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"The Revolt of Mary Isabel" is a short story by Lucy Maud Montgomery that explores themes of individuality, freedom, and the struggles of a young girl against societal expectations. The narrative centers around Mary Isabel, a girl who feels stifled by the conventional norms imposed on her by her family and community. As she navigates her feelings of rebellion and desires for autonomy, the story delves into the conflicts between personal aspirations and the roles assigned to women in her era. Montgomery's characteristic lyrical prose highlights the emotional depth of Mary Isabel's journey toward self-discovery and empowerment.


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Submitted by davidb on February 10, 2025


								
conscience would not let him say anything complimentary. So they left her out of the question and talked about the sea and the boats and poetry and flowers and similar non-combustible subjects. * * * * * These clandestine meetings had been going on for two months, ever since the day they had just happened to meet below the firs. It never occurred to Mary Isabel that the doctor meant anything but friendship; and if it had occurred to the doctor, he did not think there would be much use in saying so. Mary Isabel was too hopelessly under Louisa's thumb. She might keep tryst below the firs occasionally--so long as Louisa didn't know--but to no farther lengths would she dare go. Besides, the doctor wasn't quite sure that he really wanted anything more. Mary Isabel was a sweet little woman, but Dr. Hamilton had been a bachelor so long that it would be very difficult for him to get out of the habit; so difficult that it was hardly worth while trying when such an obstacle as Louisa Irving's tyranny loomed in the way. So he never tried to make love to Mary Isabel, though he probably would have if he had thought it of any use. This does not sound very romantic, of course, but when a man is fifty, romance, while it may be present in the fruit, is assuredly absent in blossom. "I suppose you won't be going to the induction of my nephew Thursday week?" said the doctor in the course of the conversation. "No. Louisa will not permit it. I had hoped," said Mary Isabel with a sigh, as she braided some silvery shore-grasses nervously together, "that when old Mr. Moody went away she would go back to the church here. And I think she would if--if--" "If Jim hadn't come in Mr. Moody's place," finished the doctor with his jolly laugh. Mary Isabel coloured prettily. "It is not because he is your nephew, doctor. It is because--because--" "Because he is the nephew of my brother who was on the other side in that ancient church fracas? Bless you, I understand. What a good hater your sister is! Such a tenacity in holding bitterness from one generation to another commands admiration of a certain sort. As for Jim, he's a nice little chap, and he is coming to live with me until the manse is repaired." "I am sure you will find that pleasant," said Mary Isabel primly. She wondered if the young minister's advent would make any difference in regard to these shore-meetings; then decided quickly that it would not; then more quickly still that it wouldn't matter if it did. "He will be company," admitted the doctor, who liked company and found the shore road rather lonesome. "I had a letter from him today saying that he'd come home with me from the induction. By the way, they're tearing down the old post office today. And that reminds me--by Jove, I'd all but forgotten. I promised to go up and see Mollie Marr this evening; Mollie's nerves are on the rampage again. I must rush." With a wave of his hand the doctor hurried off. Mary Isabel lingered for some time longer, leaning against the fence, looking dreamily out to sea. The doctor was a very pleasant companion. If only Louisa would allow neighbourliness! Mary Isabel felt a faint, impotent resentment. She had never had anything other girls had: friends, dresses, beaus, and it was all Louisa's fault--Louisa who was going to make her wear a bonnet for the rest of her life. The more Mary Isabel thought of that bonnet the more she hated it. That evening Warren Marr rode down to the shore cottage on horseback and handed Mary Isabel a letter; a strange, scrumpled, soiled, yellow letter. When Mary Isabel saw the handwriting on the envelope she trembled and turned as deadly pale as if she had seen a ghost: "Here's a letter for you," said Warren, grinning. "It's been a long time on the way--nigh fifteen years. Guess the news'll be rather stale. We found it behind the old partition when we tore it down today." "It is my brother Tom's writing," said Mary Isabel faintly. She went into the room trembling, holding the letter tightly in her clasped hands. Louisa had gone up to the village on an errand; Mary Isabel almost wished she were home; she hardly felt equal to the task of opening Tom's letter alone. Tom had been dead for ten years and this letter gave her an uncanny sensation; as of a message from the spirit-land. Fifteen years, ago Thomas Irving had gone to California and five years later he had died there. Mary Isabel, who had idolized her brother, almost grieved herself to death at the time. Finally she opened the letter with ice-cold fingers. It had been written soon after Tom reached California. The first two pages were filled with descriptions of the country and his "job." On the third Tom began abruptly: Look here, Mary Isabel, you are not to let Louisa boss you about as she was doing when I was at home. I was going to speak to you about it before I came away, but I forgot. Lou is a fine girl, but she is too domineering, and the more you give in to her the worse it makes her. You're far too easy-going for your own welfare, Mary Isabel, and for your own sake I Wish you had more spunk. Don't let Louisa live your life for you; just you live it yourself. Never mind if there is some friction at first; Lou will give in when she finds she has to, and you'll both be the better for it, I want you to be real happy, Mary Isabel, but you won't be if you don't assert your independence. Giving in the way you do is bad for both you and Louisa. It will make her a tyrant and you a poor-spirited creature of no account in the world. Just brace up and stand firm. When she had read the letter through Mary Isabel took it to her own room and locked it in her bureau drawer. Then she sat by her window, looking out into a sea-sunset, and thought it over. Coming in the strange way it had, the letter seemed a message from the dead, and Mary Isabel had a superstitious conviction that she must obey it. She had always had a great respect for Tom's opinion. He was right--oh, she felt that he was right. What a pity she had not received the letter long ago, before the shackles of habit had become so firmly riveted. But it was not too late yet. She would rebel at last and--how had Tom phrased it--oh, yes, assert her independence. She owed it to Tom; It had been his wish--and he was dead--and she would do her best to fulfil it. "I shan't get a bonnet," thought Mary Isabel determinedly. "Tom wouldn't have liked me in a bonnet. From this out I'm just going to do exactly as Tom would have liked me to do, no matter how afraid I am of Louisa. And, oh, I am horribly afraid of her." Mary Isabel was every whit as much afraid the next morning after breakfast but she did not look it, by reason of the flush on her cheeks and the glint in her brown eyes. She had put Tom's letter in
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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