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The Turn of the Screw Page #12

The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine. In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London.


Year:
1898
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Submitted by acronimous on May 13, 2020


								
Mrs. Grose, of course, could only gape the wider. “Then how do you know?” “I was there—I saw with my eyes: saw that she was perfectly aware.” “Do you mean aware of him?” “No—of her.” I was conscious as I spoke that I looked prodigious things, for I got the slow reflection of them in my companion’s face. “Another person—this time; but a figure of quite as unmistakable horror and evil: a woman in black, pale and dreadful—with such an air also, and such a face!—on the other side of the lake. I was there with the child—quiet for the hour; and in the midst of it she came.” “Came how—from where?” “From where they come from! She just appeared and stood there—but not so near.” “And without coming nearer?” “Oh, for the effect and the feeling, she might have been as close as you!” My friend, with an odd impulse, fell back a step. “Was she someone you’ve never seen?” “Yes. But someone the child has. Someone you have.” Then, to show how I had thought it all out: “My predecessor—the one who died.” “Miss Jessel?” “Miss Jessel. You don’t believe me?” I pressed. She turned right and left in her distress. “How can you be sure?” This drew from me, in the state of my nerves, a flash of impatience. “Then ask Flora—she’s sure!” But I had no sooner spoken than I caught myself up. “No, for God’s sake, don’t! She’ll say she isn’t—she’ll lie!” Mrs. Grose was not too bewildered instinctively to protest. “Ah, how can you?” “Because I’m clear. Flora doesn’t want me to know.” “It’s only then to spare you.” “No, no—there are depths, depths! The more I go over it, the more I see in it, and the more I see in it, the more I fear. I don’t know what I don’t see—what I don’t fear!” Mrs. Grose tried to keep up with me. “You mean you’re afraid of seeing her again?” “Oh, no; that’s nothing—now!” Then I explained. “It’s of not seeing her.” But my companion only looked wan. “I don’t understand you.” “Why, it’s that the child may keep it up—and that the child assuredly will—without my knowing it.” At the image of this possibility Mrs. Grose for a moment collapsed, yet presently to pull herself together again, as if from the positive force of the sense of what, should we yield an inch, there would really be to give way to. “Dear, dear—we must keep our heads! And after all, if she doesn’t mind it—!” She even tried a grim joke. “Perhaps she likes it!” “Likes such things—a scrap of an infant!” “Isn’t it just a proof of her blessed innocence?” my friend bravely inquired. She brought me, for the instant, almost round. “Oh, we must clutch at that—we must cling to it! If it isn’t a proof of what you say, it’s a proof of—God knows what! For the woman’s a horror of horrors.” Mrs. Grose, at this, fixed her eyes a minute on the ground; then at last raising them, “Tell me how you know,” she said. “Then you admit it’s what she was?” I cried. “Tell me how you know,” my friend simply repeated. “Know? By seeing her! By the way she looked.” “At you, do you mean—so wickedly?” “Dear me, no—I could have borne that. She gave me never a glance. She only fixed the child.” Mrs. Grose tried to see it. “Fixed her?” “Ah, with such awful eyes!” She stared at mine as if they might really have resembled them. “Do you mean of dislike?” “God help us, no. Of something much worse.” “Worse than dislike?”—this left her indeed at a loss. “With a determination—indescribable. With a kind of fury of intention.” I made her turn pale. “Intention?” “To get hold of her.” Mrs. Grose—her eyes just lingering on mine—gave a shudder and walked to the window; and while she stood there looking out I completed my statement. “That’s what Flora knows.” After a little she turned round. “The person was in black, you say?” “In mourning—rather poor, almost shabby. But—yes—with extraordinary beauty.” I now recognized to what I had at last, stroke by stroke, brought the victim of my confidence, for she quite visibly weighed this. “Oh, handsome—very, very,” I insisted; “wonderfully handsome. But infamous.” She slowly came back to me. “Miss Jessel—was infamous.” She once more took my hand in both her own, holding it as tight as if to fortify me against the increase of alarm I might draw from this disclosure. “They were both infamous,” she finally said. So, for a little, we faced it once more together; and I found absolutely a degree of help in seeing it now so straight. “I appreciate,” I said, “the great decency of your not having hitherto spoken; but the time has certainly come to give me the whole thing.” She appeared to assent to this, but still only in silence; seeing which I went on: “I must have it now. Of what did she die? Come, there was something between them.” “There was everything.” “In spite of the difference—?” “Oh, of their rank, their condition”—she brought it woefully out. “She was a lady.” I turned it over; I again saw. “Yes—she was a lady.” “And he so dreadfully below,” said Mrs. Grose. I felt that I doubtless needn’t press too hard, in such company, on the place of a servant in the scale; but there was nothing to prevent an acceptance of my companion’s own measure of my predecessor’s abasement. There was a way to deal with that, and I dealt; the more readily for my full vision—on the evidence—of our employer’s late clever, good-looking “own” man; impudent, assured, spoiled, depraved. “The fellow was a hound.” Mrs. Grose considered as if it were perhaps a little a case for a sense of shades. “I’ve never seen one like him. He did what he wished.” “With her?” “With them all.” It was as if now in my friend’s own eyes Miss Jessel had again appeared. I seemed at any rate, for an instant, to see their evocation of her as distinctly as I had seen her by the pond; and I brought out with decision: “It must have been also what she wished!” Mrs. Grose’s face signified that it had been indeed, but she said at the same time: “Poor woman—she paid for it!” “Then you do know what she died of?” I asked. “No—I know nothing. I wanted not to know; I was glad enough I didn’t; and I thanked heaven she was well out of this!” “Yet you had, then, your idea—” “Of her real reason for leaving? Oh, yes—as to that. She couldn’t have stayed. Fancy it here—for a governess! And afterward I imagined—and I still imagine. And what I imagine is dreadful.” “Not so dreadful as what I do,” I replied; on which I must have shown her—as I was indeed but too conscious—a front of miserable defeat. It brought out again all her compassion for me, and at the renewed touch of her kindness my power to resist broke down. I burst, as I had, the other time, made her burst, into tears; she took me to her motherly breast, and my lamentation overflowed. “I don’t do it!” I sobbed in despair; “I don’t save or shield them! It’s far worse than I dreamed—they’re lost!” VIII What I had said to Mrs. Grose was true enough: there were in the matter I had put before her depths and possibilities that I lacked resolution to sound; so that when we met once more in the wonder of it we were of a common mind about the duty of resistance to extravagant fancies. We were to keep our heads if we should keep nothing else—difficult indeed as that might be in the face of what, in our prodigious experience, was least to be questioned. Late that night, while the house slept, we had another talk in my room, when she went all the way with me as to its being beyond doubt that I had seen exactly what I had seen. To hold her perfectly in the pinch of that, I found I had only to ask her how, if I had “made it up,” I came to be able to give, of each of the persons appearing to me, a picture disclosing, to the last detail, their special marks—a portrait on the exhibition of which she had instantly recognized and named them. She wished of course—small blame to her!—to sink the whole subject; and I was quick to assure her that my own interest in it had now violently taken the form of a search for the way to escape from it. I encountered her on the ground of a probability that with recurrence—for recurrence we took for granted—I should get used to my danger, distinctly professing that my personal exposure had suddenly become the least of my discomforts. It was my new suspicion that was intolerable; and yet even to this complication the later hours of the day had brought a little ease.
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Henry James

Henry James OM was a British author, who became a British citizen in the last year of his life, regarded as a key transitional figure between literary realism and literary modernism, and is considered by many to be among the greatest novelists in the English language. more…

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