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"The Wife" is a poignant short story by Anton Pavlovich Chekhov that delves into the complexities of marriage and the nature of love. The narrative follows Masha, a woman who reflects on her relationship with her husband, Ivan, as tensions and emotional disconnect manifest in their lives. Chekhov masterfully captures the nuances of hope, despair, and the often-unspoken struggles within a partnership, inviting readers to ponder the true essence of companionship and the sacrifices made in its name. Through rich character development and subtle insights, "The Wife" explores themes of longing, identity, and the bittersweet nature of human connection.

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Submitted by davidb on January 27, 2025


								
All this, though is banal to the point of vulgarity. Before me stood an ordinary woman, perhaps neither beautiful nor elegant, but this was my wife with whom I had once lived, and with whom I should have been living to this day if it had not been for her unfortunate character; she was the one human being on the terrestrial globe whom I loved. At this moment, just before going away, when I knew that I should no longer see her even through the window, she seemed to me fascinating even as she was, cold and forbidding, answering me with a proud and contemptuous mockery. I was proud of her, and confessed to myself that to go away from her was terrible and impossible. "Pavel Andreitch," she said after a brief silence, "for two years we have not interfered with each other but have lived quietly. Why do you suddenly feel it necessary to go back to the past? Yesterday you came to insult and humiliate me," she went on, raising her voice, and her face flushed and her eyes flamed with hatred; "but restrain yourself; do not do it, Pavel Andreitch! Tomorrow I will send in a petition and they will give me a passport, and I will go away; I will go! I will go! I'll go into a convent, into a widows' home, into an almshouse...." "Into a lunatic asylum!" I cried, not able to restrain myself. "Well, even into a lunatic asylum! That would be better, that would be better," she cried, with flashing eyes. "When I was in Pestrovo today I envied the sick and starving peasant women because they are not living with a man like you. They are free and honest, while, thanks to you, I am a parasite, I am perishing in idleness, I eat your bread, I spend your money, and I repay you with my liberty and a fidelity which is of no use to any one. Because you won't give me a passport, I must respect your good name, though it doesn't exist." I had to keep silent. Clenching my teeth, I walked quickly into the drawing-room, but turned back at once and said: "I beg you earnestly that there should be no more assemblies, plots, and meetings of conspirators in my house! I only admit to my house those with whom I am acquainted, and let all your crew find another place to do it if they want to take up philanthropy. I can't allow people at midnight in my house to be shouting hurrah at successfully exploiting an hysterical woman like you!" My wife, pale and wringing her hands, took a rapid stride across the room, uttering a prolonged moan as though she had toothache. With a wave of my hand, I went into the drawing-room. I was choking with rage, and at the same time I was trembling with terror that I might not restrain myself, and that I might say or do something which I might regret all my life. And I clenched my hands tight, hoping to hold myself in. After drinking some water and recovering my calm a little, I went back to my wife. She was standing in the same attitude as before, as though barring my approach to the table with the papers. Tears were slowly trickling down her pale, cold face. I paused then and said to her bitterly but without anger: "How you misunderstand me! How unjust you are to me! I swear upon my honour I came to you with the best of motives, with nothing but the desire to do good!" "Pavel Andreitch!" she said, clasping her hands on her bosom, and her face took on the agonized, imploring expression with which frightened, weeping children beg not to be punished, "I know perfectly well that you will refuse me, but still I beg you. Force yourself to do one kind action in your life. I entreat you, go away from here! That's the only thing you can do for the starving peasants. Go away, and I will forgive you everything, everything!" "There is no need for you to insult me, Natalie," I sighed, feeling a sudden rush of humility. "I had already made up my mind to go away, but I won't go until I have done something for the peasants. It's my duty!" "Ach!" she said softly with an impatient frown. "You can make an excellent bridge or railway, but you can do nothing for the starving peasants. Do understand!" "Indeed? Yesterday you reproached me with indifference and with being devoid of the feeling of compassion. How well you know me!" I laughed. "You believe in God--well, God is my witness that I am worried day and night...." "I see that you are worried, but the famine and compassion have nothing to do with it. You are worried because the starving peasants can get on without you, and because the Zemstvo, and in fact every one who is helping them, does not need your guidance." I was silent, trying to suppress my irritation. Then I said: "I came to speak to you on business. Sit down. Please sit down." She did not sit down. "I beg you to sit down," I repeated, and I motioned her to a chair. She sat down. I sat down, too, thought a little, and said: "I beg you to consider earnestly what I am saying. Listen.... Moved by love for your fellow-creatures, you have undertaken the organization of famine relief. I have nothing against that, of course; I am completely in sympathy with you, and am prepared to co-operate with you in every way, whatever our relations may be. But, with all my respect for your mind and your heart... and your heart," I repeated, "I cannot allow such a difficult, complex, and responsible matter as the organization of relief to be left in your hands entirely. You are a woman, you are inexperienced, you know nothing of life, you are too confiding and expansive. You have surrounded yourself with assistants whom you know nothing about. I am not exaggerating if I say that under these conditions your work will inevitably lead to two deplorable consequences. To begin with, our district will be left unrelieved; and, secondly, you will have to pay for your mistakes and those of your assistants, not only with your purse, but with your reputation. The money deficit and other losses I could, no doubt, make good, but who could restore you your good name? When through lack of proper supervision and oversight there is a rumour that you, and consequently I, have made two hundred thousand over the famine fund, will your assistants come to your aid?" She said nothing. "Not from vanity, as you say," I went on, "but simply that the starving peasants may not be left unrelieved and your reputation may not be injured, I feel it my moral duty to take part in your work." "Speak more briefly," said my wife. "You will be so kind," I went on, "as to show me what has been subscribed so far and what you have spent. Then inform me daily of every fresh subscription in money or kind, and of every fresh outlay. You will also give me, Natalie, the list of your helpers. Perhaps they are quite decent people; I don't doubt it; but, still, it is absolutely necessary
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Anton Pavlovich Chekhov

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer, widely regarded as one of the greatest masters of the contemporary short story and a pioneer of modern drama. His works often explore themes of human complexity, existential struggle, and the nuances of everyday life, characterized by their subtlety, humor, and profound perception of human nature. Chekhov's notable plays include "The Seagull," "Uncle Vanya," and "The Cherry Orchard," while his short stories, such as "The Lady with the Dog" and "The Bet," showcase his ability to capture fleeting moments of insight and emotional depth. His literary innovations have had a lasting influence on both literature and theater. more…

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