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"The Son" is a poignant short story by Guy de Maupassant that explores themes of familial duty, sacrifice, and the complexities of parental relationships. The narrative centers around a father who, having devoted his life to providing for his son, faces the ultimate test of love and loyalty when circumstances force him to confront the harsh realities of his son's choices and the consequences that follow. Maupassant's keen insight into human emotions and relationships is highlighted as he delves into the depths of love, betrayal, and the passage of time, ultimately revealing the bittersweet nature of life and the ties that bind us.

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Submitted by davidb on February 02, 2025


								
“But the man replied: 'Oh, do not think of it, monsieur; he is of no account; you will only cause yourself annoyance. I employ him to clean out the stable, and that is all he can do. I give him his board and let him sleep with the horses. He needs nothing more. If you have an old pair of trousers, you might give them to him, but they will be in rags in a week.' “I did not insist, intending to think it over. “The poor wretch came home that evening frightfully drunk, came near setting fire to the house, killed a horse by hitting it with a pickaxe, and ended up by lying down to sleep in the mud in the midst of the pouring rain, thanks to my donation. “They begged me next day not to give him any more money. Brandy drove him crazy, and as soon as he had two sous in his pocket he would spend it in drink. The landlord added: 'Giving him money is like trying to kill him.' The man had never, never in his life had more than a few centimes, thrown to him by travellers, and he knew of no destination for this metal but the wine shop. “I spent several hours in my room with an open book before me which I pretended to read, but in reality looking at this animal, my son! my son! trying to discover if he looked anything like me. After careful scrutiny I seemed to recognize a similarity in the lines of the forehead and the root of the nose, and I was soon convinced that there was a resemblance, concealed by the difference in garb and the man's hideous head of hair. “I could not stay here any longer without arousing suspicion, and I went away, my heart crushed, leaving with the innkeeper some money to soften the existence of his servant. “For six years now I have lived with this idea in my mind, this horrible uncertainty, this abominable suspicion. And each year an irresistible force takes me back to Pont Labbe. Every year I condemn myself to the torture of seeing this animal raking the manure, imagining that he resembles me, and endeavoring, always vainly, to render him some assistance. And each year I return more uncertain, more tormented, more worried. “I tried to have him taught, but he is a hopeless idiot. I tried to make his life less hard. He is an irreclaimable drunkard, and spends in drink all the money one gives him, and knows enough to sell his new clothes in order to get brandy. “I tried to awaken his master's sympathy, so that he should look after him, offering to pay him for doing so. The innkeeper, finally surprised, said, very wisely: 'All that you do for him, monsieur, will only help to destroy him. He must be kept like a prisoner. As soon as he has any spare time, or any comfort, he becomes wicked. If you wish to do good, there is no lack of abandoned children, but select one who will appreciate your attention.' “What could I say? “If I allowed the slightest suspicion of the doubts that tortured me to escape, this idiot would assuredly become cunning, in order to blackmail me, to compromise me and ruin me. He would call out 'papa,' as in my dream. “And I said to myself that I had killed the mother and lost this atrophied creature, this larva of the stable, born and raised amid the manure, this man who, if brought up like others, would have been like others. “And you cannot imagine what a strange, embarrassed and intolerable feeling comes over me when he stands before me and I reflect that he came from myself, that he belongs to me through the intimate bond that links father and son, that, thanks to the terrible law of heredity, he is my own self in a thousand ways, in his blood and his flesh, and that he has even the same germs of disease, the same leaven of emotions. “I have an incessant restless, distressing longing to see him, and the sight of him causes me intense suffering, as I look down from my window and watch him for hours removing and carting the horse manure, saying to myself: 'That is my son.' “And I sometimes feel an irresistible longing to embrace him. I have never even touched his dirty hand.” The academician was silent. His companion, a tactful man, murmured: “Yes, indeed, we ought to take a closer interest in children who have no father.” A gust of wind passing through the tree shook its yellow clusters, enveloping in a fragrant and delicate mist the two old men, who inhaled in the fragrance with deep breaths. The senator added: “It is good to be twenty-five and even to have children like that.”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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