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"The Witch" is a short story by Anton Pavlovich Chekhov that explores themes of superstition, isolation, and the complexity of human relationships. The narrative revolves around an elderly woman, dubbed a witch by the community, who embodies the fears and prejudices of those around her. Through subtle characterization and keen observation of social dynamics, Chekhov delves into the consequences of gossip and the alienation faced by individuals who are misunderstood. The story invites readers to reflect on empathy and the often harsh judgments that society casts upon the marginalized.

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Submitted by davidb on January 27, 2025


								
hound.... Tfoo! To be tempted by the clerk! It was worth upsetting God's weather for him! A drivelling scribbler, not a foot from the ground, pimples all over his mug and his neck awry! If he were good-looking, anyway--but he, tfoo! he is as ugly as Satan!" The sexton took breath, wiped his lips and listened. The bell was not to be heard, but the wind banged on the roof, and again there came a tinkle in the darkness. "And it's the same thing now!" Savely went on. "It's not for nothing the postman is lost! Blast my eyes if the postman isn't looking for you! Oh, the devil is a good hand at his work; he is a fine one to help! He will turn him round and round and bring him here. I know, I see! You can't conceal it, you devil's bauble, you heathen wanton! As soon as the storm began I knew what you were up to." "Here's a fool!" smiled his wife. "Why, do you suppose, you thick-head, that I make the storm?" "H'm!... Grin away! Whether it's your doing or not, I only know that when your blood's on fire there's sure to be bad weather, and when there's bad weather there's bound to be some crazy fellow turning up here. It happens so every time! So it must be you!" To be more impressive the sexton put his finger to his forehead, closed his left eye, and said in a singsong voice: "Oh, the madness! oh, the unclean Judas! If you really are a human being and not a witch, you ought to think what if he is not the mechanic, or the clerk, or the huntsman, but the devil in their form! Ah! You'd better think of that!" "Why, you are stupid, Savely," said his wife, looking at him compassionately. "When father was alive and living here, all sorts of people used to come to him to be cured of the ague: from the village, and the hamlets, and the Armenian settlement. They came almost every day, and no one called them devils. But if anyone once a year comes in bad weather to warm himself, you wonder at it, you silly, and take all sorts of notions into your head at once." His wife's logic touched Savely. He stood with his bare feet wide apart, bent his head, and pondered. He was not firmly convinced yet of the truth of his suspicions, and his wife's genuine and unconcerned tone quite disconcerted him. Yet after a moment's thought he wagged his head and said: "It's not as though they were old men or bandy-legged cripples; it's always young men who want to come for the night.... Why is that? And if they only wanted to warm themselves----But they are up to mischief. No, woman; there's no creature in this world as cunning as your female sort! Of real brains you've not an ounce, less than a starling, but for devilish slyness--oo-oo-oo! The Queen of Heaven protect us! There is the postman's bell! When the storm was only beginning I knew all that was in your mind. That's your witchery, you spider!" "Why do you keep on at me, you heathen?" His wife lost her patience at last. "Why do you keep sticking to it like pitch?" "I stick to it because if anything--God forbid--happens to-night... do you hear?... if anything happens to-night, I'll go straight off to-morrow morning to Father Nikodim and tell him all about it. 'Father Nikodim,' I shall say, 'graciously excuse me, but she is a witch.' 'Why so?' 'H'm! do you want to know why?' 'Certainly....' And I shall tell him. And woe to you, woman! Not only at the dread Seat of Judgment, but in your earthly life you'll be punished, too! It's not for nothing there are prayers in the breviary against your kind!" Suddenly there was a knock at the window, so loud and unusual that Savely turned pale and almost dropped backwards with fright. His wife jumped up, and she, too, turned pale. "For God's sake, let us come in and get warm!" they heard in a trembling deep bass. "Who lives here? For mercy's sake! We've lost our way." "Who are you?" asked Raissa, afraid to look at the window. "The post," answered a second voice. "You've succeeded with your devil's tricks," said Savely with a wave of his hand. "No mistake; I am right! Well, you'd better look out!" The sexton jumped on to the bed in two skips, stretched himself on the feather mattress, and sniffing angrily, turned with his face to the wall. Soon he felt a draught of cold air on his back. The door creaked and the tall figure of a man, plastered over with snow from head to foot, appeared in the doorway. Behind him could be seen a second figure as white. "Am I to bring in the bags?" asked the second in a hoarse bass voice. "You can't leave them there." Saying this, the first figure began untying his hood, but gave it up, and pulling it off impatiently with his cap, angrily flung it near the stove. Then taking off his greatcoat, he threw that down beside it, and, without saying good-evening, began pacing up and down the hut. He was a fair-haired, young postman wearing a shabby uniform and black rusty-looking high boots. After warming himself by walking to and fro, he sat down at the table, stretched out his muddy feet towards the sacks and leaned his chin on his fist. His pale face, reddened in places by the cold, still bore vivid traces of the pain and terror he had just been through. Though distorted by anger and bearing traces of recent suffering, physical and moral, it was handsome in spite of the melting snow on the eyebrows, moustaches, and short beard. "It's a dog's life!" muttered the postman, looking round the walls and seeming hardly able to believe that he was in the warmth. "We were nearly lost! If it had not been for your light, I don't know what would have happened. Goodness only knows when it will all be over! There's no end to this dog's life! Where have we come?" he asked, dropping his voice and raising his eyes to the sexton's wife. "To the Gulyaevsky Hill on General Kalinovsky's estate," she answered, startled and blushing. "Do you hear, Stepan?" The postman turned to the driver, who was wedged in the doorway with a huge mail-bag on his shoulders. "We've got to Gulyaevsky Hill." "Yes... we're a long way out." Jerking out these words like a hoarse sigh, the driver went out and soon after returned with another bag, then went out once more and this time brought the postman's sword on a big belt, of the pattern of that long flat blade with which Judith is portrayed by the bedside of Holofernes in cheap woodcuts. Laying the bags along the wall, he went out into the outer room, sat down there and lighted his pipe. "Perhaps you'd like some tea after your journey?" Raissa inquired. "How can we sit drinking tea?" said the postman, frowning. "We must make haste and get warm, and then set off, or we shall be late for the mail train. We'll stay ten minutes and then get on our way. Only be so good as to show us the way."
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Anton Pavlovich Chekhov

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer, widely regarded as one of the greatest masters of the contemporary short story and a pioneer of modern drama. His works often explore themes of human complexity, existential struggle, and the nuances of everyday life, characterized by their subtlety, humor, and profound perception of human nature. Chekhov's notable plays include "The Seagull," "Uncle Vanya," and "The Cherry Orchard," while his short stories, such as "The Lady with the Dog" and "The Bet," showcase his ability to capture fleeting moments of insight and emotional depth. His literary innovations have had a lasting influence on both literature and theater. more…

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