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"The Setness of Theodosia" by Lucy Maud Montgomery is a captivating tale that revolves around the life of Theodosia, a spirited and imaginative young woman. Set against the backdrop of early 20th-century Canada, the story explores themes of personal identity, societal expectations, and the quest for belonging. As Theodosia navigates her relationships and aspirations, she grapples with the challenges of conformity and the desire for self-discovery. Montgomery’s lyrical prose brings to life the beauty of the natural world and the complexities of the human heart, making this novel a poignant reflection on the journey toward self-acceptance and fulfillment.


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Submitted by davidb on February 10, 2025


								
drive him into any cause. One day he told Theodosia that he was going. She was working her butter in her little, snowy-clean dairy under the great willows by the well. Wesley was standing in the doorway, his stout, broad-shouldered figure filling up the sunlit space. He was frowning and sullen. "I'm going west in two weeks' time with the boys, Dosia," he said stubbornly. "You can come with me or stay here--just exactly as you please. But I'm going." Theodosia went on spatting her balls of golden butter on the print in silence. She was looking very neat and pretty in her big white apron, her sleeves rolled up high above her plump, dimpled elbows, and her ruddy hair curling about her face and her white throat. She looked as pliable as her butter. Her silence angered her husband. He shuffled impatiently. "Well, what have you to say, Dosia?" "Nothing," said Theodosia. "If you have made up your mind to go, go you will, I suppose. But I will not. There is no use in talking. We've been over the ground often enough, Wes. The matter is settled." Up to that moment Wesley had always believed that his wife would yield at last, when she saw that he was determined. Now he realized that she never would. Under that exterior of milky, dimpled flesh and calm blue eyes was all the iron will of old dead and forgotten Henry Ford. This mildest and meekest of girls and wives was not to be moved a hairsbreadth by all argument or entreaty, or insistence on a husband's rights. A great, sudden anger came over the man. He lifted his hand and for one moment it seemed to Theodosia as if he meant to strike her. Then he dropped it with the first oath that had ever crossed his lips. "You listen to me," he said thickly. "If you won't go with me I'll never come back here--never. When you want to do your duty as a wife you can come to me. But I'll never come back." He turned on his heel and strode away. Theodosia kept on spatting her butter. The little perpendicular wrinkle had come between her brows again. At that moment an odd, almost uncanny resemblance to the old portrait of her great-great-grandfather, which hung on the parlour wall at home, came out on her girlish face. The fortnight passed by. Wesley was silent and sullen, never speaking to his wife when he could avoid it. Theodosia was as sweet and serene as ever. She made an extra supply of shirts and socks for him, put up his lunch basket, and packed his trunk carefully. But she never spoke of his journey. He did not sell his farm. Irving Brooke rented it. Theodosia was to live in the house. The business arrangements were simple and soon concluded. Heatherton folks gossiped a great deal. They all condemned Theodosia. Even her own people sided against her now. They hated to be mixed up in a local scandal, and since Wes was bound to go they told Theodosia that it was her duty to go with him, no matter how much she disliked it. It would be disgraceful not to. They might as well have talked to the four winds. Theodosia was immoveable. They coaxed and argued and blamed--it all came to the same thing. Even those of them who could be "set" enough themselves on occasion could not understand Theodosia, who had always been so tractable. They finally gave up, as Wesley had done, baffled. Time would bring her to her senses, they said; you just had to leave that still, stubborn kind alone. On the morning of Wesley's departure Theodosia arose at sunrise and prepared a tempting breakfast. Irving Brooke's oldest son, Stanley, who was to drive Wesley to the station, came over early with his express wagon. Wesley's trunk, corded and labelled, stood on the back platform. The breakfast was a very silent meal. When it was over Wesley put on his hat and overcoat and went to the door, around which Theodosia's morning-glory vines were beginning to twine. The sun was not yet above the trees and the long shadows lay on the dewy grass. The wet leaves were flickering on the old maples that grew along the fence between the yard and the clover field beyond. The skies were all pearly blue, cleanswept of clouds. From the little farmhouse the green meadows sloped down to the valley, where a blue haze wound in and out like a glistening ribbon. Theodosia went out and stood looking inscrutably on, while Wesley and Irving hoisted the trunk into the wagon and tied it. Then Wesley came up the porch steps and looked at her. "Dosia," he said a little huskily, "I said I wouldn't ask you to go again, but I will. Will you come with me yet?" "No," said Theodosia gently. He held out his hand. He did not offer to kiss her. "Goodbye, Dosia." "Goodbye, Wes." There was no tremor of an eyelash with her. Wesley smiled bitterly and turned away. When the wagon reached the end of the little lane he turned and looked back for the last time. Through all the years that followed he carried with him the picture of his wife as he saw her then, standing amid the airy shadows and wavering golden lights of the morning, the wind blowing the skirt of her pale blue wrapper about her feet and ruffling the locks of her bright hair into a delicate golden cloud. Then the wagon disappeared around a curve in the road, and Theodosia turned and went back into her desolate home. For a time there was a great buzz of gossip over the affair. People wondered over it. Old Jim Parmelee understood better than the others. When he met Theodosia he looked at her with a curious twinkle in his keen old eyes. "Looks as if a man could bend her any way he'd a mind to, doesn't she?" he said. "Looks is deceiving. It'll come out in her face by and by--she's too young yet, but it's there. It does seem unnatteral to see a woman so stubborn--you'd kinder look for it more in a man." Wesley wrote a brief letter to Theodosia when he reached his destination. He said he was well and was looking about for the best place to settle. He liked the country fine. He was at a place called Red Butte and guessed he'd locate there. Two weeks later he wrote again. He had taken up a claim of three hundred acres. Greene and Cary had done the same. They were his nearest neighbours and were three miles away. He had knocked up a little shack, was learning to cook his own meals, and was very busy. He thought the country was a grand one and the prospects good. Theodosia answered his letter and told him all the Heatherton news. She signed herself "Theodosia Brooke," but otherwise there was nothing in the letter to indicate that it was written by a wife to her husband. At the end of a year Wesley wrote and once more asked her to go out to him. He was getting on well, and was sure she would like the place. It was a little rough, to be sure, but time would improve that. "Won't you let bygones be bygones, Dosia?" he wrote, "and come out to
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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