terribilia meditans. A
primrose doublet, fortune’s knave, smiled on my fear. For that are you
pining, the bark of their applause? Pretenders: live their lives. The
Bruce’s brother, Thomas Fitzgerald, silken knight, Perkin Warbeck,
York’s false scion, in breeches of silk of whiterose ivory, wonder of a
day, and Lambert Simnel, with a tail of nans and sutlers, a scullion
crowned. All kings’ sons. Paradise of pretenders then and now. He saved
men from drowning and you shake at a cur’s yelping. But the courtiers
who mocked Guido in Or san Michele were in their own house. House of...
We don’t want any of your medieval abstrusiosities. Would you do what
he did? A boat would be near, a lifebuoy. Natürlich, put there for
you. Would you or would you not? The man that was drowned nine days ago
off Maiden’s rock. They are waiting for him now. The truth, spit it
out. I would want to. I would try. I am not a strong swimmer. Water
cold soft. When I put my face into it in the basin at Clongowes. Can’t
see! Who’s behind me? Out quickly, quickly! Do you see the tide flowing
quickly in on all sides, sheeting the lows of sand quickly,
shellcocoacoloured? If I had land under my feet. I want his life still
to be his, mine to be mine. A drowning man. His human eyes scream to me
out of horror of his death. I... With him together down... I could not
save her. Waters: bitter death: lost.

A woman and a man. I see her skirties. Pinned up, I bet.

Their dog ambled about a bank of dwindling sand, trotting, sniffing on
all sides. Looking for something lost in a past life. Suddenly he made
off like a bounding hare, ears flung back, chasing the shadow of a
lowskimming gull. The man’s shrieked whistle struck his limp ears. He
turned, bounded back, came nearer, trotted on twinkling shanks. On a
field tenney a buck, trippant, proper, unattired. At the lacefringe of
the tide he halted with stiff forehoofs, seawardpointed ears. His snout
lifted barked at the wavenoise, herds of seamorse. They serpented
towards his feet, curling, unfurling many crests, every ninth,
breaking, plashing, from far, from farther out, waves and waves.

Cocklepickers. They waded a little way in the water and, stooping,
soused their bags and, lifting them again, waded out. The dog yelped
running to them, reared up and pawed them, dropping on all fours, again
reared up at them with mute bearish fawning. Unheeded he kept by them
as they came towards the drier sand, a rag of wolf’s tongue redpanting
from his jaws. His speckled body ambled ahead of them and then loped
off at a calf’s gallop. The carcass lay on his path. He stopped,
sniffed, stalked round it, brother, nosing closer, went round it,
sniffling rapidly like a dog all over the dead dog’s bedraggled fell.
Dogskull, dogsniff, eyes on the ground, moves to one great goal. Ah,
poor dogsbody! Here lies poor dogsbody’s body.

—Tatters! Out of that, you mongrel!

The cry brought him skulking back to his master and a blunt bootless
kick sent him unscathed across a spit of sand, crouched in flight. He
slunk back in a curve. Doesn’t see me. Along by the edge of the mole he
lolloped, dawdled, smelt a rock and from under a cocked hindleg pissed
against it. He trotted forward and, lifting again his hindleg, pissed
quick short at an unsmelt rock. The simple pleasures of the poor. His
hindpaws then scattered the sand: then his forepaws dabbled and delved.
Something he buried there, his grandmother. He rooted in the sand,
dabbling, delving and stopped to listen to the air, scraped up the sand
again with a fury of his claws, soon ceasing, a pard, a panther, got in
spousebreach, vulturing the dead.

After he woke me last night same dream or was it? Wait. Open hallway.
Street of harlots. Remember. Haroun al Raschid. I am almosting it. That
man led me, spoke. I was not afraid. The melon he had he held against
my face. Smiled: creamfruit smell. That was the rule, said. In. Come.
Red carpet spread. You will see who.

Shouldering their bags they trudged, the red Egyptians. His blued feet
out of turnedup trousers slapped the clammy sand, a dull brick muffler
strangling his unshaven neck. With woman steps she followed: the
ruffian and his strolling mort. Spoils slung at her back. Loose sand
and shellgrit crusted her bare feet. About her windraw face hair
trailed. Behind her lord, his helpmate, bing awast to Romeville. When
night hides her body’s flaws calling under her brown shawl from an
archway where dogs have mired. Her fancyman is treating two Royal
Dublins in O’Loughlin’s of Blackpitts. Buss her, wap in rogues’ rum
lingo, for, O, my dimber wapping dell! A shefiend’s whiteness under her
rancid rags. Fumbally’s lane that night: the tanyard smells.

     White thy fambles, red thy gan
     And thy quarrons dainty is.
     Couch a hogshead with me then.
     In the darkmans clip and kiss.

Morose delectation Aquinas tunbelly calls this, frate porcospino.
Unfallen Adam rode and not rutted. Call away let him: thy quarrons
dainty is. Language no whit worse than his. Monkwords, marybeads
jabber on their girdles: roguewords, tough nuggets patter in their
pockets.

Passing now.

A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I
am not. Across the sands of all the world, followed by the sun’s
flaming sword, to the west, trekking to evening lands. She trudges,
schlepps, trains, drags, trascines her load. A tide westering,
moondrawn, in her wake. Tides, myriadislanded, within her, blood not
mine, oinopa ponton, a winedark sea. Behold the handmaid of the moon.
In sleep the wet sign calls her hour, bids her rise. Bridebed,
childbed, bed of death, ghostcandled. Omnis caro ad te veniet. He
comes, pale vampire, through storm his eyes, his bat sails bloodying
the sea, mouth to her mouth’s kiss.

Here. Put a pin in that chap, will you? My tablets. Mouth to her kiss.
No. Must be two of em. Glue em well. Mouth to her mouth’s kiss.

His lips lipped and mouthed fleshless lips of air: mouth to her moomb.
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