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"The Schartz-Metterklume Method" is a satirical novella by Hector Hugh Munro, better known by his pen name Saki. The story revolves around the unconventional approach of a fictional character, Miss Schartz-Metterklume, who offers an eccentric method for education and reform, particularly focused on transforming manners and behavior. Through a blend of wit and social commentary, Saki explores themes of societal norms, the absurdity of certain educational practices, and the complexities of human interaction. The narrative reflects Saki's keen observation of Edwardian society, making it both entertaining and thought-provoking.


Year:
1914
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Submitted by davidb on February 09, 2025


								
discomfort on the window-seat behind her, with a wolf-skin rug almost covering her. “We are having a history lesson,” came the unexpected reply. “I am supposed to be Rome, and Viola up there is the she-wolf; not a real wolf, but the figure of one that the Romans used to set store by—I forget why. Claude and Wilfrid have gone to fetch the shabby women.” “The shabby women?” “Yes, they’ve got to carry them off. They didn’t want to, but Miss Hope got one of father’s fives-bats and said she’d give them a number nine spanking if they didn’t, so they’ve gone to do it.” A loud, angry screaming from the direction of the lawn drew Mrs. Quabarl thither in hot haste, fearful lest the threatened castigation might even now be in process of infliction. The outcry, however, came principally from the two small daughters of the lodge-keeper, who were being hauled and pushed towards the house by the panting and dishevelled Claude and Wilfrid, whose task was rendered even more arduous by the incessant, if not very effectual, attacks of the captured maidens’ small brother. The governess, fives-bat in hand, sat negligently on the stone balustrade, presiding over the scene with the cold impartiality of a Goddess of Battles. A furious and repeated chorus of “I’ll tell muvver” rose from the lodge-children, but the lodge-mother, who was hard of hearing, was for the moment immersed in the preoccupation of her washtub. After an apprehensive glance in the direction of the lodge (the good woman was gifted with the highly militant temper which is sometimes the privilege of deafness) Mrs. Quabarl flew indignantly to the rescue of the struggling captives. “Wilfrid! Claude! Let those children go at once. Miss Hope, what on earth is the meaning of this scene?” “Early Roman history; the Sabine Women, don’t you know? It’s the Schartz-Metterklume method to make children understand history by acting it themselves; fixes it in their memory, you know. Of course, if, thanks to your interference, your boys go through life thinking that the Sabine women ultimately escaped, I really cannot be held responsible.” “You may be very clever and modern, Miss Hope,” said Mrs. Quabarl firmly, “but I should like you to leave here by the next train. Your luggage will be sent after you as soon as it arrives.” “I’m not certain exactly where I shall be for the next few days,” said the dismissed instructress of youth; “you might keep my luggage till I wire my address. There are only a couple of trunks and some golf-clubs and a leopard cub.” “A leopard cub!” gasped Mrs. Quabarl. Even in her departure this extraordinary person seemed destined to leave a trail of embarrassment behind her. “Well, it’s rather left off being a cub; it’s more than half-grown, you know. A fowl every day and a rabbit on Sundays is what it usually gets. Raw beef makes it too excitable. Don’t trouble about getting the car for me, I’m rather inclined for a walk.” And Lady Carlotta strode out of the Quabarl horizon. The advent of the genuine Miss Hope, who had made a mistake as to the day on which she was due to arrive, caused a turmoil which that good lady was quite unused to inspiring. Obviously the Quabarl family had been woefully befooled, but a certain amount of relief came with the knowledge. “How tiresome for you, dear Carlotta,” said her hostess, when the overdue guest ultimately arrived; “how very tiresome losing your train and having to stop overnight in a strange place.” “Oh dear, no,” said Lady Carlotta; “not at all tiresome—for me.”
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Hector Hugh Munro

Hector Hugh Munro, commonly known by his pen name Saki, was a British author and playwright born on December 18, 1870, in Akyab, Burma (now Sittwe, Myanmar). He is renowned for his witty, satirical short stories that often feature themes of social commentary and the absurdities of Edwardian society. Saki's writing is characterized by its sharp humor and clever twist endings. Some of his most famous works include "The Open Window," "The Interlopers," and "Tobermory." His life was tragically cut short when he was killed in action during World War I on November 14, 1916. Saki remains a significant figure in English literature, celebrated for his unique style and keen observation of human nature. more…

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