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Le Rouge et le Noir is a historical psychological novel in two volumes by Stendhal, published in 1830. It chronicles the attempts of a provincial young man to rise socially beyond his modest upbringing through a combination of talent, hard work, deception, and hypocrisy.


Year:
1830
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Submitted by acronimous on December 01, 2019


								
No hypocrisy had sullied the purity of that naïve soul, now swept away by a passion such as it had never felt before. She deceived herself, but without knowing it. But none the less, a certain instinct of virtue was alarmed. Such were the combats which were agitating her when Julien appeared in the garden. She heard him speak and almost at the same moment she saw him sit down by her side. Her soul was as it were transported by this charming happiness which had for the last fortnight surprised her even more than it had allured. Everything was novel for her. None the less, she said to herself after some moments, "the mere presence of Julien is quite enough to blot out all his wrongs." She was frightened; it was then that she took away her hand. His passionate kisses, the like of which she had never received before, made her forget that perhaps he loved another woman. Soon he was no longer guilty in her eyes. The cessation of that poignant pain which suspicion had engendered and the presence of a happiness that she had never even dreamt of, gave her ecstasies of love and of mad gaiety. The evening was charming for everyone, except the mayor of Verrières, who was unable to forget his parvenu manufacturers. Julien left off thinking about his black ambition, or about those plans of his which were so difficult to accomplish. For the first time in his life he was led away by the power of beauty. Lost in a sweetly vague reverie, quite alien to his character, and softly pressing that hand, which he thought ideally pretty, he half listened to the rustle of the leaves of the pine trees, swept by the light night breeze, and to the dogs of the mill on the Doubs, who barked in the distance. But this emotion was one of pleasure and not passion. As he entered his room, he only thought of one happiness, that of taking up again his favourite book. When one is twenty the idea of the world and the figure to be cut in it dominate everything. He soon, however, laid down the book. As the result of thinking of the victories of Napoleon, he had seen a new element in his own victory. "Yes," he said to himself, "I have won a battle. I must exploit it. I must crush the pride of that proud gentleman while he is in retreat. That would be real Napoleon. I must ask him for three days' holiday to go and see my friend Fouqué. If he refuses me I will threaten to give him notice, but he will yield the point." Madame de Rênal could not sleep a wink. It seemed as though, until this moment, she had never lived. She was unable to distract her thoughts from the happiness of feeling Julian cover her hand with his burning kisses. Suddenly the awful word adultery came into her mind. All the loathesomeness with which the vilest debauchery can invest sensual love presented itself to her imagination. These ideas essayed to pollute the divinely tender image which she was fashioning of Julien, and of the happiness of loving him. The future began to be painted in terrible colours. She began to regard herself as contemptible. That moment was awful. Her soul was arriving in unknown countries. During the evening she had tasted a novel happiness. Now she found herself suddenly plunged in an atrocious unhappiness. She had never had any idea of such sufferings; they troubled her reason. She thought for a moment of confessing to her husband that she was apprehensive of loving Julien. It would be an opportunity of speaking of him. Fortunately her memory threw up a maxim which her aunt had once given her on the eve of her marriage. The maxim dealt with the danger of making confidences to a husband, for a husband is after all a master. She wrung her hands in the excess of her grief. She was driven this way and that by clashing and painful ideas. At one moment she feared that she was not loved. The next the awful idea of crime tortured her, as much as if she had to be exposed in the pillory on the following day in the public square of Verrières, with a placard to explain her adultery to the populace. Madame de Rênal had no experience of life. Even in the full possession of her faculties, and when fully exercising her reason, she would never have appreciated any distinction between being guilty in the eyes of God, and finding herself publicly overwhelmed with the crudest marks of universal contempt. When the awful idea of adultery, and of all the disgrace which in her view that crime brought in its train, left her some rest, she began to dream of the sweetness of living innocently with Julien as in the days that had gone by. She found herself confronted with the horrible idea that Julien loved another woman. She still saw his pallor when he had feared to lose her portrait, or to compromise her by exposing it to view. For the first time she had caught fear on that tranquil and noble visage. He had never shewn such emotion to her or her children. This additional anguish reached the maximum of unhappiness which the human soul is capable of enduring. Unconsciously, Madame de Rênal uttered cries which woke up her maid. Suddenly she saw the brightness of a light appear near her bed, and recognized Elisa. "Is it you he loves?" she exclaimed in her delirium. Fortunately, the maid was so astonished by the terrible trouble in which she found her mistress that she paid no attention to this singular expression. Madame de Rênal appreciated her imprudence. "I have the fever," she said to her, "and I think I am a little delirious." Completely woken up by the necessity of controlling herself, she became less unhappy. Reason regained that supreme control which the semi-somnolent state had taken away. To free herself from her maid's continual stare, she ordered her maid to read the paper, and it was as she listened to the monotonous voice of this girl, reading a long article from the Quotidienne that Madame de Rênal made the virtuous resolution to treat Julien with absolute coldness when she saw him again. CHAPTER XII A JOURNEY Elegant people are to be found in Paris. People of character may exist in the provinces.--Sièyes At five o'clock the following day, before Madame de Rênal was visible, Julien obtained a three days' holiday from her husband. Contrary to his expectation Julien found himself desirous of seeing her again. He kept thinking of that pretty hand of hers. He went down into the garden, but Madame de Rênal kept him waiting for a long time. But if Julien had loved her, he would have seen her forehead glued to the pane behind the half-closed blinds on the first floor. She was looking at him. Finally, in spite of her resolutions, she decided to go into the garden. Her habitual pallor had been succeeded by more lively hues. This woman, simple as she was, was manifestly agitated; a sentiment of constraint, and even of anger, altered that expression of profound serenity which seemed, as it were, to be above all the vulgar interests of life and gave so much charm to that divine face.
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Stendhal

Marie-Henri Beyle, better known by his pen name Stendhal, was a 19th-century French writer. Best known for the novels Le Rouge et le Noir and La Chartreuse de Parme, he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. more…

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