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"The Waiting Place" by Sarah Orne Jewett is a poignant short story that explores themes of patience, longing, and the passage of time. Set in a small coastal town, the narrative revolves around the experiences of a woman who reflects on her life while waiting for a boat. As she observes the people around her and contemplates her own choices and friendships, she grapples with feelings of stagnation and the desire for change. Jewett's lyrical prose beautifully captures the nuances of everyday life and the emotional landscapes of her characters, inviting readers to reflect on their own moments of waiting and the potential for transformation.


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Submitted by davidb on February 12, 2025


								
altogether, and when they got close inshore they could see the shapes of folks, but they never could get near them,—all blowing gray figures that would pass along alone, or sometimes gathered in companies as if they were watching. The men were frightened at first, but the shapes never came near them,—it was as if they blew back; and at last they all got bold and went ashore, and found birds’ eggs and sea fowl, like any wild northern spot where creatures were tame and folks had never been, and there was good water. Gaffett said that he and another man came near one o’ the fog-shaped men that was going along slow with the look of a pack on his back, among the rocks, an’ they chased him; but, Lord! he flittered away out o’ sight like a leaf the wind takes with it, or a piece of cobweb. They would make as if they talked together, but there was no sound of voices, and ‘they acted as if they didn’t see us, but only felt us coming towards them,’ says Gaffett one day, trying to tell the particulars. They couldn’t see the town when they were ashore. One day the captain and the doctor were gone till night up across the high land where the town had seemed to be, and they came back at night beat out and white as ashes, and wrote and wrote all next day in their notebooks, and whispered together full of excitement, and they were sharp-spoken with the men when they offered to ask any questions. “Then there came a day,” said Captain Littlepage, leaning toward me with a strange look in his eyes, and whispering quickly. “The men all swore they wouldn’t stay any longer; the man on watch early in the morning gave the alarm, and they all put off in the boat and got a little way out to sea. Those folks, or whatever they were, come about ’em like bats; all at once they raised incessant armies, and come as if to drive ’em back to sea. They stood thick at the edge o’ the water like the ridges o’ grim war; no thought o’ flight, none of retreat. Some times a standing fight, then soaring on main wing tormented all the air. And when they’d got the boat out o’ reach o’ danger, Gaffett said they looked back, and there was the town again, standing up just as they’d seen it first, comin’ on the coast. Say what you might, they all believed ’twas a kind of waiting place between this world an’ the next.” The captain had sprung to his feet in his excitement, and made excited gestures, but he still whispered huskily. “Sit down, sir,” I said as quietly as I could, and he sank into his chair quite spent. “Gaffett thought the officers were hurrying home to report and to fit out a new expedition when they were all lost. At the time, the men got orders not to talk over what they had seen,” the old man explained presently in a more natural tone. “Weren’t they all starving, and wasn’t it a mirage or something of that sort?” I ventured to ask. But he looked at me blankly. “Gaffett had got so that his mind ran on nothing else,” he went on. “The ship’s surgeon let fall an opinion to the captain, one day, that ’twas some condition o’ the light and the magnetic currents that let them see those folks. ’Twa’n’t a right-feeling part of the world, anyway; they had to battle with the compass to make it serve, an’ everything seemed to go wrong. Gaffett had worked it out in his own mind that they was all common ghosts, but the conditions were unusual favorable for seeing them. He was always talking about the Ge’graphical Society, but he never took proper steps, as I view it now, and stayed right there at the mission. He was a good deal crippled, and thought they’d confine him in some jail of a hospital. He said he was waiting to find the right men to tell, somebody bound north. Once in a while they stopped there to leave a mail or something. He was set in his notions, and let two or three proper explorin’ expeditions go by him because he didn’t like their looks; but when I was there he had got restless, fearin’ he might be taken away or something. He had all his directions written out straight as a string to give the right ones. I wanted him to trust ’em to me, so I might have something to show, but he wouldn’t. I suppose he’s dead now. I wrote to him, an’ I done all I could. ’Twill be a great exploit some o’ these days.” I assented absent-mindedly, thinking more just then of my companion’s alert, determined look and the seafaring, ready aspect that had come to his face; but at this moment there fell a sudden change, and the old, pathetic, scholarly look returned. Behind me hung a map of North America, and I saw, as I turned a little, that his eyes were fixed upon the northernmost regions and their careful recent outlines with a look of bewilderment.
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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