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"The Understudy" by Robert Barr is a satirical novel that explores the world of theater through the experiences of its protagonist, an understudy who grapples with the challenges of ambition, unfulfilled dreams, and the often absurd realities of the performing arts. Set against the backdrop of a bustling theatrical scene, the story delves into themes of identity, envy, and the pursuit of recognition, as the understudy navigates the complexities of relationships and the unpredictable nature of show business. With Barr's trademark wit, the novel offers a humorous yet insightful commentary on the precarious balance between success and obscurity in the life of an artist.


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Submitted by davidb on February 09, 2025


								
returned to him. Then, on going to a first night at the theatre to see a new tragedy, which this manager called his own, he was amazed to see his rejected play, with certain changes, produced upon the stage, and when the cry "Author! Author!" arose, he stood up in his place; but illness and privation had done their work, and he died proclaiming himself the author of the play. "Ah," said the man, when the reading was finished, "I cannot tell you how much the story has interested me. I once was an actor myself, and anything pertaining to the stage appeals to me, although it is years since I saw a theatre. It must be hard luck to work for fame and then be cheated out of it, as was the man in the tale; but I suppose it sometimes happens, although, for the honesty of human nature, I hope not very often." "Did you act under your own name, or did you follow the fashion so many of the profession adopt?" asked the girl, evidently interested when he spoke of the theatre. The young man laughed for, perhaps, the first time on the voyage. "Oh," he answered, "I was not at all noted. I acted only in minor parts, and always under my own name, which, doubtless, you have never heard--it is Sidney Ormond." "What!" cried the girl in amazement; "not Sidney Ormond the African traveller?" The young man turned his wan face and large, melancholy eyes upon his questioner. "I am certainly Sidney Ormond, an African traveller, but I don't think I deserve the 'the,' you know. I don't imagine anyone has heard of me through my travelling any more than through my acting." "The Sidney Ormond I mean," she said, "went through Africa without firing a shot; whose book, A Mission of Peace, has been such a success, both in England and America. But, of course, you cannot be he; for I remember that Sidney Ormond is now lecturing in England to tremendous audiences all over the country. The Royal Geographical Society has given him medals or degrees, or something of that sort-- perhaps it was Oxford that gave the degree. I am sorry I haven't his book with me, it would be sure to interest you; but some one on board is almost certain to have it, and I will try to get it for you. I gave mine to a friend in Cape Town. What a funny thing it is that the two names should be exactly the same." "It is very strange," said Ormond gloomily, and his eyes again sought the horizon and he seemed to relapse into his usual melancholy. The girl arose from her seat, saying she would try to find the book, and left him there meditating. When she came back, after the lapse of half an hour or so, she found him sitting just as she had left him, with his sad eyes on the sad sea. The girl had a volume in her hand. "There," she said, "I knew there would be a copy on board, but I am more bewildered than ever; the frontispiece is an exact portrait of you, only you are dressed differently and do not look--" the girl hesitated, "so ill as when you came on board." Ormond looked up at the girl with a smile, and said-- "You might say with truth, so ill as I look now." "Oh, the voyage has done you good. You seem ever so much better than when you came on board." "Yes, I think that is so," said Ormond, reaching for the volume she held in her hand. He opened it at the frontispiece and gazed long at the picture. The girl sat down beside him and watched his face, glancing from it to the book. "It seems to me," she said at last, "that the coincidence is becoming more and more striking. Have you ever seen that portrait before?" "Yes," said Ormond slowly. "I recognise it as a portrait I took of myself in the interior of Africa which I sent to a dear friend of mine; in fact, the only friend I had in England. I think I wrote him about getting together a book out of the materials I sent him, but I am not sure. I was very ill at the time I wrote him my last letter. I thought I was going to die, and told him so. I feel somewhat bewildered, and don't quite understand it all." "I understand it," cried the girl, her face blazing with indignation. "Your friend is a traitor. He is reaping the reward that should have been yours, and so poses as the African traveller, the real Ormond. You must put a stop to it when you reach England, and expose his treachery to the whole country." Ormond shook his head slowly and said-- "I cannot imagine Jimmy Spence a traitor. If it were only the book, that could be, I think, easily explained, for I sent him all my notes of travel and materials; but I cannot understand him taking the medals or degrees." The girl made a quick gesture of impatience. "Such things," she said, "cannot be explained. You must confront him and expose him." "No," said Ormond, "I shall not confront him. I must think over the matter for a time. I am not quick at thinking, at least just now, in the face of this difficulty. Everything seemed plain and simple before, but if Jimmy Spence has stepped into my shoes, he is welcome to them. Ever since I came out of Africa I seem to have lost all ambition. Nothing appears to be worth while now." "Oh!" cried the girl, "that is because you are in ill-health. You will be yourself again when you reach England. Don't let this trouble you now--there is plenty of time to think it all out before we arrive. I am sorry I spoke about it; but, you see, I was taken by surprise when you mentioned your name." "I am very glad you spoke to me," said Ormond, in a more cheerful voice. "The mere fact that you have talked with me has encouraged me wonderfully. I cannot tell how much this conversation has been to me. I am a lone man, with only one friend in the world--I am afraid I must add now, without even one friend in the world. I am grateful for your interest in me, even though it was only compassion for a wreck--for a derelict, floating about on the sea of life." There were tears in the girl's eyes, and she did not speak for a moment, then she laid her hand softly on Ormond's arm, and said, "You are not a wreck, far from it. You sit alone too much, and I am afraid that what I have thoughtlessly said has added to your troubles." The girl paused in her talk, but after a moment added-- "Don't you think you could walk the deck for a little?" "I don't know about walking," said Ormond, with a little laugh, "but I'll come with you if you don't mind an encumbrance." He rose somewhat unsteadily, and she took his arm. "You must look upon me as your physician," she said cheerfully, "and I shall insist that my orders are obeyed." "I shall be delighted to be under your charge," said Ormond, "but may I
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Robert Barr

Robert Barr (1849–1912) was a Scottish author and journalist known for his engaging storytelling and wit. He wrote a variety of works, including novels, short stories, and plays, often featuring humor and satire. Barr contributed significantly to the literary scene of his time, particularly through his popular short stories and serialized novels in magazines. He was also known for his role as an editor and was associated with various periodicals. His writing often explored themes of adventure, the complexities of modern life, and character-driven narratives. more…

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