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"The Prisoners" by Guy de Maupassant is a poignant short story that explores the themes of freedom and confinement during the Franco-Prussian War. The narrative focuses on a group of soldiers who find themselves captured and imprisoned by the enemy. Through their experiences, Maupassant delves into the psychological impacts of war, the longing for liberty, and the complexities of human relationships in dire circumstances. The story sheds light on the stark realities of conflict while provoking deep reflections on the nature of captivity, both physical and emotional.


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Submitted by davidb on February 03, 2025


								
The old mother had resumed her spinning, casting from time to time a furtive and uneasy glance at the soldiers. Nothing was to be heard save the humming of the wheel, the crackling of the fire, and the singing of the water in the pot. But suddenly a strange noise—a sound like the harsh breathing of some wild animal sniffing under the door-startled the occupants of the room. The German officer sprang toward the rifles. Berthine stopped him with a gesture, and said, smilingly: “It's only the wolves. They are like you—prowling hungry through the forest.” The incredulous man wanted to see with his own eyes, and as soon as the door was opened he perceived two large grayish animals disappearing with long, swinging trot into the darkness. He returned to his seat, muttering: “I wouldn't have believed it!” And he waited quietly till supper was ready. The men devoured their meal voraciously, with mouths stretched to their ears that they might swallow the more. Their round eyes opened at the same time as their jaws, and as the soup coursed down their throats it made a noise like the gurgling of water in a rainpipe. The two women watched in silence the movements of the big red beards. The potatoes seemed to be engulfed in these moving fleeces. But, as they were thirsty, the forester's daughter went down to the cellar to draw them some cider. She was gone some time. The cellar was small, with an arched ceiling, and had served, so people said, both as prison and as hiding-place during the Revolution. It was approached by means of a narrow, winding staircase, closed by a trap-door at the farther end of the kitchen. When Berthine returned she was smiling mysteriously to herself. She gave the Germans her jug of cider. Then she and her mother supped apart, at the other end of the kitchen. The soldiers had finished eating, and were all six falling asleep as they sat round the table. Every now and then a forehead fell with a thud on the board, and the man, awakened suddenly, sat upright again. Berthine said to the officer: “Go and lie down, all of you, round the fire. There's lots of room for six. I'm going up to my room with my mother.” And the two women went upstairs. They could be heard locking the door and walking about overhead for a time; then they were silent. The Prussians lay down on the floor, with their feet to the fire and their heads resting on their rolled-up cloaks. Soon all six snored loudly and uninterruptedly in six different keys. They had been sleeping for some time when a shot rang out so loudly that it seemed directed against the very wall's of the house. The soldiers rose hastily. Two-then three-more shots were fired. The door opened hastily, and Berthine appeared, barefooted and only half dressed, with her candle in her hand and a scared look on her face. “There are the French,” she stammered; “at least two hundred of them. If they find you here they'll burn the house down. For God's sake, hurry down into the cellar, and don't make a sound, whatever you do. If you make any noise we are lost.” “We'll go, we'll go,” replied the terrified officer. “Which is the way?” The young woman hurriedly raised the small, square trap-door, and the six men disappeared one after another down the narrow, winding staircase, feeling their way as they went. But as soon as the spike of the out of the last helmet was out of sight Berthine lowered the heavy oaken lid—thick as a wall, hard as steel, furnished with the hinges and bolts of a prison cell—shot the two heavy bolts, and began to laugh long and silently, possessed with a mad longing to dance above the heads of her prisoners. They made no sound, inclosed in the cellar as in a strong-box, obtaining air only from a small, iron-barred vent-hole. Berthine lighted her fire again, hung the pot over it, and prepared more soup, saying to herself: “Father will be tired to-night.” Then she sat and waited. The heavy pendulum of the clock swung to and fro with a monotonous tick. Every now and then the young woman cast an impatient glance at the dial-a glance which seemed to say: “I wish he'd be quick!” But soon there was a sound of voices beneath her feet. Low, confused words reached her through the masonry which roofed the cellar. The Prussians were beginning to suspect the trick she had played them, and presently the officer came up the narrow staircase, and knocked at the trap-door. “Open the door!” he cried. “What do you want?” she said, rising from her seat and approaching the cellarway. “Open the door!” “I won't do any such thing!” “Open it or I'll break it down!” shouted the man angrily. She laughed. “Hammer away, my good man! Hammer away!” He struck with the butt-end of his gun at the closed oaken door. But it would have resisted a battering-ram. The forester's daughter heard him go down the stairs again. Then the soldiers came one after another and tried their strength against the trapdoor. But, finding their efforts useless, they all returned to the cellar and began to talk among themselves. The young woman heard them for a short time, then she rose, opened the door of the house; looked out into the night, and listened. A sound of distant barking reached her ear. She whistled just as a huntsman would, and almost immediately two great dogs emerged from the darkness, and bounded to her side. She held them tight, and shouted at the top of her voice: “Hullo, father!” A far-off voice replied: “Hullo, Berthine!” She waited a few seconds, then repeated: “Hullo, father!” The voice, nearer now, replied: “Hullo, Berthine!” “Don't go in front of the vent-hole!” shouted his daughter. “There are Prussians in the cellar!” Suddenly the man's tall figure could be seen to the left, standing between two tree trunks. “Prussians in the cellar?” he asked anxiously. “What are they doing?” The young woman laughed. “They are the same as were here yesterday. They lost their way, and I've given them free lodgings in the cellar.” She told the story of how she had alarmed them by firing the revolver, and had shut them up in the cellar. The man, still serious, asked: “But what am I to do with them at this time of night?” “Go and fetch Monsieur Lavigne with his men,” she replied. “He'll take them prisoners. He'll be delighted.” Her father smiled. “So he will-delighted.” “Here's some soup for you,” said his daughter. “Eat it quick, and then be off.” The old keeper sat down at the table, and began to eat his soup, having first filled two plates and put them on the floor for the dogs. The Prussians, hearing voices, were silent. Long-legs set off a quarter of an hour later, and Berthine, with her head between her hands, waited. The prisoners began to make themselves heard again. They shouted, called, and beat furiously with the butts of their muskets against the rigid trap-door of the cellar.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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