The Witch book cover

The Witch Page #14

"The Witch" by Aleksandr Kuprin is a haunting novella that explores the themes of love, obsession, and the supernatural. Set in a small Russian village, the story follows the enigmatic figure of a beautiful woman rumored to be a witch. As the protagonist becomes entranced by her mysterious allure, he navigates the boundaries between desire and despair, grappling with the darker aspects of human emotion and the consequences of his actions. Kuprin's lyrical prose and psychological depth create a compelling narrative that delves into the complexities of passion and the fear of the unknown.


4 Views

Submitted by davidb on February 02, 2025


								
grimacing, thrusting out their tongues, showing their teeth, and rolling their eyes. Then I entered into a confused and extraordinarily complicated abstract dispute with Yarmola. Every minute the arguments which we brought up against each other became subtler and more profound: separate words and even individual letters of words suddenly took on a mysterious and unfathomable meaning, and at the same time I was seized by a revolting terror of the unknown, unnatural force that wound out one monstrous sophism after another out of my brain, and would not let me break off the dispute which had long been loathsome to me.... It was like a seething whirlwind of human and animal figures, landscapes, things of the most wonderful forms and colours, words and phrases whose meaning was apprehended by every sense.... But the strange thing was that I never lost sight of a bright regular circle reflected on to the ceiling by the lamp with the scorched green shade. And somehow I knew that within the indistinct line of that quiet circle was concealed a silent, monotonous, mysterious, terrible life, yet more awful and oppressive than the mad chaos of my dreams. Then I awoke, or more truly did not awake, but suddenly forced myself to sit up. Consciousness almost returned to me. I understood that I was lying in bed, that I was ill, that I had just been in delirium, but the bright circle on the ceiling still terrified me by its hidden, ominous menace. With weak hands I slowly reached for the watch, looked at it, and saw with melancholy perplexity that all the endless sequence of my ghastly dreams had taken no longer than two or three minutes. ‘My God, will the dawn ever come?’ I thought in despair, tossing my head over the hot pillows and feeling my short heavy breathing burn my lips.... But again a slight drowsiness possessed me, and again my brain became the sport of a motley nightmare, and again within two minutes I woke, racked by a mortal anguish. In six days my vigorous constitution, aided by quinine and an infusion of buckthorn, overcame my disease. I rose from my bed completely crushed, with difficulty standing upright on my legs. But my convalescence passed with eager quickness. In my head, weary with six days’ feverish delirium, I felt now an idle, pleasant absence of any thought at all. My appetite returned with double force, and hourly my body gathered strength, in each moment imbibing its particle of health and of the joy of life. And with that a new and stronger craving came upon me for the forest and the lonely, tumble-down hut. But my nerves had not yet recovered, and every time that I called up Olyessia’s face and voice in my memory, I wanted to cry. X Only five more days had passed, when I was so much recovered that I reached the chicken-legged hut on foot without the least fatigue. As I stepped on the threshold my heart palpitated with breathless fear. I had not seen Olyessia for almost two weeks, and I now perceived how near and dear she was to me. Holding the latch of the door, I waited some seconds, breathing with difficulty. In my irresolution I even shut my eyes for some time before I could push the door open.... It is always impossible to analyse impressions like those which followed my entrance.... Can one remember the words uttered in the first moment of meeting between a mother and son, husband and wife, or lover and lover? The simplest, most ordinary, even ridiculous words are said, if they were put down exactly upon paper. But each word is opportune and infinitely dear because it is uttered by the dearest voice in all the world. I remember--very clearly I remember--only one thing: Olyessia’s beautiful pale face turned quickly towards me, and on that beautiful face, so new to me, were in one second reflected, in changing succession, perplexity, fear, anxiety, and a tender radiant smile of love.... The old woman was mumbling something, clattering round me, but I did not hear her greetings. Olyessia’s voice reached me like a sweet music: ‘What has been the matter with you? You’ve been ill? Ah, how thin you’ve grown, my poor darling!’ For a long while I could make no answer, and we stood silent face to face, clasping hands and looking straight into the depths of each other’s eyes, happily. Those few silent seconds I have always considered the happiest in my life: never, never before or since, have I tasted such pure, complete, all-absorbing ecstasy. And how much I read in Olyessia’s big dark eyes!--the excitement of the meeting, reproach for my long absence, and a passionate declaration of love. In that look I felt that Olyessia gave me her whole being joyfully without doubt or reservation. She was the first to break the spell, pointing to Manuilikha with a slow movement of her eyelids. We sat down side by side, and Olyessia began to ask me anxiously for the details of my illness, the medicines I had taken, what the doctor had said and thought--he came twice to see me from the little town; she made me tell about the doctor time after time, and I could catch a fleeting, sarcastic smile on her lips. ‘Oh, why didn’t I know that you were ill!’ she exclaimed with impatient regret. ‘I would have set you on your feet again in a single day.... How can they be trusted, when they don’t understand anything at all, nothing at all? Why didn’t you send for me?’ I was at a loss for an answer. ‘You see, Olyessia ... it happened so suddenly ... besides, I was afraid to trouble you. Towards the end you had become strange towards me, as though you were angry with me, or bored.... Olyessia,’ I added, lowering my voice, ‘we’ve got ever so much to say to each other, ever so much ... just we two ... you understand?’ She quietly cast down her eyes in token of consent, and then whispered quickly, looking round timidly at her grandmother: ‘Yes.... I want to, as well ... later ... wait----’ As soon as the sun began to set, Olyessia began to urge me to go home. ‘Make haste, be quick and get ready,’ she said, pulling my hand from the bench. ‘If the damp catches you now, the fever will be on you again, immediately.’ ‘Where are you going, Olyessia?’ Manuilikha asked suddenly, seeing that her granddaughter had thrown a large grey shawl hurriedly over her head. ‘I’m going part of the way with him,’ answered Olyessia. She said the words with indifference, looking not at her grandmother but at the window; but in her voice I could detect on almost imperceptible note of irritation. ‘You’re really going?’ the old woman once more asked, meaningly. Olyessia’s eyes flashed, and she stared steadily into Manuilikha’s face. ‘Yes, I am going,’ she replied proudly. ‘We talked it out and talked it out long ago.... It’s my affair, and my own responsibility.’ ‘Ah, you----’ the old woman exclaimed in reproach and annoyance. She wanted to add more, but only waved her hand and dragged her trembling legs away into the corner, and began to busy herself with a basket,
Rate:0.0 / 0 votes

Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

All Aleksandr Kuprin books

0 fans

Discuss this The Witch book with the community:

0 Comments

    Translation

    Translate and read this book in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this book to your bibliography:

    Style:MLAChicagoAPA

    "The Witch Books." Literature.com. STANDS4 LLC, 2025. Web. 6 Feb. 2025. <https://www.literature.com/book/the_witch_4030>.

    We need you!

    Help us build the largest authors community and books collection on the web!

    Winter 2025

    Writing Contest

    Join our short stories contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    0
    months
    22
    days
    6
    hours

    Our favorite collection of

    Famous Authors

    »

    Quiz

    Are you a literary expert?

    »
    Which Shakespeare play features the character Iago?
    A King Lear
    B Hamlet
    C Macbeth
    D Othello