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"The River of Life" by Aleksandr Kuprin is a poignant novella that explores themes of love, nature, and the human spirit. Set against the backdrop of the Russian landscape, the story follows the lives of fishermen and their interactions with the river that nourishes and sustains them. Kuprin skillfully weaves a narrative filled with rich imagery and deep philosophical reflections, addressing the struggle between personal desires and the relentless forces of nature. Through its vivid portrayal of the characters' lives and their connection to the river, the novella invites readers to contemplate the beauty and transience of existence.


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Submitted by davidb on February 02, 2025


								
difficult, no, quite impossible for men like me to live. ‘Yes, my darling, I have heard, seen, and read much in the last year. I tell you there came a moment of awful volcanic eruption. The flame of long pent-up anger broke out and overwhelmed everything: fear of the morrow, respect for parents, love of life, peaceful joys of family happiness. I know of boys, hardly more than children, who refused to have a bandage on their eyes when they were executed. I myself saw people who underwent tortures, yet uttered not a word. It was all born suddenly, in a tempestuous wind. Eagles awoke out of turkey eggs. Let who will arrest their flight! ‘I am quite certain that a sixth-form boy of to-day would proclaim the demands of his party, firmly, intelligently, perhaps with a touch of arrogance, in the presence of all the crowned heads and all the chiefs of police in Europe, in any throne room. It is true the precious schoolboy is very nearly ridiculous, but a sacred respect for his proud free self is already growing up within him, a respect for everything that has been corroded in us by spiritual poverty and anxious paternal morality. We must go to the devil. ‘It is just eight minutes to nine. At nine exactly it will be all over with me. A dog barks outside--one, two--then is silent for a little and--one, two, three. Perhaps, when my consciousness has been put out, and with it everything has disappeared from me for ever: towns, public squares, hooting steamers, mornings and nights, apartment rooms, ticking clocks, people, animals, the air the light and dark, time and space, and there is nothing--then there will be no thought of this “nothing”! Perhaps the dog will go on barking for a long while to-night, first twice, then three times.... ‘Five minutes to nine. A funny idea is occupying me. I think that a human thought is like a current from some electric centre, an intense, radiating vibration of the imponderable ether, poured out in the spaces of the world, and passing with equal ease through the atoms of stone, iron, and air. A thought springs from my brain and all the sphere of the universe begins to tremble, to ripple round me like water into which a stone is flung, like a sound about a vibrating string. And I think that when a man passes away his consciousness is put out, but his thought still remains, trembling in its former place. Perhaps the thoughts and dreams of all the people who were before me in this long, gloomy room are still hovering round me, directing my will in secret; and perhaps to-morrow a casual tenant of this room will suddenly begin to think of life, of death, and suicide, because I leave my thoughts behind me here. And who can say whether my thoughts, independent of weight and time and the obstacles of matter, are not at the same moment being caught by mysterious, delicate, but unconscious receivers in the brain of an inhabitant of Mars as well as in the brain of the dog who barks outside? Ah, I think that nothing in the world vanishes utterly--nothing--not only what is said, but what is thought. All our deeds and words and thoughts are little streams, trickling springs underground. I believe, I see, they meet, flow together into river-heads, ooze to the surface, run into rivulets, and now they rush in the wild, broad stream of the harmonious River of Life. The River of Life--how great it is! Sooner or later it will bear everything away, and wash down all the strongholds which imprisoned the freedom of the spirit. Where a shoal of triviality was before, there will be the profoundest depth of heroism. In a moment it will bear me away to a cold, remote, and inconceivable land, and perhaps within a year it will pour in torrents over all this mighty town and flood it and carry away in its waters not merely its ruins, but its very name. ‘Perhaps what I am writing is all ridiculous. I have two minutes left. The candle is burning and the clock ticking hurriedly in front of me. The dog is still barking. What if there remain nothing of me--nothing of me, or in me, but one thing only, the last sensation, perhaps pain, perhaps the sound of the pistol, perhaps wild naked terror; but it will remain for ever, for thousands of millions of centuries, in the millionth degree. ‘The hand has reached the hour. We’ll know it all now. No, wait. Some ridiculous modesty made me get up and lock the door. Good-bye. One word more. Surely the obscure soul of the dog must be far more susceptible to the vibrations of thought than the human.... Do they not bark because they feel the presence of a dead man? This dog that barks downstairs too. But in a second, new monstrous currents will rush out of the central battery of my brain and touch the poor brain of the dog. It will begin to howl with a queer, intolerable terror.... Good-bye, I’m going!’ The student sealed the letter--for some reason he carefully closed the ink-pot with a cork--and took a Browning out of his jacket pocket. He turned the safety catch from sur to feu. He put his legs apart so that he could stand firm, and closed his eyes. Suddenly, with both hands he swiftly raised the revolver to his right temple and pulled the trigger. ‘What’s that?’ Anna Friedrichovna asked in alarm. ‘That’s your student shooting himself,’ the lieutenant said carelessly. ‘They’re such canaille--these students....’ But Anna Friedrichovna jumped up and ran into the corridor, the lieutenant following at his leisure. From room No. 5 came a sour smell of gas and smokeless powder. They looked through the keyhole. The student lay on the floor. Within five minutes there was a thick, black, eager crowd standing in the street outside the hotel. In exasperation Arseny drove the outsiders away from the stairs. Commotion was everywhere in the hotel. A locksmith broke open the door of the room. The caretaker ran for the police; the chambermaid for the doctor. After some time appeared the police inspector, a tall thin young man with white hair, white eyelashes, and a white moustache. He was in uniform. His wide trousers were so full that they fell half way down over his polished jack-boots. Immediately he pressed his way through the public, and roared with the voice of authority, sticking out his bright eyes: ‘Get back! Clear off! I can’t understand what it is you find so curious here. Nothing at all. You, sir!... I ask you once more. And he looks like an intellectual, in a bowler hat.... What’s that? I’ll show you “police tyranny.” Mikhailtchuk, just take note of that man! Hi, where are you crawling to, boy? I’ll----’ The door was broken open. Into the room burst Anna Friedrichovna, the police inspector, the lieutenant, the four children; for witnesses, one policeman and two caretakers; and after them, the doctor. The student lay on the floor, with his face buried in the strip of grey carpet by the bed. His left arm was bent beneath his chest, his right flung out. The pistol lay on one side. Under his head was a pool of dark blood, and a little round hole in his left temple. The candle was still
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Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

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